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11
48
AUX 1 + AUX 2 PRE/POST CHANNEL 17/18 AND 19/20
When using AUX 1 or AUX 2 to control an external effects device, bring the switch to the down position POST. The control signal is now picked up
after the channel volume controller (N 53), it is therefore dependent on the latter. To control a stage monitor, bring the switch to the up position
PRE. The signal is picked up before the channel volume controller (N 53) and the volume of the stage monitor can be adjusted independently of the
channel volume.
49
AUX 3 POST CHANNEL 17/18 AND 19/20
Volume controller for adding the signal from channel 17/18 and 19/20 to an external effects device (Effect Send, Post Fader). Use the line output
AUX SEND 3 (N 12) for activation.
50
LEVEL DFX / AUX 4 POST CHANNEL 17/18 AND 19/20
Volume controller for adding the signal from channel 17/18 and 19/20 to the internal digital effects device (effect send, post fader). Use the line
output AUX SEND 4 (N 12) for activating an external effect. When using the AUX SEND 4 jack socket, the internal effects device is automatically
bypassed, and is therefore not usable.
51
BAL CHANNEL 17/18 AND 19/20
Use the balance controller to set the relative volume between the left and right part of the connected stereo signal. When only the XLR socket or left
socket L (MONO) of the line input of channels 17/18 and 19/20 is in use, the controller performs the function of a Panorama controller.
52
MUTE CHANNEL 17/18 AND 19/20
To mute a channel, press down on the MUTE switch of the corresponding channel. The MUTE LED of the selected channel then lights up. When
disabling the mute function, the MUTE LED goes out.
53
FADER CHANNEL 17/18 AND 19/20
Volume controller for channels 17/18 and 19/20. Push the Fader button upwards to increase the volume of the corresponding channel and
downwards to decrease it.
54
SIGNAL-LED CHANNEL 17/18 AND 19/20
The signal LED lights up as soon as an audio signal is present at the corresponding channel (depending on the input level and setting of the gain or
input sensitivity - GAIN).
55
CLIP-LED CHANNEL 17/18 AND 19/20
Once the red Clip LED lights up, the corresponding channel is operating at the distortion limit. Adjust the Gain controller (N 41) so that the Clip LED
of the corresponding channel only lights up briefly when signal peaks occur. Avoid the permanent lighting of the Clip LED by reducing the input gain
or input sensitivity; if necessary, reduce the volume of an external audio device.
56
GR 1/2 CHANNEL 17/18 AND 19/20
Press down on the GR 1/2 switch to add the corresponding channel to the channel group 1 (BAL all the way to the left), to the channel group 2 (BAL
all the way to the right), or to both groups of channel groups 1 and 2 in the same proportion (BAL in central position). The signals of the channels
grouped together in one group are routed simultaneously to the corresponding line outputs GROUP OUT 1/2. The total volume of the resulting group
is adjusted using the volume controller GROUP 1/2 (N 104); if the audio signals of the group are to be routed to the MAIN MIX sum channel, press
down on the L-R switch (N 105).
57
GR 3/4 CHANNEL 17/18 AND 19/20
Press down on the GR 3/4 switch to add the corresponding channel to the channel group 3 (BAL all the way to the left), to the channel group 4 (BAL
all the way to the right), or to both groups of channel groups 3 and 4 in the same proportion (BAL in central position). The signals of the channels
grouped together in one group are routed simultaneously to the corresponding line outputs GROUP OUT 3/4. The total volume of the resulting group
is adjusted using the volume controller GROUP 3/4 (N 106); if the audio signals of the group are to be routed to the MAIN MIX sum channel, press
down on the L-R switch (N 107).
58
L-R CHANNEL 17/18 AND 19/20
To route an input channel (channel 17/18 and 19/20) directly to the MAIN MIX sum channel, press down on the L-R switch of the corresponding
channel.
