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Pawn Shop Comp 2.0 -  User Manual 

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OVERVIEW 

The Pawn Shop Comp (we aren't going to write 2.0 anymore) has a wide range of controls 
organized into the Front and "the Other Side." 

The compressor controls are principally on the front panel of the PSC. If you click on the 
Korne

 Audio nameplate, the GUI changes and you're presented with even more controls. 

This additional functionality makes the Pawn Shop Comp closer to an entire channel strip. 

On the other side you can access a tube preamp, with adjustable gain and bias, which lets 
add warmth and grit by adding harmonic distortion, and a two band EQ section, which lets 
you add gentle vintage-style peaking equalization curves to the lows and mids. The preamp 
has three choices of tubes, which allow you to further control saturation characteristics, 
and three switchable transformer types, which give you surprising control over the overall 
response of the plugin. 

There's also an Operating Level control, which emulates mismatched gear levels, and lets 
you dial in even more punch and attitude. There are output and input controls to properly 
gain stage the Pawn Shop Comp in your signal 

ow, as well as a WET/DRY control for built-

in parallel processing. 

Finally, you can switch between four sets of di

erent resistors, which a

ect the high end 

response, and two di

erent types of FET's that yield di

erent compression curves. 

It is a bit  overwhelming, but we like to say the PSC is a reverse mullet: the party is up front, 
and the business is out back. So, if you want to make things easy on yourself, the front 
panel compressor controls are all you need to quickly and intuitively dial in great sounds. 
However, if you really want to 

ne tune the heck out of your signal and get the full 

functionality of the plugin, go to the "other side" and go berzerk. You can tweak almost 
everything back there. 

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Содержание PAWN SHOP COMP 2.0

Страница 1: ...PAWN SHOP COMP 2 0 USER MANUAL korne audio com...

Страница 2: ...on your track The tube ampli er s Preamp section lets you adjust the warmth and grit of your signal by adding harmonic distortion The solid state FET sidechain delivers the punchy distinctive compres...

Страница 3: ...________________ TABLE OF CONTENTS 1 Introduction 2 Table of Contents 3 Speci cations 4 Overview 5 Front Panel Controls 6 Ideas on Setting the Compressor 7 Rear Panel Controls The Other Side 8 Ideas o...

Страница 4: ...ng At 30 db of compression Less than 6 5 25 10 000 cycles 0 db threshold setting Noise Level 74 db below rated output 111 dbm equivalent input noise Input Impedance 15 000 ohms bridging transformer So...

Страница 5: ...saturation characteristics and three switchable transformer types which give you surprising control over the overall response of the plugin There s also an Operating Level control which emulates misma...

Страница 6: ...up gain 90 of the time you switch this on MANUAL MAKEUP GAIN twist the screw at the center of the VU meter to manually adjust makeup gain by 18dB THRESHOLD lower this turn counter clockwise to set the...

Страница 7: ...PRESET BROWSER click on the piece of tape with the Sharpie Text where it says PAWN SHOP COMP to access the preset browser and load and save presets IDEAS ON SETTING THE COMPRESSOR When the Pawn Shop C...

Страница 8: ...optical detector circuit We advise you to adjust the compressor section of the Pawn Shop Comp using your ears and not your eyes You ll be playing with it it will sound great then you ll notice the me...

Страница 9: ...s emulating setting tube bias incorrectly In an actual piece of physical equipment this wouldn t be the best idea On the Pawn Shop Comp do what you want you won t break anything except the sound barri...

Страница 10: ...stic guitars a little bit of cut at 171Hz can clean up an otherwise lumpy chesty sounding track FOCUS this adjusts a gentle wide Q peak style inductor EQ centered at 1 2 kHz and 2 4kHz It s initially...

Страница 11: ...round o the high end a bit and add a bit of noise for a more vintage vibe This is a very subtle e ect and it will get lost in a big thick mix However if you re working with less sound sources a voice...

Страница 12: ...mulation you can tweak it in ways that you would never do with a physical piece of audio equipment In the real world things blow up and burn out HOWEVER all digital equipment is capable of tremendous...

Страница 13: ...tends to dull down the entire guitar sound On The Other Side the WEIGHT control is almost speci cally designed to add back in missing bottom end on compressed guitars while FOCUS will bring out note a...

Страница 14: ...everything from kicks to snares to toms Turning up OPERATING LEVEL by 3dB or more makes drums jump out of the speakers like cannons Dialing in a higher BIAS setting can add vintage overload crunch to...

Страница 15: ...mix because the high end is usually in the transients Perhaps start with Attack fully to the left and ease it to the right until the mix sort of peps up and pops Remember that RELEASE e ects how much...

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