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Pawn Shop Comp 2.0 -  User Manual 

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Across the Mix Bus 

The Pawn Shop Comp wasn't speci

cally designed for use across the mix bus, but, 

predictably, it works great there as well.  

For a more vintage sound to your overall compression, switch in the 5751 tubes and the 
STEEL transformer. The CARBON COMP resistor setting will pull down the highs a bit and 
the overall sound will be smoky and loose. If it is too dull, either switch resistors to 
something in the METAL FILM family or use the WET/DRY control to ease o

 the e

ect and 

add back some of the unprocessed signal to restore the high end a bit.  

For a modern bus compressor sound, use the NICKEL transformers and METAL FILM 
resistors. 

The Pawn Shop Comp across a mix adds a lot of punch, especially if you set the ATTACK a 
bit slow and the RELEASE on the short side.  

Remember that ATTACK e

ects the wavefront—the start of signals, the transients. Too fast 

an attack and you'll dull down your whole mix because the high end is usually in the 
transients. Perhaps start with Attack fully to the left and ease it to the right until the mix 
sort of peps up and pops. 

Remember that RELEASE e

ects how much the dynamics of the song vary from section to 

section, and how much quiet detail can be heard. Release e

ects the wave ends. That 

might not be a real term, but think of it as the portion of the signal as it dies out. Start with 
the RELEASE at 12 o'clock and experiment moving it to the left and to the right. There's a 
spot where the mix will sound even and yet is exciting. That is where you want to set that 
release. 

People talk about bus compressors adding "Glue" and getting everything to work together 
harmoniously. The Pawn Shop Comp is more like epoxy on a mix if you overdo it… ever get 
epoxy everywhere? It makes a mess. However, feel free to overdo it, and then back it down 
using WET/DRY.  

CONCLUSIONS 

Ok, there it is—the Pawn Shop Comp in a huge nutshell. Please visit our Facebook group 
(https://www.facebook.com/Korne

Audio/) and leave a message there if you have any 

questions, or email us directly at info@korne

audio.com. 

Thanks again for supporting Korne

 Audio. We hope you love your Pawn Shop Comp. 

Make great records! Make great music.

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Содержание PAWN SHOP COMP 2.0

Страница 1: ...PAWN SHOP COMP 2 0 USER MANUAL korne audio com...

Страница 2: ...on your track The tube ampli er s Preamp section lets you adjust the warmth and grit of your signal by adding harmonic distortion The solid state FET sidechain delivers the punchy distinctive compres...

Страница 3: ...________________ TABLE OF CONTENTS 1 Introduction 2 Table of Contents 3 Speci cations 4 Overview 5 Front Panel Controls 6 Ideas on Setting the Compressor 7 Rear Panel Controls The Other Side 8 Ideas o...

Страница 4: ...ng At 30 db of compression Less than 6 5 25 10 000 cycles 0 db threshold setting Noise Level 74 db below rated output 111 dbm equivalent input noise Input Impedance 15 000 ohms bridging transformer So...

Страница 5: ...saturation characteristics and three switchable transformer types which give you surprising control over the overall response of the plugin There s also an Operating Level control which emulates misma...

Страница 6: ...up gain 90 of the time you switch this on MANUAL MAKEUP GAIN twist the screw at the center of the VU meter to manually adjust makeup gain by 18dB THRESHOLD lower this turn counter clockwise to set the...

Страница 7: ...PRESET BROWSER click on the piece of tape with the Sharpie Text where it says PAWN SHOP COMP to access the preset browser and load and save presets IDEAS ON SETTING THE COMPRESSOR When the Pawn Shop C...

Страница 8: ...optical detector circuit We advise you to adjust the compressor section of the Pawn Shop Comp using your ears and not your eyes You ll be playing with it it will sound great then you ll notice the me...

Страница 9: ...s emulating setting tube bias incorrectly In an actual piece of physical equipment this wouldn t be the best idea On the Pawn Shop Comp do what you want you won t break anything except the sound barri...

Страница 10: ...stic guitars a little bit of cut at 171Hz can clean up an otherwise lumpy chesty sounding track FOCUS this adjusts a gentle wide Q peak style inductor EQ centered at 1 2 kHz and 2 4kHz It s initially...

Страница 11: ...round o the high end a bit and add a bit of noise for a more vintage vibe This is a very subtle e ect and it will get lost in a big thick mix However if you re working with less sound sources a voice...

Страница 12: ...mulation you can tweak it in ways that you would never do with a physical piece of audio equipment In the real world things blow up and burn out HOWEVER all digital equipment is capable of tremendous...

Страница 13: ...tends to dull down the entire guitar sound On The Other Side the WEIGHT control is almost speci cally designed to add back in missing bottom end on compressed guitars while FOCUS will bring out note a...

Страница 14: ...everything from kicks to snares to toms Turning up OPERATING LEVEL by 3dB or more makes drums jump out of the speakers like cannons Dialing in a higher BIAS setting can add vintage overload crunch to...

Страница 15: ...mix because the high end is usually in the transients Perhaps start with Attack fully to the left and ease it to the right until the mix sort of peps up and pops Remember that RELEASE e ects how much...

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