background image

Pawn Shop Comp 2.0 -  User Manual 

___________________________________________________________________________________________________

get the meter jumping. Too short a RELEASE can result in some strange things in the 
bottom end as the compressor starts “riding”  the peaks and valleys of the waveform rather 
than responding to the bass sound in its entirety (all compressors with a fast release do 
this). Use the ATTACK to get control of the transient, set it slower to make the bass 
punchier. 

On the Other Side, use BIAS to get a fuzz bass e

ect, FOCUS can make things more 

articulate, and WEIGHT set at 63Hz can strengthen the bottom end if you crank it way up. 
You might also think about doing a small cut with WEIGHT at 63Hz if the bass is getting in 
the way of the kick, or if the whole bottom end is a bit too big. 

On Electric Guitars 

Pawn Shop Comp ’s designer, Dan Korne

, is renown for guitar sounds, so it is a given that 

the Pawn Shop Comp sounds great on electric guitars. Use slower settings on the ATTACK 
control to bring out picking and percussiveness. Setting the RELEASE long can make hand 
noise and hum less obtrusive, but too long a release tends to dull down the entire guitar 
sound.  

On The Other Side, the WEIGHT control is almost speci

cally designed to add back in 

missing bottom end on compressed guitars, while FOCUS will bring out note articulation. 
Use the 63Hz setting for really low guitar parts (maybe throw a high pass 

lter on the 

channel 

rst to get rid of any guitar subharmonics). The 171Hz setting will bring out electric 

guitar warmth. BIAS and PREAMP can be used together to add a nice simulation of  old 
tube amp crunch and breakup. Switch to the ECC83 and the IRON transformer for a more 
high gain amp sound. 

On Acoustic Guitars 

The same ideas apply to acoustic guitars as electric: control the percussive character of the 
acoustic guitar using the ATTACK knob, use the RELEASE to control resonance and sustain, 
as well as sparkle. 

The WEIGHT control on the back can be used to cut out some lower end boom (171Hz), and 
a boost in FOCUS at 1.2kHz will increase articulation and presence. For more sheen, set 
FOCUS at 2.4kHz. 

On Vocals 

The Pawn Shop Comp can be used to barely touch a vocal or smash it to hell and back. 
ATTACK controls the bite and intelligibility of the vocal, RELEASE controls breathiness and 
can be used to increase intimacy (at faster settings). Long RELEASE settings will dramatically 
smooth vocals out. Start with RATIO at 4:1 and see where it goes from there.  

12

Содержание PAWN SHOP COMP 2.0

Страница 1: ...PAWN SHOP COMP 2 0 USER MANUAL korne audio com...

Страница 2: ...on your track The tube ampli er s Preamp section lets you adjust the warmth and grit of your signal by adding harmonic distortion The solid state FET sidechain delivers the punchy distinctive compres...

Страница 3: ...________________ TABLE OF CONTENTS 1 Introduction 2 Table of Contents 3 Speci cations 4 Overview 5 Front Panel Controls 6 Ideas on Setting the Compressor 7 Rear Panel Controls The Other Side 8 Ideas o...

Страница 4: ...ng At 30 db of compression Less than 6 5 25 10 000 cycles 0 db threshold setting Noise Level 74 db below rated output 111 dbm equivalent input noise Input Impedance 15 000 ohms bridging transformer So...

Страница 5: ...saturation characteristics and three switchable transformer types which give you surprising control over the overall response of the plugin There s also an Operating Level control which emulates misma...

Страница 6: ...up gain 90 of the time you switch this on MANUAL MAKEUP GAIN twist the screw at the center of the VU meter to manually adjust makeup gain by 18dB THRESHOLD lower this turn counter clockwise to set the...

Страница 7: ...PRESET BROWSER click on the piece of tape with the Sharpie Text where it says PAWN SHOP COMP to access the preset browser and load and save presets IDEAS ON SETTING THE COMPRESSOR When the Pawn Shop C...

Страница 8: ...optical detector circuit We advise you to adjust the compressor section of the Pawn Shop Comp using your ears and not your eyes You ll be playing with it it will sound great then you ll notice the me...

Страница 9: ...s emulating setting tube bias incorrectly In an actual piece of physical equipment this wouldn t be the best idea On the Pawn Shop Comp do what you want you won t break anything except the sound barri...

Страница 10: ...stic guitars a little bit of cut at 171Hz can clean up an otherwise lumpy chesty sounding track FOCUS this adjusts a gentle wide Q peak style inductor EQ centered at 1 2 kHz and 2 4kHz It s initially...

Страница 11: ...round o the high end a bit and add a bit of noise for a more vintage vibe This is a very subtle e ect and it will get lost in a big thick mix However if you re working with less sound sources a voice...

Страница 12: ...mulation you can tweak it in ways that you would never do with a physical piece of audio equipment In the real world things blow up and burn out HOWEVER all digital equipment is capable of tremendous...

Страница 13: ...tends to dull down the entire guitar sound On The Other Side the WEIGHT control is almost speci cally designed to add back in missing bottom end on compressed guitars while FOCUS will bring out note a...

Страница 14: ...everything from kicks to snares to toms Turning up OPERATING LEVEL by 3dB or more makes drums jump out of the speakers like cannons Dialing in a higher BIAS setting can add vintage overload crunch to...

Страница 15: ...mix because the high end is usually in the transients Perhaps start with Attack fully to the left and ease it to the right until the mix sort of peps up and pops Remember that RELEASE e ects how much...

Отзывы: