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SC4 M&S DAD Stereo Compressor - User's guide

SC4

6

TIE JOEMEEK COMPRESSOR

WHY IT SOUNDS THE WAY IT DOES

Conventional compressors used to be called 'levelling amplifiers'. They were
designed originally to reduce the dynamic range of all program material so that
it would record properly onto media that had limited range such as optical film
and vinyl disc. As an engineering tool the compressor had to work in as linear a
manner as possible and to be as unobtrusive as possible, so the attack
characteristic (that is the way the changes in volume take place) had to be
smooth, and the release (how the gain recovered when the audio signal was
removed) needed to be long. While experimenting with levelling amplifiers,
engineers found that the application of compression had an effect on the
perceived sound of music. The changes were subtle but definite. Equipment
manufacturers over the years have tried to combine the requirements of
engineers and produce compression devices which are both usable as levelling
amplifiers and as effects units. This has been a completely wrong approach and
has only served to create bad reputations for a number of products because,
although they behave beautifully as engineering devices, they actually sound
unmusical.

The JOEMEEK compressor is the first device commercially available to have
been designed purely as an effects compressor. Its purpose is to change the
way the ear perceives the sound; its action changes the clarity, balance and
even rhythmic feel of music.

DYNAMICS

The human ear has a fantastic dynamic range; it hears and can interpret
sounds from as low as a pin dropping, up to being next to a pneumatic drill. In
fact, there are mechanisms in hearing which act as 'levelling amplifiers' and
allow us to be able to hear and interpret this extreme range. When very loud
music is heard, there are two main mechanisms that allow us to make sense of
the sounds. These are real biological compressors; the first one in 'software'
affecting the way the brain interprets signals from the inner ear, the second is
'hardware' in the way the electrochemical impulses are passed from the inner
ear. First there is a 'software compressor' in the brain that softens the effect of
the loud sounds. This effect is fast acting and not long lasting. It acts over the
whole frequency range and its effect is to soften the very loud peaks of noise or
sound, if the sound is removed or stopped suddenly, then your 'ears' (actually
your brain) recovers in just a couple of seconds to full sensitivity. Because we
all live with the effect all our lives, it is rarely noticed.

Содержание SC4

Страница 1: ...ERFECT STEREO IMAGING DIGITAL AND ANALOGUE FLEXIBILITY User s Guide The SC4 Stereo Compressor delivers perfect stereo imaging and control classic JOEMEEK sound and complete analogue and digital flexibility to recording studios broadcasters and post production suites ...

Страница 2: ... sounds the way it does 6 Mimic Rock concerts 7 Time 8 CONTROLS AND INDICATORS 9 INPUTS AND OUTPUTS 11 TECHNICAL SPECIFICATION 12 SAFETY WARRANTY 13 Ted Fletcher This instruction book was written by Ted Fletcher the designer of the original JOEMEEK compressor and the whole JOEMEEK range of professional audio equipment Ted worked in the studio with Joe Meek the legendary record producer in the mid ...

Страница 3: ... SC4 brings the Joemeek compressor fully up to date with the addition of a super quality yet flexible digital interface and the introduction of some new features to make working in the digital domain even easier In the Joemeek studio we have been experimenting with sum and difference or MS recording and processing this is a technique where a stereo signal is changed to sum and difference the sum r...

Страница 4: ... processing the width information independently of the volume information The signals go through the compression circuits where a non linear sidechain drives light sources and the actual compression is done with photo resistors This is the heart of the Joemeek sound Because of the difficulties in achieving a true hard wired bypass switch especially with digital the compression in out switch has th...

Страница 5: ...After compression and the analogue output gain control the decoded audio signal drives both the analogue output stages and the analogue to digital converters The clocking of the digital output is selectable A local remote switch selects whether the output follows the incoming clock or generates a local clock Another select switch determines the local clock setting 44 1 or 48KHz LEDs show the selec...

Страница 6: ...lly as engineering devices they actually sound unmusical The JOEMEEK compressor is the first device commercially available to have been designed purely as an effects compressor Its purpose is to change the way the ear perceives the sound its action changes the clarity balance and even rhythmic feel of music DYNAMICS The human ear has a fantastic dynamic range it hears and can interpret sounds from...

Страница 7: ... amplifier is reduced If the input level keeps rising gradually the gain reduction becomes LESS effective and the amplifier goes back to being a linear amplifier except with the volume turned down And this is precisely how the human ear behaves So the ear is fooled into thinking that the JM compressed sound is louder than it really is but without the strange psychoacoustic effect of deadness that ...

Страница 8: ...y design TIME Of course the JoeMeek compound compression curves tell only part of the story There are also the time constants of attack and release which have enormous effect on the musicality of the sound The attack time produces audio punch that again is a psychoacoustic effect different attack times mimicking different levels of human biological compression Release time is even more important t...

Страница 9: ... the D A converter A yellow LED indicates that the digital input is live M S INPUT is a push button that disables the internal M S coder In this mode the output of microphone amplifiers with M S microphones attached or M S recordings can be directly connected to the SC4 COMPRESSION is a rotary control setting the amount of drive to the compressor sidechain The range is from off to maximum compress...

Страница 10: ... whether to follow external or internal clock The button is only active when there is a digital source connected SAMPLERATE push button sets the internal clock to 44 1 or 48KHz EXT SYNC LED illuminates when a digital input is present Samplerate LEDs show the selected frequency They are only alight when the local onboard clock is active On the rear panel there is a single push button When out the d...

Страница 11: ...ided so that additional analogue circuits may be inserted into the sum and difference MS path The tip is the buffered analogue output of the MS coder the ring is the input of the compressor DIGITAL INPUTS AND OUTPUTS All digital connections DC isolated from analogue systems TOSLINK Optical inputs and outputs AES EBU XLR input and output POWER Power input is 230 or 115VAC at approx 12 watts Voltage...

Страница 12: ...alogue path 0 1dB 10Hz to 20KHz digital path HARMONIC DISTORTION less than 0 01 at all frequencies and levels except under compression where 2nd harmonic distortion is generated by the compression MAX OUTPUT 26dBu NOISE less than 84dBu dynamic range exceeds 110dB DIGITAL SIGNAL PATH INPUTS AND OUTPUTS optional on some models AES EBU and TOSLINK OPTICAL CONVERSION PERFORMANCE A D 1 bit system produ...

Страница 13: ...curs excluding physical mistreatment within 12 months of purchase no service charge will be made Manufactured by FLETCHER ElectroAcoustics Ltd Quay House Quay Road Newton Abbot DevonTQ12 2BU Tel 44 1626 333948 Fax 44 1626 333157 e mail sales joemeek uk com DECLARATION OF CONFORMITY This analogue audio processing equipment conforms to the standards and requirements of the European Economic Communit...

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