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This section includes three potentiometers and three buttons.
●
TeMPO
The big white button is a TAP-TEMPO input. Press the button with a regular repetitive rhythm will set
the delay time (beat time) to the average interval between the last 3 button presses. If more than 10 seconds
elapse between button presses the previous taps are ignored and 3 more taps are needed to specify the
tempo. If an active clock signal is input to the CLK jack in the DELAY section, the tap tempo setting will be over-
ridden by the clock. The yellow LED beneath the TEMPO button flashes with a period equal to the delay time.
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MiX
The module’s audio output (OUTL and OUTR) is obtained by mixing the input to the module (IN L and
IN R) with the effects’ outputs (the precise source of the effect output depends on the module’s routing
configuration - see section 9 of the manual). The mixing is done in the analog domain, not digitally. The
relative mixture of the input and effect output is controlled by the MIX potentiometer. When turned counter-
clockwise, more of the module’s input signal is passed to the module’s output jacks (“DRY”), while when the
potentiometer is turned clockwise, more of the effect output is passed to the module’s output jacks (“WET”).
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MOD A & MOD B
The MOD A and MOD B potentiometers and control voltage inputs provide a way to
control parameters that do not have their own dedicated controls. Each control can adjust the value of one
parameter at a time. Pressing the white buttons to the right of the MOD A and B potentiometers will display
the MOD destinations (i.e. the parameters which are being controlled by the MOD signals). Turning the rotary
encoder will change the selection of the destinations. However, the parameter to be controlled will not
actually be selected until the rotary encoder is pushed. A “?” at the end of the line in the display indicates that
the choice has not yet been selected. When the rotary encoder is pushed, then the “?” will disappear. The list
of parameters that can be chosen is given in the following table.
MOD/MiX/TeMPO
|
moD Destination
Description
None
No parameters are controlled by the MOD signal.
Tap filter cut
The filter cutoff frequencies for all of the taps are offset by the MOD sig
-
nal. Positive voltages will increase the frequencies while negative voltages
will lower the frequencies.
Tap 3 Cut
The filter cutoff frequencies for only tap #3 is controlled by the MOD sig
-
nal. This is not an offset, but directly overrides the current setting.
Tap 4 Cut
The filter cutoff frequencies for only tap #4 is controlled by the MOD sig
-
nal. This is not an offset, but directly overrides the current setting.
Tap Balance
The balance/pan setting for all of the taps are offset by the MOD signal.
Tap Filter Q
The filter Q setting for all of the taps are offset by the MOD signal.
moD Destination
Description
Grain size
The grain size for the granular pitch shifter is controlled by the MOD sig
-
nal. This is not an offset, but directly overrides the current setting.
fB Detune L
The detune amount for the left feedback channel is controlled by the
MOD signal. This is not an offset, but directly overrides the current set
-
ting.
fB Detune R
The detune amount for the right feedback channel is controlled by the
MOD signal. This is not an offset, but directly overrides the current set
-
ting.
fB Detune L&R
The detune amounts for both the left and right feedback channels are
controlled by the MOD signal. This is not an offset, but directly overrides
the current settings. In this case both channels will have the same detune.
fB Pitch L
The pitch shift amount for the left feedback channel is controlled by the
MOD signal. This is not an offset, but directly overrides the current set
-
ting.
fB Pitch R
The pitch shift amount for the right feedback channel is controlled by the
MOD signal. This is not an offset, but directly overrides the current set
-
ting.
fB Pitch L&R
The pitch shift amounts for both the left and right feedback channels are
controlled by the MOD signal. This is not an offset, but directly overrides
the current settings. In this case both channels will have the same detune.
fB Tap# L
The number of the tap whose output is fed back in the left feedback
channel is controlled by the MOD signal. This is not an offset, but directly
overrides the current setting.
fB Tap# R
The number of the tap whose output is fed back in the right feedback
channel is controlled by the MOD signal. This is not an offset, but directly
overrides the current setting.
fB Tap# L&R
The number of the tap whose output is fed back in both the left and right
feedback channels are controlled by the MOD signal. This is not an offset,
but directly overrides the current settings. In this case both channels will
have the same detune.
Delay Mod wave
The waveform selection for the rhythm delay modulation lfo is controlled
by the MOD signal. This is not an offset, but directly overrides the current
setting.
Delay Mod Level
The amplitude of the rhythm delay modulation lfo output is controlled by
the MOD signal. This is not an offset, but directly overrides the current
setting.
Delay Mod Rate
The oscillation rate of the rhythm delay modulation lfo is controlled by
the MOD signal. This is not an offset, but directly overrides the current
setting.
Groove Type
The selection of the rhythm delay’s groove type is controlled by the MOD
signal. This is not an offset, but directly overrides the current setting.