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9

Considering the signal path

,

 DVO can be connected between a guitar and

GSC (all effects connected to GSC will be placed post this overdrive), or
between GSC and an amp (all effects connected to GSC will be placed pre this
overdrive), or to the one of GSC loop (DVO can be bypassed and some effects
can be placed pre and some of them post this overdrive).

Rules of overdriving

Overdriven tone is one of the basic tone used by guitar players for playing

different kinds of music.

Slightly overdriven tone is the common used guitar sound. To get slightly
overdriven preset the BOOST A and BOOST B switches should be set to zero
and the GAIN control should be set to minimum. Equalizer controls should be
set at the central position (to “0” value). Tone testing should be done at the
medium volume. Guitar volume controls should be set to maximum. Playing
the guitar

,

 test tone by increasing the GAIN. At some position of the GAIN

knob there will appear the effect of „cutting” sounds with higher amplitude
and later, the effect of adding harmonics to the tone what is the overdrive
effect. It can be clearly heard by programming for example: less GAIN on the
CH 1 than on the CH 2 and more VOLUME on the CH 1 than on the CH 2
(BOOST A and BOOST B switches on both channels should be set
identically) and during songs played these two channels should be switched.
In case of guitars with low signal converters (e.g. single type) this test may
require switching on BOOST A or BOOST B switches.

To get well-defined overdriven tone

,

 one of the active channel BOOST

switches should be switched on. BOOST A and BOOST B offer different
overdriving characteristics. BOOST A supply the tone with more middle and
treble and BOOST B with more bass. To get more bass slightly overdriven tone
only BOOST B should be switched on and GAIN should be lowered to the
required level.

Then can be tested what is the influence of equalizer controls onto the tone.
You should realize that BASS and TREBLE boosting switches (+3dB) are
operating on the overdriven signal. Switching them on produce different effect
than using BASS and TREBLE controls. For typical guitars with humbacker
pickups the best results give setting TREBLE control at -3 dB to 0 dB and
setting on +3 dB TREBLE switch at the same time.

The main factor determining overdriven tone is a frequency characteristics of
amplifying elements between DVO and a speaker, as well as a speaker alone
(understood here as a speaker or a set of speakers in a cabinet). If  DVO is

Содержание Dual Vintage Overdrive

Страница 1: ...Dual Vintage Overdrive Instrukcja obs ugi User Manual Bedienungsanleitung...

Страница 2: ......

Страница 3: ...with gain control GAIN boosting and characteristics settable by BOOST A and BOOST B switches volume control VOLUME enabling to perform from almost clean tone through crunch one up to full overdrive SO...

Страница 4: ...2...

Страница 5: ...1 FOOT PEDAL input 12 3dB BASS boosting post overdriving 13 First channel CH1 GAIN control 14 TUNER output 15 First channel CH1 boost switch BOOST A 16 First channel CH1 indicator 17 First channel CH1...

Страница 6: ...of working selection is done by No 1 and No 2 DIP switches located on the left hand side of the casing Mode DIP switch position Left switch Central switch Right switch 1 CH 1 CH 2 SOLO CH 2 with full...

Страница 7: ...5 Mode 1 Mode 2 Mode 3 Mode 4...

Страница 8: ...makes that overdriven tone is highly dependent on an amp tone setting Connecting to the amp effects loop input When the amp is equipped with the serial effect loop LOOP it is recommended to connect O...

Страница 9: ...er grounding DVO should be switched to No 4 mode of working and for work with Switching cable for DVO No 3 DIP switch position should be ON DIP switch position Connection to an amp Without Switching C...

Страница 10: ...m Controller G LAB GSC DVO can be controlled by a typical latching type output two switch foot pedal connected to the FOOT PEDAL input Connecting the FOOT PEDAL input and SW1 2 or SW3 4 output of the...

Страница 11: ...CH 1 than on the CH 2 and more VOLUME on the CH 1 than on the CH 2 BOOST A and BOOST B switches on both channels should be set identically and during songs played these two channels should be switche...

Страница 12: ...mmended to switch on this boost switch and eventual excess of bass correct by BASS control Some tips from G LAB web site www glab com pl Too much bass at a neck pickup Typical problem of many guitars...

Страница 13: ...h the receiver is connected Contact with the manufacturer Consult the dealer for help Declaration of Conformity ELZAB S A ul Kruczkowskiego 39 41 813 Zabrze Poland declare under sole responsibility th...

Страница 14: ...ties collecting such equipment organise a system including local collection points shops and other units allowing to return such equipment This Directive assures an user free of charge utilisation of...

Страница 15: ......

Страница 16: ...8 32 272 20 21 fax 48 32 272 81 90 Sales Export Department phone 48 32 272 30 51 ext 34 39 64 48 32 272 20 21 ext 308 366 468 e mail glab glab com pl Technical Support phone 48 32 272 30 51 ext 64 48...

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