9
NOTE
If the Subwoofer RCA output is set to “OFF”, then the SW LPF &
SWAM functions will not be displayed.
EQUALISER OPERATION
When you activate the Equaliser, the Pre-Set Equaliser settings
override your existing Bass, Midrange & Treble Settings.
Press the Equaliser button repeatedly to cycle through the
following pre-sets: FLAT->POP->USER->DANCE->ROCK-
>CLASSIC->JAZZ->VOCAL
To return to the Bass & Treble settings that were in use before
the EQ was selected, please select the USER setting.
SYSTEM MENU
Press (MENU) to access the System Menu and press
again to select the item be adjusted, then rotate Encoder
Volume Knob to select a value / option. To exit this menu
at any time, press the ESC button
STORE (Auto store)
While in Tuner mode, press the ENCODER VOLUME
CONTROL to activate Auto Store. The six strongest stations
of the selected band will be saved in the preset channels
automatically
LOC* ON/OFF
(Local/Distance). Use this setting to Auto Seek to strong
local stations (Local) or all stations regardless of their
strength (Distance).
AUDIO FUNCTIONS
Audio functions are easily accessable on the ML700/700BT.
AUDIO MENU.
Press the AUDIO BUTTON (button 5)
to access the Audio Menu mode. Then press
ENTER
or
TUNE UP
to select the Audio Function to be
adjusted, then rotate the ENCODER VOLUME CONTROL
to select the desired setting. You can always return to the
previous Audio Function by pressing the
TUNE DOWN
button.
REMINDER
In the AUDIO MENU, or in any menu, you can quickly exit the
menu by pressing the ESC button
EBX ON/OFF:
Turn ON or OFF the EBX (Encounter Bass
Xtender) Bass Boost.
BAS (Bass)
Adjust the Bass level between -7 to +7.
TRE (Treble)
Adjust the Treble level between -7 to +7.
BAL (Balance)
Adjust the balance between the right and left
speakers from 12R (full right) to 12L (full left).
FAD (Fader)
Adjust the fader between the front and rear
speakers from 12R (full rear) to 12L (full front).
(SUBWOOFER)
SW ON/OFF
Turn On or Off the Subwoofer RCA output.
SWAM ON/OFF
In AM mode, turn ON or OFF the Sub
output.
