Euterpe Synthesizer Laboratories Vertice, Руководство пользователя

Страница: 52 / 70

• Three different audio input to the three boards, summed and going to Parallel and Serial ports. It's like the
previous one but with also the serial output port cabled. It's the False Stereo mode and it's obtained because
of the C board that simultaneously emit by Parallel and Serial output. So in this configuration you can
obtain the three inputs summed from the Parallel port and also the singular C signal from the Serial port.
• Mixed combination of routed parallel and serial board. These configurations are useful to obtain different
slope mixed material. Follow a brief list:
1. audio signal into A, A to B, B to
∑
, audio signal into C. Remember that C is internally wired both to
∑
and
Serial out. It's a combination of a 24 dB/oct (A to B) summed to a variable 12 dB/oct (C to ∑ ) from the
Parallel port, and the C-filter 12 dB/oct signal from the Serial port.
2. audio signal into A, A to ∑ , audio signal into B, B to C. It's a combination of a 12 dB/oct (A to ∑ ) summed
to the 24 dB/oct obtained by the B to C series. Due to the double outputs of C, the B to C 24 dB/oct is
available pure from the Serial Out and summed with the A 12 dB/oct from the Parallel Output.
3. obviously there are more complex combinations, sons of the two previous, especially using the rear ports
and the CV inputs together. Experiment with some different audio input materials and routing solutions
to get very different results. To enjoy your experimentation you can start from there: audio into A and
another audio into B. Then filter A into filter B, in order to obtain the processed signal by the A-filterboard
summed to the clean B audio input. We know it may seem a pointless complication and in fact, at least
initially, it can be. But put the VERTICE for a while near your 150000$ modular synthesizer (we are sure
you have one!) and then see if you not deserve the three separate input lines.
Analog ∑
Real analog summing process means some aesthetic differences compared to a DAW full digital
summing process. It’s a more respectful summing method, leaving the singular signals well defined
and recognizable, avoiding the equivocal results that appears, especially in the bass ranges, in a complex
totally digital mix. It also allows to manage the dB range of analog inputs completely in the analog domain,
so according to the VU standard (0dBVU = 1,22V), which implies a considerable headroom and the possibility
of pleasantly distort the signal along the way.
[ 52 ] the natural position