
3
N
OTES AND
S
PECIFICATIONS
•
Audio input impedance for mono left input: 1M
•
Audio input impedance for stereo left input: 2M
•
Audio input impedance for right input: 2M
•
Audio output impedance for each output: 550
•
Current draw: 150mA
•
Maximum input signal level: +11 dBu
•
Bypass: high quality analog buffered bypass when TAILS mode
is disabled. DSP bypass when TAILS is enabled.
R
EVERB
T
YPES AND
D
ESCRIPTIONS
REVERB
TYPE
DESCRIPTION
ROOM
Warm and versatile reverb algorithms modeled after a
lively room and a spacious performance hall.
SPRING
Vintage 1962 Fender
®
6G15 reverb unit emulation and
the classic spring algorithm from the EHX Holy Grail.
PLATE
Two emulations of a smooth, bright metal plate reverb
commonly found in high-end recording studios during the
1960’s and 70’s.
REVERSE
A rendition of the reverse reverb trick commonly
performed in studios, as well as true reversed echoes.
ECHO
Simple digital delay which feeds into a plate reverb.
TREM
A classic, periodic volume envelope applied to both the
dry and wet mix of a hall reverb.
MOD
A lush combination of various modulations for creamy
rich reverb tails.
DYNA
A dynamic trio of experimental reverb algorithms: swell,
gate, and duck.
AUTO-INF
Auto infinite reverb, with optional chorus or flange, that
listens to your playing and crossfades to a new reverb
wash upon detection of newly-struck notes and chords.
SHIMMER
Two configurations of a rich octave-shifted wash of
harmony in a reverberant cloud.
POLY
Two configurable bidirectional pitch-shifts that add
startling dimensionality to the reverb tail.
RESONANT
Reverb excited by tunable resonators, and configurable
self-oscillating filters on the reverb tail.