Chapter 11: Reference Section
209
F190
Bonk>CO
A series of highly resonant peaks alternating with notches are
spaced at intervals of about an octave. The Morph Offset param-
eter is used to control ‘Q’ — modulating the Morph Offset upward
causes the curve to flatten out. Frequency Tracking can be used to
tune the peaks/notches; higher values move the peaks/notches
into higher frequency ranges. Transform 2 also tunes the filter, but
higher values cause the notches to move down in frequency,
slightly. The overall effect of the filter can be very vocal, depend-
ing on the source material.
Morph:
Controls resonance.
Freq. Tracking:
Tunes the filter.
Transform 2:
Subtly tunes the filter.
F191
Speaker
Groups of unevenly spaced bumps and dips in the frequency
spectrum are used to simulate a number of speaker cabinet re-
sponses. Use Morph Offset, Frequency Tracking, and Transform 2
to vary the tuning and depth of the bumps and dips to simulate
different speaker cabinet types.
All Axes:
Vary center frequency and amount of boost/cut for the
various filter bands.
F192
Expander
Frequency Tracking and Transform 2 provide a range of fairly
broad-band boosts and cuts at various frequencies, with higher
values generally providing thinner, brighter sounds. These can be
used to add a measure of expressiveness to the source material —
route ‘Key’ to control Frequency Tracking, for example, and ‘Vel’
to control Transform 2. Increasing the value for Morph Offset has
the effect of flattening the curve, providing you with a filter depth
control.
Morph:
Use to control filter depth.
Freq. Tracking:
Higher values produce thinner, brighter sounds.
Transform 2:
Higher values produce thinner, brighter sounds.
F193
Separator
This filter features three inharmonically related resonant peaks,
which can be swept via the Morph parameter, producing a metal-
lic set of overtones. Applied to the noise waves, this can sound like
whistling wind; applied to pitch sounds, it can produce anything
from hollow, metallic resonances to accentuated high-frequency
attack transients.
Morph:
Use to sweep the resonant peaks.
Freq. Tracking:
Tunes the filter.
Transform 2:
Controls filter resonance.
Z-PLANE FILTER DESCRIPTIONS
Содержание MORPHEUS
Страница 10: ...1 Chapter 1 Basic Setup INTRODUCTION BASIC SETUP ...
Страница 11: ...Morpheus Operation Manual 2 ...
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Страница 20: ...Chapter 2 Basic Operation 11 BASIC OPERATION ...
Страница 26: ...Chapter 3 Master Menu 17 MASTER MENU ...
Страница 27: ...Morpheus Operation Manual 18 ...
Страница 30: ...Chapter 3 Master Menu 21 MASTER MENU GLOBAL VELOCITY CURVES ...
Страница 36: ...Chapter 4 Midimap Menu 27 MIDIMAP MENU ...
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Страница 46: ...Chapter 5 Effects Section 37 EFFECTS SECTION ...
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Страница 66: ...Chapter 6 Hyperpreset Menu 57 HYPERPRESET MENU ...
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Страница 76: ...Chapter 7 Preset Programming 67 PRESET PROGRAMMING PRESET PROGRAMMING ...
Страница 77: ...Morpheus Operation Manual 68 PRESET PROGRAMMING ...
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Страница 109: ...Chapter 8 Preset Menu 99 PRESET MENU ...
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Страница 139: ...Chapter 9 Copy Menu 129 COPY MENU COPY MENU ...
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Страница 147: ...Chapter 10 Step by Step 137 STEP BY STEP STEP BY STEP ...
Страница 148: ...Morpheus Operation Manual 138 STEP BY STEP ...
Страница 171: ...Chapter 11 Reference Section 161 REFERENCE SECTION ...