Morpheus Operation Manual
160
STEP-BY-STEP
•␣ Using the 32 Channels
As stated earlier, Morpheus has 32 independent audio channels which
are utilized dynamically. With 32 channels and hundreds of sounds,
you have a universe of sonic textures at your disposal. You may have
noticed that many of the very “big” sounding hyperpresets in
Morpheus are constructed using layered presets or they may use
Detune. While this is fine when the hyper is played solo, you
may begin to run out of channels when Morpheus is played multi-
timbrally. Layered hyperpresets and the Detune function cause
extra output channels to be used. Learn to “budget” your output chan-
nels for maximum efficiency.
•␣ Channel Ripoff
When Morpheus uses up all its 32 channels and needs more, it steals a
channel from the key that has been held the longest. This is commonly
known as “channel rip-off”. You will most commonly encounter this
“rip-off” when using Morpheus in multi-timbral mode or when using
massive hyperpresets. Long Alternate Envelope attack and release rates
can also cause this problem. Since Morpheus dynamically allocates
channels as needed, you must either, play fewer notes, shorten the
release rates, use simpler sounds, or turn off Detune to elimi-
nate channel rip-off.
• Using External Processing
Don't be afraid to use external processing on specific sounds if you feel
the urge. The submix sends and returns on Morpheus are there for a
reason. In certain instances, a little external signal processing will be
just the thing an instrument needs to give it a distinct identity. Inciden-
tally, a real guitar or bass
amp can work wonders
on the guitar and bass
sounds. If you think
about it, playing these
sounds through an
instrument amp is
much closer to the
way they are nor-
mally processed.
Because the submix
outputs are pro-
grammable, only
selected presets or
MIDI channels will
be routed to the
guitar amp.
Using the programmable outputs and returns, specific presets can be routed through
outboard processors without using up precious mixer channels.
R - SUB2 - L
R - SUB1 - L
R - MAIN - L
MONO
STEREO
OUTPUTS
Tip
Guitar Amp
R - SUB1 - L
Ring
Tip
Ring
Tip
Stereo
Effect Unit
OR…
••• Use the effects section to
“fatten” your sound instead
of the chorus feature in the
preset. This will help conserve
precious voice channels.
Содержание MORPHEUS
Страница 10: ...1 Chapter 1 Basic Setup INTRODUCTION BASIC SETUP ...
Страница 11: ...Morpheus Operation Manual 2 ...
Страница 19: ...Morpheus Operation Manual 10 ...
Страница 20: ...Chapter 2 Basic Operation 11 BASIC OPERATION ...
Страница 26: ...Chapter 3 Master Menu 17 MASTER MENU ...
Страница 27: ...Morpheus Operation Manual 18 ...
Страница 30: ...Chapter 3 Master Menu 21 MASTER MENU GLOBAL VELOCITY CURVES ...
Страница 36: ...Chapter 4 Midimap Menu 27 MIDIMAP MENU ...
Страница 37: ...Morpheus Operation Manual 28 ...
Страница 46: ...Chapter 5 Effects Section 37 EFFECTS SECTION ...
Страница 47: ...Morpheus Operation Manual 38 ...
Страница 66: ...Chapter 6 Hyperpreset Menu 57 HYPERPRESET MENU ...
Страница 67: ...Morpheus Operation Manual 58 ...
Страница 76: ...Chapter 7 Preset Programming 67 PRESET PROGRAMMING PRESET PROGRAMMING ...
Страница 77: ...Morpheus Operation Manual 68 PRESET PROGRAMMING ...
Страница 93: ...Chapter 7 Preset Programming 83 PRESET PROGRAMMING ...
Страница 109: ...Chapter 8 Preset Menu 99 PRESET MENU ...
Страница 110: ...Morpheus Operation Manual 100 ...
Страница 138: ...Morpheus Operation Manual 128 ...
Страница 139: ...Chapter 9 Copy Menu 129 COPY MENU COPY MENU ...
Страница 140: ...Morpheus Operation Manual 130 COPY MENU ...
Страница 147: ...Chapter 10 Step by Step 137 STEP BY STEP STEP BY STEP ...
Страница 148: ...Morpheus Operation Manual 138 STEP BY STEP ...
Страница 171: ...Chapter 11 Reference Section 161 REFERENCE SECTION ...