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CMC3

 - Monitor Controller

2

MASTER VOLUME

The Monitor Volume control 

(2)

 adjusts the signal level of both stereo channels for

all speaker outputs. The Volume knob affects the volume of the monitors A,B,C and
SUB only and does not have a bearing on any other output such as the headphones
or talkback jack.

A secondary preset volume control on the front edge 

(2a)

 provides a repeatable

calibrated output level for the monitors, so that at the press of  the switch just below
the main volume knob the engineer can hear the mix at the same predetermined
volume, time after time, without having to meticulously adjust controls. Once the
system is calibrated the predetermined level could be set via a screwdriver to the
maximum listening level, 85dB in the case of  TV, film and music, for example, or to
a standard listening level for radio, or even a preferred level for quiet passage. The
level chosen is at the discretion of the operator.

Both the volume knob and preset control circuit designs incorporate identical
parallelled custom quad potentiometers, for excellent channel matching and a
smooth feel, with a range from Off (-infinity) to +6dB of gain.

Because the circuitry is active it allows for the signal level to be increased, rather
than only attenuated, making subtle problems within the mix (such as noise at low
levels, or unwanted harmonics, for example) more obvious and easier to iron out,
especially during musical passages that would normally be quiet.

Before you can make full effective use of the Volume control it is necessary to
calibrate the entire monitoring system, this allows for accurate level control, as
well as left/right balance throughout the knob’s range. Note that the actual output
levels, including the maximum output level and the position of unity gain (0dB)
around the knob, will alter depending on the calibration of the monitors.

WARNING:

It is recommended that you turn the volume control down to a lower level before
turning the CMC3 off - this is to ensure that a sudden volume increase when
turning on does not damage your speakers or your hearing.
In addition, do not use excessive force at either end of the volume knob - it’s
size would mean that damaging the potentiometer is possible.

Note that on the underside of the CMC3 there are 2 rotary controls that allow the left
and right  speaker level of all of the Speaker Outputs 

(10) 

to be trimmed. If the input

levels into the CMC3 are very high the operator will find that the optimum location of
the volume knob (i.e. 85dB output level) would be at around 9 o’clock or worse -
leaving them with only a few degrees of rotation in which to lower the volume. By
adjusting the trims underneath this can be improved to give the preferred listening
level to somewhere more useful, such as the 12 o’clock position. This is especially
useful for those studios who work at high gain levels, allowing them to come into
the CMC3 ‘hot’.

To alter the speaker level trims use a small screwdriver to turn - counter-clockwise
turns the speaker level down, and clockwise up.

11

Содержание CMC3

Страница 1: ...on Installation Power Connection Security Audio Connection Typical Connection Guide Chapter 2 Control Description Control Description Mix Checking Tips Chapter 3 General Information If a fault develop...

Страница 2: ...ts reserved Under copyright laws no part of this publication may be reproduced transmitted stored in a retrieval system or translated into any language in any form by any means mechanical optical elec...

Страница 3: ...ditionalrightsthatvaryfrom statetostate andcountrytocountry For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with...

Страница 4: ...e the volume for quiet passages and improved mix checking without adding the artifacts that lesser quality active circuits introduce You hear exactly what you ve recorded Precision The CMC3 supports 3...

Страница 5: ...k Main Features Ultra low noise and transparent circuit design Source switches can be active in any combination 4 Inputs in Total 1x Digital SPDIF 192 kHz 24 Bit 2 on balanced analogue 1 4 jacks 1 3 5...

Страница 6: ...oured to make the CMC3 as small as possible without compromising on controls connections and above all sound quality The unit has a footprint of just 27cm x 16cm with controls on the top headphone and...

Страница 7: ...alidate the warranty The power supply will be supplied with 4 interchangeable AC pins for the UK European USA and Australian socket types For your own safety it is important that you use the correct a...

Страница 8: ...balanced operation is recommended 8 Interference If the unit is to be used where it maybe exposed to high levels of disturbance such as found close to a TV or radio transmitter we advise that the uni...

Страница 9: ...CMC3 Monitor Controller TYPICAL CONNECTION GUIDE 9...

Страница 10: ...erated simultaneously the individual signals are summed into a single stereo signal Note that the CMC3 does not provide individual level trims for the I P1 I P2 and DIGI inputs and so any level matchi...

Страница 11: ...al passages that would normally be quiet Before you can make full effective use of the Volume control it is necessary to calibrate the entire monitoring system this allows for accurate level control a...

Страница 12: ...specially useful when used in conjunction with each other Phase Reverse Inverts the polarity of the signal on the Left Channel and is used primarily to outline any phase problems that may be occurring...

Страница 13: ...n when using lower standard consumer quality headphones as damage could occur TALKBACK The MC3 1 has a dedicated talkback function including inbuilt microphone external microphone port and gain level...

Страница 14: ...Connections Activate the inputs via the input source section 1a SPEAKER OUTPUTS Three stereo balanced speaker outputs A B and C plus a dedicated mono speaker sub woofer output SUB MONO are found on t...

Страница 15: ...ng into a separate channel of a DAW or other recording facility to allow for information overdubs to be added to a recording To connect the mono talkback to a Dual Mono jack use the following cable wi...

Страница 16: ...DIM switch and then turn the volume up rather than only turning the volume down as you maintain greater control over the volume as well as better left right channel matching Increase the Volume of Qui...

Страница 17: ...ppear completely This could be because left and right outputs are wired out of phase but its more likely to be due to phase cancellation What causes phase cancellation Many stereo widening effects and...

Страница 18: ...e noise and distortion that they can bring however they have severe disadvantages over active circuits The most significant is that the output impedance of the connected source equipment and the input...

Страница 19: ...escription of the problem Authorised returns should be prepaid and must be insured All Drawmer products are packaged in specially designed containers for protection If the unit is to be returned the o...

Страница 20: ...DRAWMER Ref 1v0A 28 06 18 BLOCK DIAGRAM 20...

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