Modulated
Short
Delay
Phase
Modulation
Σ
INPUT
OUTPUT 1
Direct Signal
“Vibe”
Signal
“Chorus”
Signal
LFO
SPEED
CH DEPTH
CH MIX
PM MIX
Σ
OUTPUT 2
Direct Signal
+/- 1
180 deg
switch
In this topology, the Halo doesn’t parallel sum the ‘chorus’ pitch modulation and ‘vibe’
phase modulation effects, but instead sends each to separate output channels (still con-
trolled by a common LFO speed).
It’s important to note that although the
SPEED
control affects the LFO speed of both
pitch and phase modulations, the
CH DEPTH
control affects only the amount of pitch
detuning of the pitch modulation section.
STEREO IN / STEREO OUT
In this configuration, the input signal (either from a stereo guitar [e.g. Rickenbacker 360]
or from the previous stereo pedal in the chain) is brought into the ‘
<
’ and ‘
<<
‘
inputs,
with the output taken from both the ‘
<
’ and ‘
<<
‘
outputs. The internal circuitry automati-
cally configures to the topology shown below in Figure 3:
Note: Diamond Pedals is neither endorsed by, affiliated with, or specifically endorses any particular guitars, pedals and
amps of other manufacturers mentioned in this manual, for which their registered trademarks are the sole property of
those manufacturers.
!
Halo Chorus user manual v1.01
!
5
Figure 2: Halo Chorus in mono in / stereo out configuration
<
<
<<
