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2-BUS-XT

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[OUT D/A CHANNEL 10)

[INTO YOUR FAVORITE EQ- BAX OF COURSE!)

(INTO INPUT 10 ON THE 2-BUS-XT®)

03. EFFECTS CONTROL: PARALLEL & SERIES PROCESSING

[PARALLEL & SERIES PROCESSING KNOBS PICTURED ABOVE]

Feature:   X-FORMER III is in series and is either 100% on or completely bypassed. 
 

COHERENCE is controlled via the button and continuously variable potentiometer. 

This analog circuit is blended using parallel processing. 

Benefit:  Direct (non-effected, dry) is always fully on. Turning the knob adds the processed 

(effected, wet) signal to achieve the right balance of color for every mixing project 

without sacrificing transients. Instantly and simply achieve usually complicated 

parallel processing at the push of a button and twist of a knob.

04. EFFECTS CONTROL: ASSIGNMENT & ENGAGEMENT

[EFFECTS ASSIGNMENT & ENGAGEMENT CONTROLS PICTURED ABOVE]

Feature:    Both color options may be assigned to the mix buss or to mix stems 15-16 

individually or together. 

Benefit:  With the simple front panel buttons and knob, you are instantly creating 

complex patches and parallel processing configurations in a hassle-free way – 

all in the analog realm. Many engineers will confess to not trying out alternate 

configurations if it involves elaborately re-patching their mix, so now there’s no 

excuse not to try a radically different configuration on the fly. Experimentation 

often leads to new discoveries and great results (just ask your partner). 

Assigning TRANSFORMER III or COHERENCE to stems 15-16 allows for quick 

analog processing of individual instrument pairs within the mix. Don’t be afraid 

to print. All our 

Platinum Legacy

 superstars do and so should you.  

Use: 

Simply press the buttons to engage the effects on the appropriate stem or the 

Содержание 2-BUS-XT

Страница 1: ...2 BUS XT 2 BUS XT USER GUIDE USER GUIDE...

Страница 2: ...pre empt trouble caused by heat and EMI 4 Care should be taken to avoid liquid spills around equipment If a spill occurs please shut off the gear and disconnect the mains A qualified technician should...

Страница 3: ...products are designed That s the magic living the recording experience on both sides of the control room glass and constantly working to improve it Without shareholders pimping profit at the expense...

Страница 4: ...BUS XT Front Panel Features Benefits 4 LED Metering 4 Mono Buttons 4 Effects Control Parallel Series Processing 5 Effects Control Assignment Engagement 5 Effects Control X FORMER III 6 Effects Contro...

Страница 5: ...ected to a juggernaut of intensive listening trials then locked and loaded to deliver a tasteful hit of 2nd order harmonics for lower midrange warmth while preserving top end articulation Add complexi...

Страница 6: ...ike Mogami to assure the best connections for all the gear in your studio ZERO OUT THE 2 BUS XT Power up the 2 BUS XT Set the SUM LEVEL TRIM to roughly 1 o clock Disengage the X FORMER III and COHEREN...

Страница 7: ...by pressing the button so it lights up Try COHERENCE by engaging the button and turning the knob clockwise to increase the effect It s in parallel so the effected signal is turned up with the knob wh...

Страница 8: ...industry standard of 18dBu per input 02 MONO BUTTONS MONO BUTTONS PICTURED ABOVE Feature Switch inputs 1 2 and or 9 10 from stereo to mono Benefit Center specific instruments straight up the middle o...

Страница 9: ...MENT ENGAGEMENT EFFECTS ASSIGNMENT ENGAGEMENT CONTROLS PICTURED ABOVE Feature Both color options may be assigned to the mix buss or to mix stems 15 16 individually or together Benefit With the simple...

Страница 10: ...ies generator 1 is in 2 BUS and 2 is in CONVERT AD Benefit The X FORMER III insert may be just the thing to fatten up a horn section guitars or vocals in a unique way compared to traditional EQs and c...

Страница 11: ...it in the hooks to add excitement and lay back on the verses to alternate the song s tension and keep your listeners attention rapt 07 SUM LEVEL TRIM OUTPUT LEVEL TRIM STEPPED ATTENUATOR PICTURED ABO...

Страница 12: ...bles when connecting your beloved audio gear i e Mogami 09 EXPANSION INPUTS EXPANSION INPUTS PICTURED ABOVE Feature Expand your 2 BUS XT by patching in another 2 BUS XT a 2 BUS or a D BOX here Benefit...

Страница 13: ...onsole functionality executed here to the highest standards so that true A B comparisons before and after the print pass are effortless What you hear is what you ll commit Operation Patch accordingly...

Страница 14: ...s cover Use 2 amp Slo Blo for 90 120V Americas and 1 amp Slo Blo for 200 240V Europe Switching fuses will not void your warranty Switching to inferior summing mixers will 2 BUS XT Routing Scenario 12...

Страница 15: ...nce you know what you will be sending to them i e Drum Buss Background Vocals Effects etc Assign tracks from your session to these busses according to how you would like to split up your stems i e all...

Страница 16: ...Dangerous 2 BUS XT ANALOG CABLE DIGITAL CABLE USB CABLE i n t e r f a c e i n t e g r a t i o n TO MONITOR CONTROLLER w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o...

Страница 17: ...r a t i o n w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o u s m u s i c c o m ANALOG CABLE DIGITAL CABLE USB CABLE 2 BUS LT AD MONITOR ST CONVERT 8 x 2 FROM CONVER...

Страница 18: ...ATION ANALOG CABLE DIGITAL CABLE USB CABLE w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o u s m u s i c c o m CONVERT 8 CONVERT 8 CONVERT 8 2 BUS to ad converter to...

Страница 19: ...D CONVERT 8 CONVERT 8 CONVERT 8 D BOX 2 BUS XT w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o u s m u s i c c o m ANALOG CABLE DIGITAL CABLE USB CABLE FROM MIC PREAM...

Страница 20: ...Fax 49 2236 393732 Email support dangerousmusic com E mail info dangerousmusic de Dangerous Music Group LLC reserves the right to alter the software and design of their equipment If after reading the...

Страница 21: ...ts published by chip manufacturers THD nominal mix setting 1KHz unweighted 22Hz to 22kHz 0 0018 10dBu in 6dB gain IMD nominal mix setting 0 0018 Crosstalk rejection 109dBu 1KHz Noise at Unity Gain 22H...

Страница 22: ...h1 Ch2 Frequency Hz 20 30 50 100 200 300 500 1k 2k 3k 5k 10k 20k 30k 50k Level dBu 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 FFT Data Ch1 Ch2 Frequency Hz 20 30 50 100 200 300 500 1k 2k 3k 5...

Страница 23: ...00000 kHz Data Ch1 Ch2 Frequency Hz 20 30 50 100 200 300 500 1k 2k 3k 5k 10k 20k 30k 50k Level dBu 150 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 FFT Data Ch1 Ch2 Frequency Hz 20 30 50 100 20...

Страница 24: ...20 DANGEROUS MUSIC Dangerous Music Group LLC Phone 845 202 5100 info dangerousmusic com SACRIFICE NOTHING Hear Everything...

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