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MONITOR-ST) not directly to your speakers.
03. Plugged the stereo MAIN OUTS back into your A to D (like the CONVERT-AD+) or DAW interface
04. Sent the digital output to your monitor controller for the final mix. (Refer to the wiring diagram
ahead).
Next, open your DAW and create 8 stereo aux tracks that correspond to their associated outputs.
In other words, Aux 1-2 has Analog 1-2 of your interface as its output, and internal buss 1-2 as
its input. Subsequent busses follow the same pattern (see picture above). You can name these
aux tracks once you know what you will be sending to them (i.e. Drum Buss, Background Vocals,
Effects, etc).
Assign tracks from your session to these busses according to how you would like to split up
your stems (i.e. all guitar tracks are bussed to 3-4, all percussion tracks are bussed to 5-6). For
important mono tracks such as kick drum, snare drum, lead vocal, or bass guitar, you can utilize
the mono buttons on the
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by sending these tracks to the busses or directly out 1, 2, 9, or
10.
Note the return to your DAW (in this example 17-18) is on an AUX because you may want to
instantiate a plug-in here. That AUX is assigned to the stereo track named “Mixdown”. This will be
your final printed master.
THIS SECTION LEFT INTENTIONALLY BLANK FOR YOUR MIND TO RUMINATE
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