7
This allows you to individually modulate the frequency of each of oscillator and the master controller just by
moving the FM LEVEL knobs in the oscillator section. The same aplied to the MODULATION LEVEL knob
in the MASTER CONTROLLER section. The MODULATION INPUT sockets breaks these pre-patched
signals and allow you to redirect any other signal to frequency control of the oscillators and the master tuning.
The MIDI CV OUTPUTS sockets provide four different control voltages generated by the internal MIDI-CV
converter of the S1, corresponding to incomming MIDI data.
The MIDI-GATES & TRIGGERS sockets provide the gate and trigger signals that are internally connected
(sent) to the envelope generators. Gate and trigger signals, generated by the internal MIDI CONVERTER are
pre-patched to these inputs and can be overriden by inserting patch-cords.
The three corresponding TRIGG & GATE switches determinate the activating of the envelope generators
to received MIDI messages and/or trigger/gate signals, selected MIDI channel (1) or selected
MIDI 1 (2).
The first (left) switch selects the trigger signal starting ENVELOPE GENERATOR 1 and the third switch
does the same for ENVELOPE GENERATOR 2. They choose between trigger signals (generated from note
on massages) at MIDI channel 1 or MIDI c1 (2) OR " no trigger" (in the middle position).
The second switch selects the MIDI channel for activating of the ENVELOPE GENERATOR 2;
selected MIDI channel (1) or selected MIDI 1 (2).
The MASTER CV TRACKING knobs control the cutoff frequency tracking, and allow you to set the filters
to track the master pitch CV from 0% to 200%; you can e.g. make higher notes sound brighter than lower
notes, from no effect thru calibrated 1 Volt/octave (1/1) to extreme 2 Volt/octave (2/1).
Additionally, each filter has the individual CUTOFF MODULATION switch that allows CV3 (Modulation Wheel)
or CV4 (Aftertouch) to control the cutoff frequency.
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