i.
If you’d like to connect an instrument, you will need to either use a DI Box, or
connect an instrument directly to Camden EC2’s Hi-Z DI Input.
You can then apply preamp Gain, HPF, Polarity, and other preamp functions using Camden EC2.
6. Create a monitor mix using the Aux 1 level controls on Camden EC2.
i.
The Ch 1 Lvl control corresponds with the first preamp and source connected to
N22H’s Input 1.
ii.
This mix will then be sent through C.A.S.T. and to the Headphone output on N22H.
With this setup, you are able to position Camden EC2 in your control room and use N22H in the
live room/vocal booth as a remote stagebox for your artist to connect their microphones and
headphones.
Adding N22 To The System
Next, we will connect an N22 to the C.A.S.T. system to enable even more remote mixing
possibilities.
7. Connect Camden EC2’s C.A.S.T. Output to the C.A.S.T. Input on N22 using a shielded Cat 5e,
Cat 6, or Cat 7 cable.
8. Connect the outputs of N22 to the inputs of your recording device.
i.
Output 1 = Camden EC2’s Channel 1 output
ii.
Output 2 = Camden EC2’s Channel 2 output
9. Connect the outputs of your recording device to N22’s inputs. These connections are sent
through C.A.S.T. and to Camden EC2’s Aux In/C.A.S.T. level control.
i.
Input 1 = Camden EC2’s Aux Input L
ii.
Input 2 = Camden EC2’s Aux Input R
You can then send a click track, backing track, or similar from your recording device and that
audio signal will pass from through N22, into Camden EC2, and then onwards to N22H’s
headphone output. At the same time, sources connected to N22H will pass through Camden EC2,
to N22’s outputs, and then onwards to the recording device’s inputs for recording.
Both C.A.S.T. connections can be 100m long and enables the user to position each device where it
is needed in the studio or live space for more flexible recording in the studio, on stage, or on
location.
