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Revision 1 2017
CDC seven
Surface and Local I/O – audio connections
Analogue inputs – the connector and characteristics of the local analogue inputs
are identical to those on the remote stageboxes:
Pin
Connection
1
Screen
2
Signal ‘hot’ (phase)
3
Signal ‘cold’ (antiphase)
Analogue outputs – the connector and characteristics of the local analogue
outputs are identical to those on the remote stageboxes:
Pin
Connection
1
Screen
2
Signal ‘hot’ (phase)
3
Signal ‘cold’ (antiphase)
AES3 digital inputs – four AES3 digital audio inputs are available at the rear of
the control surface on 3-pin XLR female connectors. The AES3 format carries
two independent audio channels. In accordance with the AES3 spec, the inputs
are balanced, with a characteristic impedance of 110 ohms. Connections to these
inputs should always be made using cable specifically designed for digital audio.
The digital inputs are equipped with Sample Rate Converters (SRCs), and can
accept sample rates between 44.1 kHz to 192 kHz.
Connector pinout is the same as XLRs for analogue audio:
Pin
Connection
1
Screen
2
Chs A & B ‘hot’ (phase)
3
Chs A & B ‘cold’ (antiphase)
AES3 digital outputs – four AES3 digital audio outputs are available at the rear
of the control surface on 3-pin XLR male connectors. The outputs are balanced,
with a characteristic impedance of 110 ohms. Connections to these outputs
should always be made using cable specifically designed for digital audio.
The digital outputs are equipped with Sample Rate Converters (SRCs), which
may synchronised to other digital audio equipment using the WORD CLOCK IN
connector.
Connector pinout is the same as XLRs for analogue audio:
Pin
Connection
1
Screen
2
Chs A & B ‘hot’ (phase)
3
Chs A & B ‘cold’ (antiphase)
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