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Factory Presets
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F
aCtOry
P
rESEtS
The factory presets in the DSPXtra are not supposed to be de facto standards by any means but are starting
points for you to create your own user presets. It is impossible to create presets that will suit every format and
market. What is right for one market is not usually right for another. The staff at BW will be able to help you
refine your sound further if none of the factory presets meet your requirement.
V2 contains the following factory presets.
PRESETS
. These presets are optimised for FM use and most rely on reasonably high settings of the
‘HF CLIPPING’ control to maintain brightness through HF distortion controlled clipping. The look-ahead shelf con-
trol is usually set to lower numbers to compensate for the high level of HF introduced by pre-emphasis. This pre-
vents the DR outputs from sounding too bright when the processor is being used in a dual processing capacity.
If you are using the DSPXtra for just HD/DAB, streaming or another digital medium that does not employ
pre-emphasis like analogue FM
and want to use one of these presets then we recommend setting the pre and
de-emphasis parameters to OFF, lowering the HF clipping control and increasing the look-ahead shelf parameter
closer to 0dB. The look-ahead shelf parameter adjustment assumes you will be using the DR mode on which-
ever output you choose to use, analogue or digital.
F1 BYPASS
This preset force gates the AGC’s setting them to unity gain. The limiter and clipper thresholds are raised and
drives are appropriately set so that the peak input to the DSPXtra matches the peak output of the DSPXtra.
F2 AC MA
A nice balance for lighter formats where loudness is not everything. Matrix mode in the Ariane.
F3 AC ST
A nice balance for lighter formats where loudness is not everything. Stereo mode in the Ariane.
F4 AC V.LOUD
A more competitive version of the above preset. Matrix mode in the Ariane.
F5 CHR MA
This preset enhances the bass and treble and provides a good starting point for pop music formats in com-
petitive markets. Matrix mode in the Ariane.
F6 CHR ST
This preset enhances the bass and treble and provides a good starting point for pop music formats in com-
petitive markets. Stereo mode in the Ariane.
F7 CLASSICAL1
Name speaks for itself. AGC operating in 2 band mode (through coupling), High IDR’s and slow releases.
Limiters lightly used just for protection purposes. No bass enhancement. Stereo mode in the Ariane.
F8 CLASSICAL2
Same as above but slightly faster release and lower IDR’s help bring up quieter passages a little. Slight bass
enhancement and EQ add a little life to the mix while still keeping as much of the original dynamics as pos-
sible. A little bit more competitive than the previous preset. Stereo mode in the Ariane.
F9 COUNTRY1
A nice balance. Easy to listen to with a nice tone. Stereo mode in the Ariane.
F10 COUNTRY2
Slightly more competitive with stereo enhanced through Matrix mode in the Ariane.
F11 DANCE MA
For stations who play club music and like there bass. Not the loudest but has a very solid low end! Matrix
mode in the Ariane.
F12 DANCE ST
For stations who play club music and like there bass. Not the loudest but has a very solid low end! Stereo
mode in the Ariane.
F13 DARE 2 TRY
A wall of destruction, hence the name. Really only suitable for demonstrating loudness. Heavy levels of clip-
ping employed. Matrix in the Ariane.
F14 HOT MA
Nice EQ of bass and HF provide a good starting point for 80’s formats. Matrix mode in the Ariane.
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