background image

USING THE R88 IN BLUMLEIN

9

sound stages from their front and rear quadrants with an excellent 

sense of depth. 

The Blumlein “sweet spot” is the center point, directly in front of 

the lines on the cups, where channel 1 and 2 bisect. When placing 

the R88, position it so that the instruments are + or - 45 degrees 

from the centerline. Align the AEA logo and vertical marks with the 

instrument or ensemble you are recording. 

The front quadrant (pictured above) is the positive polarity stereo 

image, and the rear quadrant is the negative polarity stereo image. 

This is the stereo equivalent of the difference in sound between 

speaking into the front and rear of a bidirectional; the recording 

sounds as if it is coming from behind you. What is physically 

happening in a negative polarity recording is that the impulse that 

would usually push air towards your ears is now pulling air away 

from your ears. 

Содержание R88 Series

Страница 1: ...FAR FIELD STEREO RIBBON MIC AEA R88 SERIES OWNER S MANUAL...

Страница 2: ...ctions the R88 s Blumlein system is convenient to use and delivers a phase coherent accurate transient response With sense of depth the R88 puts the listener right with the performers in the recording...

Страница 3: ...CONTENTS WELCOME INTRODUCTION SUPPORT GENERAL GUIDELINES APPLICATION ADVICE SPECIFICATIONS 2 4 4 5 8 12 3...

Страница 4: ...41 dB SPL R88A or 165 dB SPL R88mk2 at 1kHz As a far field stereo ribbon microphone the R88 captures balanced sound from long distances From 16 inches to 20 feet the mic retains its full spectrum and...

Страница 5: ...to Pin 2 or 3 Using phantom power with a faulty or mis wired cable or a defective supply can severely stretch or break a ribbon Since passive ribbon microphones or other transformer coupled microphon...

Страница 6: ...e strong air movement also can stretch the ribbon and while it may not break it nonetheless could significantly degrade the microphone s performance The ribbon in the R88 is protected by multi layered...

Страница 7: ...p with gain at least 60dB or higher To guarantee consistent full range ribbon sound we recommend AEA s RPQ2 RPQ500 and TRP2 preamps which were specially designed for ribbon microphones On quiet sound...

Страница 8: ...d tutorials featuring the R88 stereo microphone along with a library of audio and video demonstrations of the R88 in action The stereo R88 is a coincident microphone system Coincident mic techniques u...

Страница 9: ...and vertical marks with the instrument or ensemble you are recording The front quadrant pictured above is the positive polarity stereo image and the rear quadrant is the negative polarity stereo image...

Страница 10: ...atibility of the microphone as switching to mono results in electrical destructive interference Prominent early reflections from these regions can cause an ill defined and inaccurate stereo image Take...

Страница 11: ...ilable in hardware and software format The positive polarity of the Mid of M transducer is aligned on axis to the primary sound source The Side or S is oriented 90 degrees to this axis The positive po...

Страница 12: ...an result from the masking effect on the treble due to excessive bass boost As a stereo far field ribbon microphone the R88 was designed to capture balanced sound from long distances Sound sources sho...

Страница 13: ...the microphone Level changes with angle frequency re sponse is consistent 35dB null at 90 270 Level changes with angle reduced HF response above and below 0 180 25 dB null at 90 270 Aluminum corrugat...

Страница 14: ...3 87 15 04 3 87 14 FIGURE OF 8 POLAR PATTERN...

Страница 15: ...NSE 15 Data below 200 Hz omitted due to measuring room restrictions 0 dVB is equivalent to 2 5 mV Pa 52 dBV for the R88mk2 and 7 4 mV Pa 42 6 dBV for the R88A at 1kHz Normalized to 0 dB at 1kHz 1 3 oc...

Страница 16: ...AEARIBBONMICS COM RIBBONMICS INFO RIBBONMICS COM 800 798 9127...

Отзывы: