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USING THE R88 IN M/S

The R88 also works well with Mid-Side, or M/S, recording. M/S is 

worth experimenting with as it has the ability to control the stereo 

width by varying the Mid to Side ratio. This is especially convenient 

when recording a solo sound source where the emphasis on the 

center of the stereo image. 

Mid Side recording requires a "decoding matrix". There are many 

popular M/S decoders available in hardware and software format.

The positive polarity of the Mid of 'M' transducer is aligned on-axis 

to the primary sound source. The Side or 'S' is oriented 90-degrees 

to this axis. The positive polarity of the 'S' mic is typically aimed 

sound stage left. Such an orientation yields Left/Right stereo from 

a sum and difference matrix where Left = Mid + Side and Right = 

Mid - Side. This means that the right and left channels are hard 

panned and opposite polarity copies of each other, so they sound 

beautifully wide, but when switched to mono, they perfectly cancel 

each other out, leaving just the “mid”.

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Содержание R88 Series

Страница 1: ...FAR FIELD STEREO RIBBON MIC AEA R88 SERIES OWNER S MANUAL...

Страница 2: ...ctions the R88 s Blumlein system is convenient to use and delivers a phase coherent accurate transient response With sense of depth the R88 puts the listener right with the performers in the recording...

Страница 3: ...CONTENTS WELCOME INTRODUCTION SUPPORT GENERAL GUIDELINES APPLICATION ADVICE SPECIFICATIONS 2 4 4 5 8 12 3...

Страница 4: ...41 dB SPL R88A or 165 dB SPL R88mk2 at 1kHz As a far field stereo ribbon microphone the R88 captures balanced sound from long distances From 16 inches to 20 feet the mic retains its full spectrum and...

Страница 5: ...to Pin 2 or 3 Using phantom power with a faulty or mis wired cable or a defective supply can severely stretch or break a ribbon Since passive ribbon microphones or other transformer coupled microphon...

Страница 6: ...e strong air movement also can stretch the ribbon and while it may not break it nonetheless could significantly degrade the microphone s performance The ribbon in the R88 is protected by multi layered...

Страница 7: ...p with gain at least 60dB or higher To guarantee consistent full range ribbon sound we recommend AEA s RPQ2 RPQ500 and TRP2 preamps which were specially designed for ribbon microphones On quiet sound...

Страница 8: ...d tutorials featuring the R88 stereo microphone along with a library of audio and video demonstrations of the R88 in action The stereo R88 is a coincident microphone system Coincident mic techniques u...

Страница 9: ...and vertical marks with the instrument or ensemble you are recording The front quadrant pictured above is the positive polarity stereo image and the rear quadrant is the negative polarity stereo image...

Страница 10: ...atibility of the microphone as switching to mono results in electrical destructive interference Prominent early reflections from these regions can cause an ill defined and inaccurate stereo image Take...

Страница 11: ...ilable in hardware and software format The positive polarity of the Mid of M transducer is aligned on axis to the primary sound source The Side or S is oriented 90 degrees to this axis The positive po...

Страница 12: ...an result from the masking effect on the treble due to excessive bass boost As a stereo far field ribbon microphone the R88 was designed to capture balanced sound from long distances Sound sources sho...

Страница 13: ...the microphone Level changes with angle frequency re sponse is consistent 35dB null at 90 270 Level changes with angle reduced HF response above and below 0 180 25 dB null at 90 270 Aluminum corrugat...

Страница 14: ...3 87 15 04 3 87 14 FIGURE OF 8 POLAR PATTERN...

Страница 15: ...NSE 15 Data below 200 Hz omitted due to measuring room restrictions 0 dVB is equivalent to 2 5 mV Pa 52 dBV for the R88mk2 and 7 4 mV Pa 42 6 dBV for the R88A at 1kHz Normalized to 0 dB at 1kHz 1 3 oc...

Страница 16: ...AEARIBBONMICS COM RIBBONMICS INFO RIBBONMICS COM 800 798 9127...

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