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6

AIR TURBULENCE

Never expose the microphone to strong air turbulence.

 Ribbon 

microphones can withstand very high SPL (Sound Pressure Level) 

without difficulty, but can be damaged easily by a sudden, strong 

gust of air or high levels of very low frequency sound waves (like 

from a kick drum or bass cabinet). This can stretch the ribbon, 

causing the microphone to start sounding flabby.

To avoid possible damage, follow this simple procedure when 

positioning the microphone called "The Hand Test": put the back 

of your hand where the mic will be; if you can feel the motion of air 

on your hand, place a pop-filter between the microphone and the 

source of the wind gusts or simply pull the mic further back. When 

recording kick drums or bass guitar cabinets, angle the microphone 

to make sure that no wind blasts hit the microphone directly on-axis 

from the front or back.

Never blow directly into any microphone to test it. Not only 

does this force moisture and dirt into the microphone, strong air 

movement also can stretch the ribbon and while it may not break, 

it nonetheless could significantly degrade the microphone’s 

performance. The ribbon in the R88 is protected by multi-layered 

screens and grille cloths to provide superior wind protection. 

Nonetheless, using it outdoors requires special care to avoid wind 

which can damage the ribbon.

MAGNETIC STRAY FIELDS

MICROPHONE STORAGE

Keep the microphone covered when it is not in use.

 This prevents 

potential damage to the ribbon from a strong gust of air. Place the 

supplied protective slip cover over the microphone when it is not in 

use. For long term storage, place the microphone in its protective 

case. Minute iron particles, sometimes known as “tramp iron,” are 

common within our environment. AEA ribbon microphones contain 

powerful magnets that produce strong magnetic fields. These 

fields can attract any ferric metal near the microphone that, if they 

are small enough, can penetrate the outer screening and work 

their way inside the microphone. Over time, this “tramp iron” can 

build up sufficiently in the magnetic gap to rub against the ribbon 

causing distortion, electrical shorts or tearing of the ribbon. 

Содержание R88 Series

Страница 1: ...FAR FIELD STEREO RIBBON MIC AEA R88 SERIES OWNER S MANUAL...

Страница 2: ...ctions the R88 s Blumlein system is convenient to use and delivers a phase coherent accurate transient response With sense of depth the R88 puts the listener right with the performers in the recording...

Страница 3: ...CONTENTS WELCOME INTRODUCTION SUPPORT GENERAL GUIDELINES APPLICATION ADVICE SPECIFICATIONS 2 4 4 5 8 12 3...

Страница 4: ...41 dB SPL R88A or 165 dB SPL R88mk2 at 1kHz As a far field stereo ribbon microphone the R88 captures balanced sound from long distances From 16 inches to 20 feet the mic retains its full spectrum and...

Страница 5: ...to Pin 2 or 3 Using phantom power with a faulty or mis wired cable or a defective supply can severely stretch or break a ribbon Since passive ribbon microphones or other transformer coupled microphon...

Страница 6: ...e strong air movement also can stretch the ribbon and while it may not break it nonetheless could significantly degrade the microphone s performance The ribbon in the R88 is protected by multi layered...

Страница 7: ...p with gain at least 60dB or higher To guarantee consistent full range ribbon sound we recommend AEA s RPQ2 RPQ500 and TRP2 preamps which were specially designed for ribbon microphones On quiet sound...

Страница 8: ...d tutorials featuring the R88 stereo microphone along with a library of audio and video demonstrations of the R88 in action The stereo R88 is a coincident microphone system Coincident mic techniques u...

Страница 9: ...and vertical marks with the instrument or ensemble you are recording The front quadrant pictured above is the positive polarity stereo image and the rear quadrant is the negative polarity stereo image...

Страница 10: ...atibility of the microphone as switching to mono results in electrical destructive interference Prominent early reflections from these regions can cause an ill defined and inaccurate stereo image Take...

Страница 11: ...ilable in hardware and software format The positive polarity of the Mid of M transducer is aligned on axis to the primary sound source The Side or S is oriented 90 degrees to this axis The positive po...

Страница 12: ...an result from the masking effect on the treble due to excessive bass boost As a stereo far field ribbon microphone the R88 was designed to capture balanced sound from long distances Sound sources sho...

Страница 13: ...the microphone Level changes with angle frequency re sponse is consistent 35dB null at 90 270 Level changes with angle reduced HF response above and below 0 180 25 dB null at 90 270 Aluminum corrugat...

Страница 14: ...3 87 15 04 3 87 14 FIGURE OF 8 POLAR PATTERN...

Страница 15: ...NSE 15 Data below 200 Hz omitted due to measuring room restrictions 0 dVB is equivalent to 2 5 mV Pa 52 dBV for the R88mk2 and 7 4 mV Pa 42 6 dBV for the R88A at 1kHz Normalized to 0 dB at 1kHz 1 3 oc...

Страница 16: ...AEARIBBONMICS COM RIBBONMICS INFO RIBBONMICS COM 800 798 9127...

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