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Ribbon microphones are fundamentally prone to picking up 

strong external magnetic fields caused by light dimmers or nearby 

MICROPHONE POSITIONING

WHICH PREAMP SHOULD I USE?

Always use a sturdy microphone stand. 

Mounting the microphone 

on a strong, sturdy microphone stand with a heavy base (or tripod) 

is essential. If you are using a boom, make sure that it is properly 

balanced and that the tripod legs are positioned appropriately 

to prevent tipping. The R88mk2 uses a weighted, integrated 

shock mount and is supplied with an swivel mount adapter which 

allows for easy positioning. Please ensure that the swivel mount is 

properly tightened during use. 

In the case of the passive R88, the preamp is critical for optimum 

performance. Passive ribbon microphones generally have low 

output level and require preamps that supply a high level of 

gain. If the preamp you use doesn’t have enough gain, the signal 

might seem too soft or noisy. We recommend using a high-input 

impedance preamp with gain at least +60dB or higher.

To guarantee consistent, full-range ribbon sound, we recommend 

AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially 

designed for ribbon microphones. On quiet sound sources or for 

distance recording, an AEA preamp is highly recommended.

power transformers. Guitar players will know this phenomenon 

from single-coil pickups. Even though much attention was paid 

to suppressing such sensitivity to external magnetic fields in 

the design of your microphone, it is still possible that you might 

encounter this problem. If you should pick up a hum, try rotating or 

moving the microphone to find a spot where the hum disappears, 

and try eliminating potential sources of stray magnetic fields. You 

can use the microphone to find where hum is originating. Rotate 

the mic for maximum interference and move it back and forth to 

sense its direction.

The high-performance magnets used in AEA microphones are 

incredibly strong, and a significant amount of stray magnetic field 

lines surround the microphone. Avoid placing the microphone in 

close proximity to hard drives, credit cards, analog tape, or any 

other magnetically sensitive items to prevent any data loss.

Содержание R88 Series

Страница 1: ...FAR FIELD STEREO RIBBON MIC AEA R88 SERIES OWNER S MANUAL...

Страница 2: ...ctions the R88 s Blumlein system is convenient to use and delivers a phase coherent accurate transient response With sense of depth the R88 puts the listener right with the performers in the recording...

Страница 3: ...CONTENTS WELCOME INTRODUCTION SUPPORT GENERAL GUIDELINES APPLICATION ADVICE SPECIFICATIONS 2 4 4 5 8 12 3...

Страница 4: ...41 dB SPL R88A or 165 dB SPL R88mk2 at 1kHz As a far field stereo ribbon microphone the R88 captures balanced sound from long distances From 16 inches to 20 feet the mic retains its full spectrum and...

Страница 5: ...to Pin 2 or 3 Using phantom power with a faulty or mis wired cable or a defective supply can severely stretch or break a ribbon Since passive ribbon microphones or other transformer coupled microphon...

Страница 6: ...e strong air movement also can stretch the ribbon and while it may not break it nonetheless could significantly degrade the microphone s performance The ribbon in the R88 is protected by multi layered...

Страница 7: ...p with gain at least 60dB or higher To guarantee consistent full range ribbon sound we recommend AEA s RPQ2 RPQ500 and TRP2 preamps which were specially designed for ribbon microphones On quiet sound...

Страница 8: ...d tutorials featuring the R88 stereo microphone along with a library of audio and video demonstrations of the R88 in action The stereo R88 is a coincident microphone system Coincident mic techniques u...

Страница 9: ...and vertical marks with the instrument or ensemble you are recording The front quadrant pictured above is the positive polarity stereo image and the rear quadrant is the negative polarity stereo image...

Страница 10: ...atibility of the microphone as switching to mono results in electrical destructive interference Prominent early reflections from these regions can cause an ill defined and inaccurate stereo image Take...

Страница 11: ...ilable in hardware and software format The positive polarity of the Mid of M transducer is aligned on axis to the primary sound source The Side or S is oriented 90 degrees to this axis The positive po...

Страница 12: ...an result from the masking effect on the treble due to excessive bass boost As a stereo far field ribbon microphone the R88 was designed to capture balanced sound from long distances Sound sources sho...

Страница 13: ...the microphone Level changes with angle frequency re sponse is consistent 35dB null at 90 270 Level changes with angle reduced HF response above and below 0 180 25 dB null at 90 270 Aluminum corrugat...

Страница 14: ...3 87 15 04 3 87 14 FIGURE OF 8 POLAR PATTERN...

Страница 15: ...NSE 15 Data below 200 Hz omitted due to measuring room restrictions 0 dVB is equivalent to 2 5 mV Pa 52 dBV for the R88mk2 and 7 4 mV Pa 42 6 dBV for the R88A at 1kHz Normalized to 0 dB at 1kHz 1 3 oc...

Страница 16: ...AEARIBBONMICS COM RIBBONMICS INFO RIBBONMICS COM 800 798 9127...

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