Zoom G7.1ut Operation Manual Download Page 29

Effect Types and Parameters

ZOOM G7.1ut

56

Tremolo

This effect periodically varies the volume level.

PARM1

PARM2

PARM3

PARM4

Depth

0 – 100

Rate

0 – 50

Wave

UP 0 – 9, 

DWN 0 – 9, 

TRI 0 – 9

Level

2 – 100

Adjusts the modulation depth.  Adjusts the modulation rate. 

Controls the modulation 
waveform. Available waveform 
types are "UP" (rising 
sawtooth), "DWN" (falling 
sawtooth), and "TRI" 
(triangular). Higher numerical 
values result in stronger 
clipping, which emphasizes the 
effect. 

Adjusts the signal level after 
passing the module.

Phaser

This effect produces a swooshing sound.

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Rate

0 – 50

Color

1 – 4

Level

2 – 100

Selects the connection position 
of the WAH/EFX1 module. 
Available settings are "Befr" 
(before pre-amp section) or 
"Aftr" (after pre-amp section).

Adjusts the modulation rate. 

Adjusts the sound color. 

Adjusts the signal level after 
passing the module.

Ring Modulate

This effect produces a metallic ringing sound. Adjusting the "Freq" parameter results in a drastic change of sound 
character. 

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Frequency

1 – 50

Balance

0 – 100

Level

2 – 100

Selects the connection position 
of the WAH/EFX1 module. 
Available settings are "Befr" 
(before pre-amp section) or 
"Aftr" (after pre-amp section).

Adjusts the modulation 
frequency.

Adjusts the balance between 
original sound and effect 
sound. 

Adjusts the signal level after 
passing the module. 

Slow Attack 

This effect slows down the attack rate of the sound, resulting in a violin playing style sound. 

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Time

1 – 50

Curve

0 – 10

Level

2 – 100

Selects the connection position 
of the WAH/EFX1 module. 
Available settings are "Befr" 
(before pre-amp section) or 
"Aftr" (after pre-amp section).

Adjusts the rise time. 

Adjusts the rising volume 
change curve.

Adjusts the signal level after 
passing the module. 

Pedal Vox

Simulation of the vintage Vox pedal wah. 

Pedal Cry 

Simulation of the vintage Crybaby pedal wah.

The above two effect types have the same parameters. 

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Frequency

1 – 50

Dry Mix

0 – 10

Level

2 – 100

Selects the connection position 
of the WAH/EFX1 module. 
Available settings are "Befr" 
(before pre-amp section) or 
"Aftr" (after pre-amp section). 

Adjusts the frequency that is 
emphasized. When the 
expression pedal is not used, 
the effect is similar to a half 
open pedal. 

Adjusts the level of the 
original sound mixed to the 
effect sound.

Adjusts the signal level after 
passing the module. 

Effect Types and Parameters

ZOOM G7.1ut

57

P-Resonance

Pedal wah with a strong character.

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Frequency

1 – 50

Resonance

0 – 10

Level

2 – 100

Selects the connection position 
of the WAH/EFX1 module. 
Available settings are "Befr" 
(before pre-amp section) or 
"Aftr" (after pre-amp section). 

Adjusts the modulation 
frequency. 

Adjusts the resonance 
intensity.

Adjusts the signal level after 
passing the module. 

Octave

This effect adds a one-octave lower component to the original sound. 

PARM1

PARM2

PARM3

PARM4

OctLevel

0 – 100

DryLevel

0 – 100

Tone

0 – 10

Level

2 – 100

Adjusts the level of the one-
octave lower sound 
component. 

Adjusts the level of the 
original sound. 

Adjusts the tonal quality of the 
sound. 

Adjusts the signal level after 
passing the module. 

ZNR module

This module serves for reducing noise during playing pauses. It offers a choice between 
noise reduction and noise gate (muting during pauses). 

ZNR (ZOOM NOISE REDUCTION)

ZOOM original noise reduction which reduces noise in playing pauses without affecting the overall tone. 

Noise Gate 

This is a noise gate which cuts off the sound during playing pauses. 

Dirty Gate 

This is a vintage type gate with special closing characteristics. 

The above three effect types have the same parameter. 

PARM1

Threshold

1 – 16

Adjusts the ZNR sensitivity. 
For maximum noise reduction, 
set the value as high as 
possible without causing the 
sound to decay unnaturally. 

Summary of Contents for G7.1ut

Page 1: ...Operation Manual ZOOM Corporation Reproduction of this manual in whole or in part by any means is prohibited...

Page 2: ...type of digital control device the G7 1ut included electromagnetic interference can cause malfunctioning and can corrupt or destroy data Care should be taken to minimize the risk of damage Cleaning Us...

Page 3: ...dually and modules can be switched on and off as desired The module series ZNR PRE AMP EQ and CABINET operates as a virtual preamplifier which is controlled with the knobs and keys on the pre amp sect...

Page 4: ...tor OUTPUT L MONO jack MIDI IN connector PHONES jack CONTROL IN jack AUX IN jack LEVEL knob USB port Controls and Functions ZOOM G7 1ut 7 Control section Tube section Pre amp section TYPE knob AMP SEL...

Page 5: ...the G7 1ut are described below 1 Make sure that any connected guitar amplifier is turned off In addition fully turn down the volume control at the guitar amplifier 2 Plug the AC adapter into an AC out...

Page 6: ...o select a patch use foot switches 1 4 1 In play mode keep the BANK W foot switch depressed for more than one second Quick Guide 1 Play Mode Manual Mode Operation ZOOM G7 1ut 11 BpmTp AmpDrive LVL100...

Page 7: ...ed to the knobs see page 55 67 Quick Guide 2 Edit Mode Store Mode Operation ZOOM G7 1ut 13 Depth 100 MOD Chorus STORE STORE U0 1 U0 1 NEWDrive NEWDrive PATCH PATCH U0 U0 Storing a patch store mode HIN...

Page 8: ...e the BANK W Q foot switches to change the bank and then use foot switches 1 4 to select the patch When you repeatedly press the BANK Q foot switch the G7 1ut switches the group bank as follows HINT I...

Page 9: ...able for making the guitar stand out in an ensemble setting or for adding that characteristic tube distortion sound HINT The Energizer is active in all modes The Energizer settings are not stored as p...

Page 10: ...second The LED of the BANK W foot switch lights up and the G7 1ut switches to manual mode In manual mode the following information appears on the panel see illustration below NOTE In manual mode you...

Page 11: ...section The number shown in reverse on the display indicates that the corresponding parameter knob can be used for adjustment 2 Play the open string to tune The GROUP BANK indicator shows the note wh...

Page 12: ...BINET DELAY REVERB Pre amp section Patch configuration Changing the Sound of a Patch Edit Mode The condition where you can change the effect types and settings that make up a patch is called edit mode...

Page 13: ...Clean FD Clean PRE AMP PRE AMP Off Off Equalizer Equalizer Parameter knobs 1 4 TYPE knob Changing the Sound of a Patch Edit Mode ZOOM G7 1ut 25 PRE AMP A B keys Select one of the two channels of the...

Page 14: ...es in memory or swap the store location of user group patches Storing and swapping can also be carried out for entire banks The patches of the user groups can be returned to the factory default condit...

Page 15: ...ser bank NOTE If the source bank is from a preset group the indication SWAP does not appear 4 Use the TYPE knob or BANK W Q foot switches to select the store swap target bank 5 Press the STORE SWAP ke...

Page 16: ...the parameter that is to be controlled As you turn parameter knob 1 the effect parameter effect type and effect module changes HINT For information on which parameters can be selected as control targ...

Page 17: ...dication changes as follows 3 Push the expression pedal fully down and then lift your foot off the pedal 4 Press the STORE SWAP key The adjustment is completed and the unit returns to the play mode HI...

Page 18: ...d Delay the DELAY module must be active for that patch Delay Mute The FUNCTION CH A B foot switch toggles DELAY module input muting between on and off BPM 120 BPM 120 TOTAL Tempo TOTAL Tempo PRE AMP C...

Page 19: ...I Usage Examples This section describes the various MIDI functions of the G7 1ut What you can do with MIDI The G7 1ut lets you use MIDI in various ways as described below Send and receive patch switch...

Page 20: ...IDI 5 26 MIDI 5 26 Y STORE N EXIT Y STORE N EXIT Store Store MIDI Usage Examples ZOOM G7 1ut 39 1 In play mode press the AMP SELECT SYSTEM key 2 To enable the G7 1ut to receive program change bank sel...

Page 21: ...hen a program change bank select message is received 2 Patch at the G7 1ut is switched MIDI OUT connector MIDI IN connector FRONT FRONT AMP Select 1 26 AMP Select 1 26 DIRECT DIRECT MIDI PCMODE 6 26 M...

Page 22: ...IT Y STORE N EXIT Store Store FRONT FRONT AMP Select 1 26 AMP Select 1 26 Control change number to be assigned PDL 11 PDL 11 MIDI cc 13 26 MIDI cc 13 26 MIDI Usage Examples ZOOM G7 1ut 43 HINT The con...

Page 23: ...ten Perform the following steps with care to avoid accidentally overwriting important data 1 Using two MIDI cables connect the MIDI OUT and MIDI IN connectors on the source G7 1ut to the MIDI IN and M...

Page 24: ...ARRM MIX Minimum value Maximum value MAX 100 MAX 100 TOTAL ARRM MAX TOTAL ARRM MAX min 0 min 0 TOTAL ARRM min TOTAL ARRM min Other Functions ZOOM G7 1ut 47 HINT The available range setting depends on...

Page 25: ...at the OUTPUT jack of the G7 1ut see Figure 2 on the previous page If required the guitar signal after effect processing can be muted during playback see Figure 3 on the previous page For details see...

Page 26: ...CLEAN JC CLEAN HW CLWAN EQ ZNR GATE DIRTY GATE PRE AMP ZNR EQ COMP WAH EFX1 MOD EFX2 REVERB DELAY CABINET EQ ZNR NOISE GATE DIRTY GATE PRE AMP ZNR EQ FD CLEAN VX CLEAN JC CLEAN HW CLEAN Linking Effec...

Page 27: ...ed when the Booster Tremolo or Octave effect type is not selected 1 In play mode manual mode or edit mode press the WAH EFX1 key 2 Turn the TYPE knob and select an effect type other than Booster Tremo...

Page 28: ...ns the respective function must be assigned to the foot switch p 34 and the respective effect type must be enabled Effect module Effect Types and Parameters How to read the parameter table Effect Type...

Page 29: ...n of the vintage Vox pedal wah Pedal Cry Simulation of the vintage Crybaby pedal wah The above two effect types have the same parameters PARM1 PARM2 PARM3 PARM4 Position Befr Aftr Frequency 1 50 Dry M...

Page 30: ...f MXR distortion that made distortion popular worldwide HotBox FuzzFace Simulation of the compact Matchless HotBox preamp with built in tubes Simulation of the Fuzz Face that made rock history with it...

Page 31: ...0 50 Resonance 10 1 0 1 10 Manual 0 100 Adjusts the effect depth Adjusts the modulation rate Adjusts the resonance intensity Adjusts the frequency range on which the effect operates Effect Types and P...

Page 32: ...pitch shifter that automatically generates harmonies according to a preset key and scale PARM1 PARM2 PARM3 PARM4 Scale 6 5 4 3 m m 3 4 5 6 Key C C D D E F F G G A A B Tone 0 10 Mix 0 100 Determines th...

Page 33: ...f reflections from the wall Adjusts the tonal quality of the sound Adjusts the level of the effect sound mixed to the original sound Effect Types and Parameters ZOOM G7 1ut 65 REVERB module This modul...

Page 34: ...ettings for the ARRM function p 46 Use the PAGE key to switch between parameters 1 3 and 4 5 PAGE1 PARM1 PARM2 PARM3 ARRM control target min minimum value See page 46 MAX maximum value See page 46 Sel...

Page 35: ...the MIDI OUT connector of the G7 1ut and the MIDI IN connector of the other MIDI device are connected properly Check the MIDI channel setting p 37 Check whether send receive of the respective type of...

Page 36: ...2 3 4 Bank No Program No Bank No Program No Bank No Program No Bank No Program No MSB LSB MSB LSB MSB LSB MSB LSB U 0 0 0 0 0 0 1 0 0 2 0 0 3 1 0 0 4 0 0 5 0 0 6 0 0 7 2 0 0 8 0 0 9 0 0 10 0 0 11 3 0...

Page 37: ...stalled and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation...

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Page 40: ...ike the 1959 and 1987 with four inputs 2203 and 2204 with master volumes In 1983 Marshall added the 2210 and 2205 with two Normal and Boost channels as well as effect send return connectors to its lin...

Page 41: ...Combo great name is the answer to your prayers You get a midrange sound like adding up a Marshall and a Fender and dividing them by two plus distortion that equals notching up the volume from 10 to 15...

Page 42: ...ppears Check whether the input port is active If the Active button is Off grayed out click the button to set it to On HINT When multiple input ports are available for selection you should scroll or en...

Page 43: ...heard when you click the Play button after recording check the settings in the VST input window step 13 and the master channel output port setting step 15 once more For optimum enjoyment While using C...

Page 44: ...After startup select ZOOM ASIO Driver as the ASIO driver in the right section of the Device Setup window When you change the ASIO driver selection a confirmation message appears Click the Switch butt...

Page 45: ...d change the recording level and gain settings at this unit NOTE While the monitoring button is enabled the direct signal input to this unit and the signal routed to the computer and then returned to...

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