Zoom G7.1ut Operation Manual Download Page 19

Using the Function Foot Switch

ZOOM G7.1ut

36

4.

To synchronize a parameter to the 
specified tempo, select the effect 
type and effect parameter to 
synchronize, and select the note 
symbol as the setting value for the 
parameter.

The setting value for effect parameters which
support tempo synchronization can be selected in
note units, using the patch specific tempo as a
reference.

For example, the Time parameter of the effect
type TAPE ECHO in the MOD/EFX2 module
supports patch specific tempo synchronization.
To use this capability, turn the respective
parameter knob from the maximum setting (2000)
further clockwise until a note symbol appears on
the display.

HINT

In the section “Effect Types and Parameters” (

 

p. 54 – 67), parameters which support tempo
synchronization are indicated by a note symbol.

5.

Select a parameter value by selecting 
a note symbol.

The following settings are available.

NOTE

The actual available setting range depends on the
parameter.

When you have selected the eighth note setting,
the Time parameter will be set to a value that
corresponds to an eighth note in the patch specific
tempo. When the tempo is changed, the delay
time also changes accordingly.

NOTE

Depending on the combination of tempo setting
and selected note symbol, the maximum of the
parameter setting range (such as 2000 ms) may be
e x c e e d e d .   I n   s u c h   a   c a s e ,   t h e   v a l u e   i s
automatically halved (or set to 1/4 if the range is
still exceeded).

6.

When the tempo and parameter 
setting is complete, press the [EXIT] 
key.

The unit returns to play mode. Store the patch as
necessary.

The above procedure uses the tempo set in step 3
as reference for the note setting made in step 5.If
the “BPM TAP” function is assigned to the
[FUNCTION] (CH A/B) foot switch, you can
specify the tempo with your foot during a
performance and have the parameter change
accordingly.

Thirty-second note

ƒ

Sixteenth note

∑ 3

Quarter triplet note

ƒ ∫

Dotted sixteenth note

π

Eighth note

Ø 3

Half triplet note

π ∫

Dotted eighth note

Quarter note

∑ ∫

Dotted quarter note

∑x 2

Quarter note x 2

:

:

∑x 20

Quarter note x 20

ZOOM G7.1ut

37

MIDI Usage Examples

This section describes the various MIDI functions of the G7.1ut.

What you can do with MIDI

The G7.1ut lets you use MIDI in various ways, as
described below.

Send and receive patch switching 
information via MIDI

When you switch patches at the G7.1ut, the MIDI
OUT connector carries the corresponding MIDI
messages (program change, or bank
program change). Similarly, when a valid MIDI
message is received at the MIDI IN connector, the
G7.1ut will perform the corresponding patch
switch action.
This makes it possible to have patches at the
G7.1ut switched automatically under control of a
MIDI sequencer, or link operation of the G7.1ut
to patch switching at other MIDI enabled devices.

Send and receive pedal/switch/key 
operation information via MIDI

When you operate specific keys and foot switches
of the G7.1ut, or operate the built-in or an
external expression pedal, the MIDI OUT
connector carries the corresponding MIDI
messages (control change). Similarly, when a
valid MIDI message is received at the MIDI IN
connector, the G7.1ut will vary the corresponding
parameter.
This makes it possible to use the G7.1ut as a real-
time controller for other MIDI enabled devices, or
alter effect parameters and module on/off status
under control of a MIDI sequencer, synthesizer,
or other MIDI enabled device.

Exchange patch data between two 
G7.1ut units via MIDI

The patch data of the G7.1ut can be output as
MIDI messages (system exclusive), for copying
to another G7.1ut.

Selecting the MIDI channel

To enable correct sending and receiving of
program change, control change and other MIDI
messages, the MIDI channel (1 – 16) setting of
the G7.1ut and the other MIDI device must be
matched. To set the MIDI channel of the G7.1ut,
proceed as follows.

1.

In play mode, press the [AMP 
SELECT/SYSTEM] key.

T h e   A M P   S E L E C T / S Y S T E M   m e n u   f o r
parameters that apply to all patches appears.

2.

Turn the [TYPE] knob to select the 
“MIDI Rx Ch” (MIDI receive channel) 
parameter.

3.

Turn parameter knob 1 to select the 
MIDI channel (1  – 16) on which the 
G7.1ut will receive MIDI messages.

4.

Turn the [TYPE] knob to select the 
“MIDI Tx Ch” (MIDI transmit channel) 
parameter.

¡FRONT         

FRONT         

AMP Select  1/26

AMP Select  1/26

¡Rx Ch=1

Rx Ch=1

MIDI        4/26

MIDI        4/26

¡Rx Ch=3       

Rx Ch=3       é

MIDI        4/26

MIDI        4/26

Summary of Contents for G7.1ut

Page 1: ...Operation Manual ZOOM Corporation Reproduction of this manual in whole or in part by any means is prohibited...

Page 2: ...type of digital control device the G7 1ut included electromagnetic interference can cause malfunctioning and can corrupt or destroy data Care should be taken to minimize the risk of damage Cleaning Us...

Page 3: ...dually and modules can be switched on and off as desired The module series ZNR PRE AMP EQ and CABINET operates as a virtual preamplifier which is controlled with the knobs and keys on the pre amp sect...

Page 4: ...tor OUTPUT L MONO jack MIDI IN connector PHONES jack CONTROL IN jack AUX IN jack LEVEL knob USB port Controls and Functions ZOOM G7 1ut 7 Control section Tube section Pre amp section TYPE knob AMP SEL...

Page 5: ...the G7 1ut are described below 1 Make sure that any connected guitar amplifier is turned off In addition fully turn down the volume control at the guitar amplifier 2 Plug the AC adapter into an AC out...

Page 6: ...o select a patch use foot switches 1 4 1 In play mode keep the BANK W foot switch depressed for more than one second Quick Guide 1 Play Mode Manual Mode Operation ZOOM G7 1ut 11 BpmTp AmpDrive LVL100...

Page 7: ...ed to the knobs see page 55 67 Quick Guide 2 Edit Mode Store Mode Operation ZOOM G7 1ut 13 Depth 100 MOD Chorus STORE STORE U0 1 U0 1 NEWDrive NEWDrive PATCH PATCH U0 U0 Storing a patch store mode HIN...

Page 8: ...e the BANK W Q foot switches to change the bank and then use foot switches 1 4 to select the patch When you repeatedly press the BANK Q foot switch the G7 1ut switches the group bank as follows HINT I...

Page 9: ...able for making the guitar stand out in an ensemble setting or for adding that characteristic tube distortion sound HINT The Energizer is active in all modes The Energizer settings are not stored as p...

Page 10: ...second The LED of the BANK W foot switch lights up and the G7 1ut switches to manual mode In manual mode the following information appears on the panel see illustration below NOTE In manual mode you...

Page 11: ...section The number shown in reverse on the display indicates that the corresponding parameter knob can be used for adjustment 2 Play the open string to tune The GROUP BANK indicator shows the note wh...

Page 12: ...BINET DELAY REVERB Pre amp section Patch configuration Changing the Sound of a Patch Edit Mode The condition where you can change the effect types and settings that make up a patch is called edit mode...

Page 13: ...Clean FD Clean PRE AMP PRE AMP Off Off Equalizer Equalizer Parameter knobs 1 4 TYPE knob Changing the Sound of a Patch Edit Mode ZOOM G7 1ut 25 PRE AMP A B keys Select one of the two channels of the...

Page 14: ...es in memory or swap the store location of user group patches Storing and swapping can also be carried out for entire banks The patches of the user groups can be returned to the factory default condit...

Page 15: ...ser bank NOTE If the source bank is from a preset group the indication SWAP does not appear 4 Use the TYPE knob or BANK W Q foot switches to select the store swap target bank 5 Press the STORE SWAP ke...

Page 16: ...the parameter that is to be controlled As you turn parameter knob 1 the effect parameter effect type and effect module changes HINT For information on which parameters can be selected as control targ...

Page 17: ...dication changes as follows 3 Push the expression pedal fully down and then lift your foot off the pedal 4 Press the STORE SWAP key The adjustment is completed and the unit returns to the play mode HI...

Page 18: ...d Delay the DELAY module must be active for that patch Delay Mute The FUNCTION CH A B foot switch toggles DELAY module input muting between on and off BPM 120 BPM 120 TOTAL Tempo TOTAL Tempo PRE AMP C...

Page 19: ...I Usage Examples This section describes the various MIDI functions of the G7 1ut What you can do with MIDI The G7 1ut lets you use MIDI in various ways as described below Send and receive patch switch...

Page 20: ...IDI 5 26 MIDI 5 26 Y STORE N EXIT Y STORE N EXIT Store Store MIDI Usage Examples ZOOM G7 1ut 39 1 In play mode press the AMP SELECT SYSTEM key 2 To enable the G7 1ut to receive program change bank sel...

Page 21: ...hen a program change bank select message is received 2 Patch at the G7 1ut is switched MIDI OUT connector MIDI IN connector FRONT FRONT AMP Select 1 26 AMP Select 1 26 DIRECT DIRECT MIDI PCMODE 6 26 M...

Page 22: ...IT Y STORE N EXIT Store Store FRONT FRONT AMP Select 1 26 AMP Select 1 26 Control change number to be assigned PDL 11 PDL 11 MIDI cc 13 26 MIDI cc 13 26 MIDI Usage Examples ZOOM G7 1ut 43 HINT The con...

Page 23: ...ten Perform the following steps with care to avoid accidentally overwriting important data 1 Using two MIDI cables connect the MIDI OUT and MIDI IN connectors on the source G7 1ut to the MIDI IN and M...

Page 24: ...ARRM MIX Minimum value Maximum value MAX 100 MAX 100 TOTAL ARRM MAX TOTAL ARRM MAX min 0 min 0 TOTAL ARRM min TOTAL ARRM min Other Functions ZOOM G7 1ut 47 HINT The available range setting depends on...

Page 25: ...at the OUTPUT jack of the G7 1ut see Figure 2 on the previous page If required the guitar signal after effect processing can be muted during playback see Figure 3 on the previous page For details see...

Page 26: ...CLEAN JC CLEAN HW CLWAN EQ ZNR GATE DIRTY GATE PRE AMP ZNR EQ COMP WAH EFX1 MOD EFX2 REVERB DELAY CABINET EQ ZNR NOISE GATE DIRTY GATE PRE AMP ZNR EQ FD CLEAN VX CLEAN JC CLEAN HW CLEAN Linking Effec...

Page 27: ...ed when the Booster Tremolo or Octave effect type is not selected 1 In play mode manual mode or edit mode press the WAH EFX1 key 2 Turn the TYPE knob and select an effect type other than Booster Tremo...

Page 28: ...ns the respective function must be assigned to the foot switch p 34 and the respective effect type must be enabled Effect module Effect Types and Parameters How to read the parameter table Effect Type...

Page 29: ...n of the vintage Vox pedal wah Pedal Cry Simulation of the vintage Crybaby pedal wah The above two effect types have the same parameters PARM1 PARM2 PARM3 PARM4 Position Befr Aftr Frequency 1 50 Dry M...

Page 30: ...f MXR distortion that made distortion popular worldwide HotBox FuzzFace Simulation of the compact Matchless HotBox preamp with built in tubes Simulation of the Fuzz Face that made rock history with it...

Page 31: ...0 50 Resonance 10 1 0 1 10 Manual 0 100 Adjusts the effect depth Adjusts the modulation rate Adjusts the resonance intensity Adjusts the frequency range on which the effect operates Effect Types and P...

Page 32: ...pitch shifter that automatically generates harmonies according to a preset key and scale PARM1 PARM2 PARM3 PARM4 Scale 6 5 4 3 m m 3 4 5 6 Key C C D D E F F G G A A B Tone 0 10 Mix 0 100 Determines th...

Page 33: ...f reflections from the wall Adjusts the tonal quality of the sound Adjusts the level of the effect sound mixed to the original sound Effect Types and Parameters ZOOM G7 1ut 65 REVERB module This modul...

Page 34: ...ettings for the ARRM function p 46 Use the PAGE key to switch between parameters 1 3 and 4 5 PAGE1 PARM1 PARM2 PARM3 ARRM control target min minimum value See page 46 MAX maximum value See page 46 Sel...

Page 35: ...the MIDI OUT connector of the G7 1ut and the MIDI IN connector of the other MIDI device are connected properly Check the MIDI channel setting p 37 Check whether send receive of the respective type of...

Page 36: ...2 3 4 Bank No Program No Bank No Program No Bank No Program No Bank No Program No MSB LSB MSB LSB MSB LSB MSB LSB U 0 0 0 0 0 0 1 0 0 2 0 0 3 1 0 0 4 0 0 5 0 0 6 0 0 7 2 0 0 8 0 0 9 0 0 10 0 0 11 3 0...

Page 37: ...stalled and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation...

Page 38: ......

Page 39: ......

Page 40: ...ike the 1959 and 1987 with four inputs 2203 and 2204 with master volumes In 1983 Marshall added the 2210 and 2205 with two Normal and Boost channels as well as effect send return connectors to its lin...

Page 41: ...Combo great name is the answer to your prayers You get a midrange sound like adding up a Marshall and a Fender and dividing them by two plus distortion that equals notching up the volume from 10 to 15...

Page 42: ...ppears Check whether the input port is active If the Active button is Off grayed out click the button to set it to On HINT When multiple input ports are available for selection you should scroll or en...

Page 43: ...heard when you click the Play button after recording check the settings in the VST input window step 13 and the master channel output port setting step 15 once more For optimum enjoyment While using C...

Page 44: ...After startup select ZOOM ASIO Driver as the ASIO driver in the right section of the Device Setup window When you change the ASIO driver selection a confirmation message appears Click the Switch butt...

Page 45: ...d change the recording level and gain settings at this unit NOTE While the monitoring button is enabled the direct signal input to this unit and the signal routed to the computer and then returned to...

Reviews: