Zoom B1 FOUR Operation Manual Download Page 16

 

No.

Patch name

Description

Main effect

Pedal setting

 

DEMO

 

A0

 

Rock Out

 

Versatile sound that fits almost any playing style. Modeled on the Fender Bassman 100 that is the realization of
every bassist's dream.

 

BASSMAN

VOLUME

 

A1

 

Groovy Ass Funk

 

Auto Wah lets you get into that seventies Disco groove. Play funky bass lines in the style of the dance band Chic.

 

Auto Wah

AUTO WAH 
SENSE

 

A2

 

Punk Trash

 

This patch gives you bass sound with just the right edge for punk. Sling your bass low and bolster your band's
sound with driving phrases as in "I Wanna Be Sedated" by The Ramones.

 

TS9

VOLUME

 

A3

 

Tapper's Delight

 

Old-style overdrive sound with many uses. Sometimes even a conservative bass player will want to let loose with
some dramatically distorted solos. That's when this patch comes in handy.

 

ODB-3 

VOLUME

 

A4

 

Blow your speaker!!!

 

Mighty octaver sound that will make your speakers wail. You can control the octave mixing ratio with the pedal.

 

Octave

OCTAVE MIX

 

A5

 

ENSEMBLE

 

This patch produces a wide, transparent bass sound using the Ensemble effect. Try it with moody solos and
arpeggio phrases.

 

Ensemble

ENSEMBLE MIX

 

A6

 

Fretless Maximus

 

This simulation is great for playing a jazzy walking bass. Turn your instrument into a fretless bass at the flick of a
switch.

 

Defret

VOLUME

 

A7

 

Syn Fifths

 

Synth bass sound mainly based on MONO SYN, with Resonance Filter and Mono Pitch thrown in for good
measure. Choose it to play lead bass or to get that intense synthesizer sound.

 

MONO SYN

RESONANCE 
FILTER SENSE

 

A8

 

SLOW 

 

Slow Attack sound which gives a bow playing effect. The pedal lets you freely adjust the rise time.

 

Slow Attack

SLOW ATTACK 
TIME

 

A9

 

Bass + Guitar

 

This Mono Pitch effect simulates unison playing of electric guitar and bass. Create great unison phrases even
without a guitarist.

 

Mono Pitch

MONO PITCH 
MIX

 

MODEL

 

b0

 

Big Bassman

 

Simulates the Fender Bassman 100 made famous by Paul McCartney. Use a Rickenbacker or violin bass and enjoy
that special Beatles sound.

 

BASSMAN

VOLUME

 

b1

 

SansAmp

 

Simulation of the Sansamp Bass Driver DI, highly popular among bass players. The tight and polished sound is
ideal for recording.

 

SANSAMP

VOLUME

 

b2

 

Buzz Drive

 

Simulates the Fuzz Face famous for its unique look. The aggressive fuzz sound will give your bass play that extra
bite.

 

FUZZFACE

PITCH BEND 
PEDAL POSITION

 

b3

 

HARTKE

 

Simulation of Hartke HA3500 head amp combined with aluminum-cone cabinet 4.5XL. Note the characteristically
transparent and responsive sound of aluminum.

 

HARTKE

VOLUME

 

b4

 

SVT Saturation

 

This patch is modeled on the all-tube Ampeg SVT, known as the ultimate rock bass amp. The gutsy sound of tube
saturation creates a solid bottom end.

 

AMPEG

VOLUME

 

b5

 

Dirty Job

 

Simulation of the MXR Bass D.I.+ distortion channel, great for playing dirty solos. By moving the pedal, you can
control the Delay mix.

 

MXR BASS DI

DELAY MIX

 

b6

 

TUBE

 

Simulates a high-class tube preamp such as used in recording studios. The fat and creamy sound suits every genre.

 

TUBE PRE

VOLUME

 

b7

 

Drivin' Over

 

Simulation of the Boss Overdrive ODB-3 for bass guitar. Combination with the Phaser effect results in a brisk and
pleasing drive sound.

 

ODB-3

PHASER RATE

 

b8

 

True Grit

 

Simulates the combination of the Acoustic 360 head amp and 301 cabinet. Subdued high range and firm midrange
produce an appealing vintage style tone.

 

ACOUSTIC

VOLUME

 

b9

 

SWR

 

Simulates the SWR sound as produced by the SM-900 head amp together with the Goliath cabinet. Rich low end
and sharp highs are great for slap playing.

 

SWR

VOLUME

 

AR

TIST

 

C0

 

Jaco

 

The bass sound of Jaco Pastorius with strong chorus. Place your finger on the rear pickup of a Jazz Bass and try out
those cool phrases from "Three Views Of A Secret."

 

Chorus

ROOM MIX

 

C1

 

Tribute

 

This patch is inspired by the legendary Motown bass player James Jamerson. Every fan of sixties Motown sound
will be thrilled.

 

AMPEG

VOLUME

 

C2

 

Chili Wah

 

Rock sound with Auto Wah as used by Flea of the Red Hot Chili Peppers. Try some flashy slap play and turn up the
volume.

 

Auto Wah

AUTO WAH 
SENSE

 

C3

 

Victor Wooten

 

Simulates the sound of that ultimate bass virtuoso, Victor Wooten, as heard on his first album "Show of hands."
Select this and explore the boundaries of the bass universe.

 

Room

ROOM MIX

 

C4

 

Billy Sheehan

 

The distorted bass sound used for solos by Mr.Big bassist Billy Sheehan is programmed into this patch. When not
using the patch for a solo, you can adjust the mixing balance between original sound and distortion with the pedal.

 

ODB-3

DRIVE BALANCE

 

C5

 

Stanley Clarke

 

Sound in the style of Stanley Clarke who plays electric and acoustic bass with equal finesse. Brush up on your jazz
sense.

 

TUBE PRE

VOLUME

 

C6

 

Will Lee

 

Simulates the sound of one of New York's top session bass players, Will Lee. The fat tone has a strong fusion
character. Combination with Detune produces an expansive sound with moderate amounts of modulation.

 

Detune

DETUNE MIX

 

C7

 

Tony Levin

 

Famous for his work with King Crimson, Tony Levin played the kind of tricky inventive phrases that are the
hallmark of progressive rock. This patch produces just the right tone for this kind of play.

 

Defret

VOLUME

 

C8

 

Geezer

 

Simulates the sound of bassist Geezer Butler as heard on seminal Black Sabbath hits such as "Electric Funeral" and
"N.I.B."

 

Room

DRIVE BALANCE

 

C9

 

Mr. Bruce

 

Rediscover the sound created by Cream bassist Jack Bruce on "Badge" and "Sunshine of Your Love."

 

SUPER BASS

VOLUME

 

V

ARIA

TION

 

d0

 

Big Bottom Rez

 

Great patch for playing those pumping Reggae phrases. The tone is also suitable for groovy bass lines using the
Resonance Filter.

 

Auto Wah

VOLUME

 

d1

 

Attack from Mars!

 

Mysterious, space-like sound using the Step effect. Startle your audience with this effective patch to create a special
moment.

 

Step

STEP RATE

 

d2

 

HEAVY COMP

 

Clean sound with strong compression. Provides a sharply etched attack but keeps the volume even when playing
slap phrases.

 

Compressor

VOLUME

 

d3

 

Happy disaster

 

HPS (Harmonized Pitch Shifter) sound. G major scale harmonies bring the bass clearly to the foreground. The
pedal serves to adjust the HPS mix.

 

HPS

HPS MIX

 

d4

 

HornSolo

 

Unique sound imitating a muted trumpet. Great to grab the listener's attention. Controlling the volume with the
pedal further enhances the realism.

 

Resonance Filter

VOLUME

 

d5

 

Aguabass

 

Combination of Auto Wah and Delay. Adjust the Delay mix with the pedal and change the ambient feeling while
playing. This adds a twist to slap and finger playing.

 

Delay

DELAY MIX

 

d6

 

Vibe

 

Vibrato creates a beautiful tone that is well matched to phrases with long held notes.

 

Vibrato

VOLUME

 

d7

 

Phased

 

Synth bass sound defined by a slight Phaser component. Suitable for lead bass and obtaining intense synth sound
during a live performance.

 

MONO SYN 

PHASER RATE

 

d8

 

Dark Octave

 

Octave sound that can be used for lead solo. Lets you create an earth-shaking bass sound that will hold its own even
against a down-tuned guitar.

 

Octave

OCTAVE MIX

 

d9

 

Dreamscape

 

Combination of Flanger and Delay results in a dreamy sound that tends to linger on. An excellent choice for
melodious solo phrases and intros.

 

Flanger

DELAY MIX

 

• The preset area of banks 0 – 3 contains the same patches as A – d. 

 

• The ZNR value may need to be adjusted depending on the bass guitar 

and amplifier.

Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective
owners and do not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to
illustrate sonic characteristics that were used as reference in the development of this product. 

 

B1/B1X-PatchList-E-1

 

Patch List

B1B1XEPL.fm 1 ページ 2006年7月12日 水曜日 午前10時47分

Summary of Contents for B1 FOUR

Page 1: ...nd Parameters 18 Linking Effects 18 Explanation of symbols 18 PATCH LEVEL 19 COMP LIMIT module 19 EFX Effects module 19 DRIVE module 20 EQ module 21 ZNR AMP ZNR Amp Simulator module 21 MODULATION DELAY module 22 REVERB DELAY module 24 B1 B1X Preset Pattern 25 Restoring Factory Defaults 25 Special Features of B1X 26 PEDAL ASSIGN key operation 26 Adjusting the expression pedal 26 Specifications 27 T...

Page 2: ...ibility of interference cannot be ruled out entirely With any type of digital control device the B1 B1X included electromagnetic interference can cause malfunctioning and can corrupt or destroy data Care should be taken to minimize the risk of damage Cleaning Use a soft dry cloth to clean the B1 B1X If necessary slightly moisten the cloth Do not use abrasive cleanser wax or solvents such as paint ...

Page 3: ...on page 26 Please also refer to that section Controls and Functions Connections ZOOM B1 B1X 5 VALUE knob This knob allows changing the level of effect parameters or of the overall patch Expression pedal B1X only Can be used as a volume pedal or as a real time controller for effect parameters For details see page 26 PEDAL ASSIGN key B1X only Serves to select the module to assign to the built in exp...

Page 4: ...A0 or the reverse order Immediately after turning the B1 B1X on the unit will be in play mode even if the Module selector is set to a position other than PLAY Turn the bass amplifier on and adjust the volume to a suitable position Bank name Patch number To try out the various effects of the B1 B1X we recommend that you simply play your instrument while switching patches Selecting a Patch ZOOM B1 B...

Page 5: ...To prevent the sound change caused by the above condition do not produce sound with your instrument until the bypass mute condition is fully established The B1 B1X incorporates an auto chromatic tuner To use the tuner function the built in effects must be bypassed temporarily turned off or muted original sound and effect sound turned off Using the Tuner ZOOM B1 B1X 9 A8 40 42 NOTE Pitch is high Pi...

Page 6: ...n rhythm mode Using the Rhythm Function ZOOM B1 B1X 11 20 40 25 Dot is shown Tempo 120 BPM Tempo 240 BPM Dots are shown Adjust the rhythm volume To adjust the rhythm volume turn the VALUE knob Adjust the tempo To continuously change the rhythm tempo hit the BANK UP TAP key once and then turn the VALUE knob while the tempo value is being shown on the display To manually specify the tempo hit the BA...

Page 7: ...ct type Prm Parameter Item where the parameter setting value only is adjusted Prm Prm1 or Prm2 Editing a Patch ZOOM B1 B1X 13 2 C OF Change the setting Use the VALUE knob to change the effect type and parameter as shown on the display Dot indicates that setting has been changed When the effect type and or parameter setting has been changed a dot appears in the bottom right of the display This indi...

Page 8: ...be selected automatically as default store copy target Select the store copy target bank To select the store copy target bank use the BANK UP TAP key NOTE Only a bank of the user area A d can be selected as store copy target bank During the store copy process the foot switch FS01 cannot be used to change banks Storing Copying Patches ZOOM B1 B1X 15 B4 B4 To cancel the store process To cancel the s...

Page 9: ...IN jack that allows connection of an optional foot switch or expression pedal This section explains how to use this capability Using a Foot Switch or Pedal ZOOM B1 B1X 17 more the B1 detects the interval and automatically adjusts the tempo accordingly tap tempo function Edit mode The foot switch has no effect Using the expression pedal With the B1 an expression pedal FP01 FP02 can be connected to ...

Page 10: ...ule comprises Hall Room and other effect types from which you can choose one Effect Types and Parameters ZOOM B1 B1X 19 PATCH LEVEL COMP LIMIT module EFX Effects module PATCH LEVEL Prm Determines the overall volume level of the patch Sets the patch level in the range from 2 98 1 0 A setting of 80 corresponds to unity gain input level and output level are equal This module comprises the effects tha...

Page 11: ...parameter type depends on the currently selected effect type When distortion effect type is selected Gain Adjusts the gain distortion depth D1 D9 S1 S9 V1 V9 AG SB SW AC BM HA TE TU SA TS OD DS FF MS 0 30 Effect Types and Parameters ZOOM B1 B1X 21 Manufacturer names and product names mentioned in this listing are trademarks or registered trademarks of their respective owners The names are used onl...

Page 12: ...50 TAP S1 S9 M1 M9 1 12 DT 24 2 1 H1 H9 C CO D DO E F FO A AO G GO B Effect Types and Parameters ZOOM B1 B1X 23 Vibrato Rate This is an automatic vibrato effect Higher right digit setting values result in deeper vibrato Adjusts the modulation rate Pitch Bend Pedal Position This effect allows using the expression pedal to change the pitch in real time Right digit setting values select the pitch cha...

Page 13: ...level of the effect sound Spring This effect simulates a spring type reverb Higher right digit setting values increase the level of the effect sound D1 D9 1 30 TAP T1 T9 A1 A9 P1 P9 H1 H9 1 30 R1 R9 S1 S9 Restoring Factory Defaults ZOOM B1 B1X 25 B1 B1X Preset Pattern Pattern Name TimSig Pattern Name TimSig Pattern Name TimSig 1 8beat 1 4 4 15 FUNK 1 4 4 29 5per4 2 5 4 2 8beat 2 4 4 16 FUNK 2 4 4 ...

Page 14: ...EVERB DELAY module Push strongly so that pedal touches here When foot is lifted pedal returns slightly ZOOM B1 B1X 27 Effect types 46 Effect modules max 8 simultaneous modules Patch memory User area 10 patches x 4 banks 40 Preset area 10 patches x 4 banks 40 Total 80 patches Sampling frequency 96 kHz A D converter 24 bit 128 times oversampling D A converter 24 bit 128 times oversampling Signal pro...

Page 15: ...nstalled and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interferenc...

Page 16: ...This patch is inspired by the legendary Motown bass player James Jamerson Every fan of sixties Motown sound will be thrilled AMPEG VOLUME C2 Chili Wah Rock sound with Auto Wah as used by Flea of the Red Hot Chili Peppers Try some flashy slap play and turn up the volume Auto Wah AUTO WAH SENSE C3 Victor Wooten Simulates the sound of that ultimate bass virtuoso Victor Wooten as heard on his first al...

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