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Owner`s manual   PD 10.14 / MD 10.14   © Zeck Audio

4.1 Important: 
internal effect levels

For best effect sound without
noise or distortion, it is important
not to set the EFF controls (14) of
the channels too low or too high.
As a starting point, set the channel
EFF controls maximally around '5'
and in a way, that each channel
gets the right proportion of effect
signal. If the CLIP LED (67) of the
effect section flashes up, gradually
reduce the controls (while main-
taining the proportions) until just
the SIGNAL LED (68) stays on. If
the SIGNAL LED stays permanently
dark, the channel controls are set
too low - bring them up.
Adjust the general effect level
with the EFFECT fader (54).

4.2 Effect selection

A specific effect is called up by 
selecting the desired program
number with the SELECT rotary
switch (59). The selected program
number will be shown in the 
display along with two flashing
dots, which indicate that the 
program that has been selected
before is still active. Depressing
the ENTER button (60) instantly
switches to the new program, 
causing the dots to stop flashing.
If a 'preset' program is active (see
below), its preset number will be
shown in the display.

4.3 Preset effect programs

The PD 10.14 / MD 10.14 is able to
memorize your four favorite effect
programs for a quick recall via

four PRESET buttons (61 through
64). Another bonus: those four
presets are selectable via foot-
switch, enabling the user to change
effect programs during the show
by remote control without having
to get Midi-ized.
The mixers have a non-volatile
memory, so that all stored effect
parameters (program, preset,
footswitch type and function, effect
on/off) remain stored four the
next couple of years if the mixer is
turned off.

Recalling presets

For recalling a preset program,
just hit one of the four PRESET
buttons. The assigned effect will
instantly become active (you don't
have to use the 'Enter' button
here) while the display will show
the selected preset number (P1,
P2, P3 or P4). For refreshing your
own memory in finding out which
effect program you have been 
hiding behind a certain preset
number, hold the PRESET button
down for a few seconds. The display
will change from preset number
to the assigned program number.
Releasing the preset button will
again change the display back to
the  preset number.
If you should become tired of your
presets or want to try something
new, hitting the ENTER button
will instantly switch to the effect
that has been selected with the
rotary switch. When using presets,
one could also look at the ENTER
button as the fifth preset effect -
for the effect selected via the 
rotary switch.

Storing presets (Fig. 7)

For making any out of the 99
built-in effects a preset, select the
desired effect via the rotary
switch. If the right number is
shown in the display, depress the
ENTER button and hold it down
while depressing one of the four
PRESET buttons. That's it - you just
got yourself a new, permanently
stored preset effect.

4.4 Footswitch types

Regarding their electric prop e r t i e s ,
footswitches can be divided into
two categories: momentary 
(unlatched, disengages again at
release) and non-momentary 
(latched, remains engaged until
next step-on). For correct function
of the EFFECT FOOTSW jack (32),
you have to tell your mixer what
type of footswitch you are using:

- For momentary (unlatched)

footswitches, depress and hold
down the ENTER (60), PRESET 3
(63) and ON (65) buttons in this 

order. As soon as the ON button
has been depressed, the mixer is
ready to accept a momentary
footswitch.

- For non-momentary (latched)
footswitches follow the same 
procedure with the ENTER (60),
PRESET 4 (64) and ON (65) buttons.
This is also the factory setting.

4.5 Footswitch functions (Fig. 8)

The EFFECT FOOTSW jack (32) can
be user-programmed to serve for
two different functions:

- Effect On/Off
- Preset effect selection

For Effect On/Off footswitch 
function, depress and hold down 

1.

3.

+

+

+

2.

ENTER

1.

3.

ENTER

2.

PRESET

1, 2, 3 oder 4

+

UP

DOWN

SELECT

Fig. 8 
Footswitch programming

Preset 1: ‘ON/OFF’ function
Preset 2: ‘UP/DOWN’ function
Preset 3: momentary footswitch 
Preset 4: latch-type footswitch

Fig. 7
Storing a preset 

1, 2, 3 or 4

1, 2, 3 or 4

1, 2, 3 or 4

1, 2, 3 or 4

Summary of Contents for PD 10.14

Page 1: ...PD 10 14 MD 10 14...

Page 2: ...power supply 20 2 12 Dyloc processor PD 10 14 only 21 2 13 Limiter PD 10 14 only 21 2 14 Speaker outputs PD 10 14 only 21 2 15 Headphones 21 2 16 Standby 21 2 17 Power supply 21 3 Monitor path 21 4 E...

Page 3: ...nicht in der N he von Hitzequellen z B Heizk rpern betrieben werden 5 Das Eindringen von Gegenst nden und Fl ssigkeiten in das Geh use ist zu vermeiden 6 Zum Schutz von elektrischem Schlag d rfen nur...

Page 4: ...Effekt Send 32 Footswitch Klinkenbuchse 33 Mono Out Regler 34 Line Out Regler PD 10 14 35 Master 2 Out Regler MD 10 14 36 AUX Send Regler 37 AUX Return Regler 38 Tape In Regler 39 Pre Post Schalter 4...

Page 5: ...10 14 Bedienungsanleitung PD 10 14 MD 10 14 Zeck Audio Abb 6 PD 10 14 R ckseite Abb 5 MD 10 14 R ckseite PD 10 14 Frontseite 69 69 71 70 70 72 Eingangskan le mono Eingangskan le stereo Master Monitor...

Page 6: ...die PFL Funktion die SIGNAL und CLIP LED im Ein gangskanal und die zweispaltige LED Kette im Masterteil Zur Einstellung darf nur der PFL Schalter 16 49 66 des einzustel lenden Kanals gedr ckt sein Zu...

Page 7: ...de es kommt das Signal nur dann zum Effekteingang wenn der Kanalfader 19 nicht auf 0 steht Der Regler PAN Panorama 15 verteilt das Eingangssignal anteilig auf die Masterschienen links rechts Steht Pan...

Page 8: ...R ckseite des Mixers ist der Standart Master Ausgang des Mixers Hier k nnen Endstufen symmetrisch an geschlossen werden Der Pegel die ses Ausgangs wird mit den Master Fadern 52 eingestellt 2 7 Line Ou...

Page 9: ...versorgt werden bei einigen Mikrofonen kann hierdurch auf die Batterie verzichtet werden Die Phantom Spannung liegt an den Pins 2 und 3 an Selbstverst ndlich k nnen weiterhin auch dynamische Mikrofone...

Page 10: ...ONITOR SEND 29 wird die externe Monitorend stufe oder ein aktiver Monitor z B Zeck MS15 3 aktiv angeschlossen Die Taste L R TO MON 47 legt das Mastersignal LEFT RIGHT auf den Monitor Die MON Regler 12...

Page 11: ...SET 3 63 und ON 65 in dieser Reihenfolge nacheinander gedr ckt und ge dr ckt gehalten werden Nach dem Dr cken der ON Taste ist die Funktion TYP TASTER dauerhaft gespeichert Der Fu schaltertyp SCHALTER...

Page 12: ...abgespielter Instrumente nachahmen was ab und zu bei Schlagzeugen und Gitarren f r einen psychedelischen Effekt ein gesetzt wird Gruppe Hall Delay Programme 61 69 Diese Effekte haben verschiedene Nach...

Page 13: ...weg Mastersignal wird dann auf den Monitorkanal geschaltet Internes Effektger t rauscht stark Effekt zu niedrig ausgesteuert Effektregler in den Eingangskan len aufdrehen bis die Clip LED 67 im Effekt...

Page 14: ...or MD 10 14 away from devices that produce heat e g radiators 5 Object and liquid entry Do not allow solid objects or liquids to fall into or spill over the PD 10 14 or MD 10 14 6 Power sources For p...

Page 15: ...ck 31 Effect Send jack 32 Effect footswitch jack 33 Mono Out control 34 Line Out control PD 10 14 35 Master 2 Out control MD 10 14 36 Aux Send control 37 Aux Return control 38 Tape In control knob 39...

Page 16: ...ner s manual PD 10 14 MD 10 14 Zeck Audio Fig 6 PD 10 14 back panel Fig 5 MD 10 14 back panel PD 10 14 front panel 69 69 71 70 70 72 Input channels mono Input channels stereo Master Monitor Effekt sec...

Page 17: ...control 7 of every channel to the incoming signal It is not seldom that sound problems with PA systems can be traced back to incorrect input gain settings The PD 10 14 MD 10 14 provides various help f...

Page 18: ...Other channel controls The MON control knob 12 deter mines the proportion of the chan nel signal in the monaural monitor signal Keep in mind that the monitor signal is taken from the channel signal be...

Page 19: ...ower amplifier for external sources e g an external mixing con sole the AMP IN LEFT RIGHT jacks 21 are the right inputs Inserting a phone plug into these jacks auto matically disconnects the power amp...

Page 20: ...g the internal effect signal to another external effect de vice It always carries the same signal that is send to the input of the PD s internal effect unit so that its level is also controlled by the...

Page 21: ...FL function with any button on the desk automatically switches the PHONES output to PFL and makes the corresponding signal audible in the phones The phone output level can be adjusted with the PHONE V...

Page 22: ...For refreshing your own memory in finding out which effect program you have been hiding behind a certain preset number hold the PRESET button down for a few seconds The display will change from preset...

Page 23: ...rcussion instru ments or brass sets for a cutting sound that stands out in the mix Reverse reverb programs 57 60 Reverse reverb makes exhaustive use of digital sound processing possibilities the playe...

Page 24: ...tor signal only the master signal to the monitor output Internal effect unit produces too much noise Channel EFF controls 14 set too low Gradually increase EFF controls until effect CLIP LED 67 does j...

Page 25: ...de piscine etc 4 L appareil ne doit pas tre utilis proximit de source de chaleur un radiateur par exemple 5 Il faut viter l entr e de tout corps solide ou liquide dans le bo ter 6 N utiliser que des p...

Page 26: ...4 36 Potentiom tre de d part auxiliaires 37 Potentiom tre de retour d auxiliaires 38 Potentiom tre d entr e magn tophone 39 Interrupteur pr post 40 Alimentation phant me 41 Barregraphe LED 42 Diode PF...

Page 27: ...i PD 10 14 MD 10 14 Zeck Audio PD 10 14 MD 10 14 Fig 6 PD 10 14 Face arri re Fig 5 MD 10 14 Face arri re PD 10 14 Face avant 69 69 71 70 70 72 Entr es mono Entr es st r o Sections principales Moniteur...

Page 28: ...pteur de PFL de chaque tranche 16 49 ou 66 doit tre activ La diode 42 sert v rifier l existence d interrupteur PFL enfonc allum e elle indique un ou plusieurs PFL 16 49 ou 66 qui devront tre d sactiv...

Page 29: ...positon du potentiom tre 19 Le potentiom tre panoramique PAN 15 r parti le signal entre les canaux gauches et droits de la section principale autorisant ainsi un positionnement dans l image st r o Une...

Page 30: ...oit actives soit passives avec amplifi cateur s s par s 2 5 Sortie ligne sortie Master 2 24 pour MD 10 14 La prise Jack de sortie ligne LINE OUT 22 MASTER OUT 2 24 pour MD 10 14 dispense le signal pri...

Page 31: ...eur cot aucune influence Le signal arrivant par ces entr es n est pas soumis au contr le de l interrupteur STAND BY 57 et est donc utilisable pour la musique d ambiance lors des pauses Le signal n est...

Page 32: ...nt pr lev s des signaux pre fade des tranches travers les boutons de contr le MON 12 et sont m lang s ensemble en un signal monaural de contr le Ce signal est ensuite envoy la prise MONITOR SEND 29 av...

Page 33: ...ale que vous utilisez pour des p dales contacts fugitifs pressez et maintenez appuy les boutons dans l ordre suivant ENTER 60 PRESET 3 63 puis ON 65 D s que le dernier bouton ON est appuy la console e...

Page 34: ...bsurdes Programmes de r verb ration Salle retard 61 69 Ce groupe offre des m langes tr s utiles de r verb ration de type salle et de retards st r os L effet st r o est produit par un d calage temporel...

Page 35: ...l vers les sortie de contr le Le processeur interne d effets est trop bruyant Potentiom tre de tranche EFF 14 trop bas Augmentez progressivement le niveau sans que la diode CLIP 67 s allume Le process...

Page 36: ...H he 440 mm 10 HE 440 mm 10 HE Tiefe 105 mm 190 mm Breite 483 mm 19 483 mm 19 Gewicht 7 5 kg 16 kg Technical Specifications MD 10 14 PD 10 14 Number of input channels mono 6 6 Number of input channel...

Page 37: ...rsion harmonique totale effets 0 1 Distorsion d intermodulation 0 02 Rapport signal bruit niveau de bruit quivalent sur 200 123 dB Rapport signal bruit Faders principaux au max faders de 87 dB tranche...

Page 38: ...38 Mode d emploi PD 10 14 MD 10 14 Zeck Audio 8 Blockschaltbilder Block diagrams Sch mas blocs...

Page 39: ...39 Mode d emploi PD 10 14 MD 10 14 Zeck Audio PD 10 14 MD 10 14...

Page 40: ...57 0 1 58 0 25 59 0 4 60 0 6 Large Hall 61 0 6 120 160 Stereo Delays 62 0 6 170 240 63 0 6 220 270 64 1 2 120 160 65 1 2 180 270 66 2 4 120 160 67 2 4 130 260 68 2 4 180 270 69 2 4 220 270 Delay Hall...

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