MULTI
Details: The Detune function allows different parts
in a multi-play setup to be slightly detuned in
relation to each other, thereby "thickening" the
overall sound.
Detuning occurs in 3 or 4-cent steps. Since 100
cents equals one semitone, the overall detune
range is approximately one semitone. Plus set-
tings tune upward from normal pitch, and minus
settings tune downward. A setting of "0" pro-
duces normal pitch.
Refer to: MULTI INITIALIZE, page 72.
Summary: Allows slight upward or downward pitch
adjustment of the selected multi-play part.
Settings: -50 ...0...+50
Procedure: Press the [NUMBER/MULTI PART
SELECT] key corresponding to the desired
multi-play part.
Use the [ ] cursor key to move the cursor to the
lower display line. Use the [-1/NO] and
[+1/YES] keys to select the desired amount of
detuning.
Summary: Sets the low and high note limits for the
selected multi-play part.
Settings: C-2... G8
Procedure: Press the [NUMBER/MULTI PART
SELECT] key corresponding to the desired
multi-play part.
Use the [ ] and [ ] cursor keys to select the
Low or High parameter. The [-1/NO] and
[+1/YES] keys are used to set the low or high
note limit.
Details: The C-2 to G8 range of this function covers
a full 10-1/2 octaves. "C3" corresponds to
"middle C" on a keyboard.
64
Summary: Shifts the pitch of the selected multi-play
part up or down in semitone steps.
This function allows the sound from a multi-play
part to be limited to a specific region of the key-
board. If the Low Note Limit is set to C3 and the
High Note Limit is set to C4, for example, the
sound from that part will only be produced be-
tween C3 and C4 — the octave immediately
above middle C. This makes it simple to produce
split voices.
If the High Note Limit is set to a note that is
lower than the Low Note Limit, the keys be-
tween the limits will produce no sound while all
others will operate normally.
Refer to: MULTI INITIALIZE, page 72.
Summary of Contents for SY.22
Page 1: ...AUTHORIZED PRODUCT MANUAL MUSIC SYNTHESIZER ...
Page 2: ...MUSIC SYNTHESIZER ...
Page 12: ...7 ...
Page 13: ...8 ...
Page 32: ...VOICE COMMON 27 ...
Page 33: ...VOICE COMMON ...
Page 62: ...ELEMENT ENVELOPE 58 ...
Page 77: ...UTILITY SETUP 74 ...
Page 81: ...UTILITY RECALL 78 ...
Page 88: ...APPENDIX 85 ...
Page 93: ...APPENDIX O DATA FORMAT 1 MIDI reception conditions 2 MIDI transmission conditions 91 ...
Page 100: ...YAMAHA ...