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2

AC1

Parameter

Range

Value

Table No.

Control

MU80 Effect Parameter List

HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE

1

Reverb Time

0.3~30.0s

0-69

Table#4

This determines the time or length of the Reverb effect.

2

Diffusion

0~10

0-10

This determines the density and complexity of the reflections that make up the
Reverb effect. Lower values result in a clearer, simpler Reverb sound, while
higher values result in a thicker, richer sound.

3

Initial Delay

0~63

0-63

Table#5

This determines the time delay between the direct sound and the first of the many
reflections that make up the Reverb sound.

4

HPF Cutoff

Thru~8.0kHz

0-52

Table#3

The High Pass Filter allows you to filter out low frequency sounds from the
Reverb sound, “passing” only the high frequencies above the cutoff point.
This parameter determines the frequency cutoff point for the filter.
Higher values effectively take the bass sounds out of the Reverb effect.

5

LPF Cutoff

1.0k~Thru

34-60

Table#3

The Low Pass Filter allows you to filter out high frequency sounds from the
Reverb sound, “passing” only the low frequencies below the cutoff point.
This parameter determines the frequency cutoff point for the filter.
Lower values effectively take the treble sounds out of the Reverb effect.

6
7
8
9
10 Dry/Wet

D63>W ~ D=W ~ D<W63

1-127

11 Rev Delay

0~63

0-63

Table#5

12 Density

0~4

0-4

13 Er/Rev Balance

E63>R ~ E=R ~ E<R63

1-127

14 High Damp

0.1~1.0

1-10

15
16

HINT : LPF Cutoff

Judicious use of the Low Pass Filter helps to create a more natural Reverb sound, since many actual performance environments have a relatively “dead”
sound in which the high frequency reflections are absorbed. On the other hand, you may wish to create a more “live” reverb sound by setting the
High Pass Filter Cutoff above to emphasize the high frequencies.

WHITE ROOM
TUNNEL
CANYON
BASEMENT

1

Reverb Time

0.3~30.0s

0-69

Table#4

See above.

2

Diffusion

0~10

0-10

See above.

3

Initial Delay

0~63

0-63

Table#5

See above.

4

HPF Cutoff

Thru~8.0kHz

0-52

Table#3

See above.

5

LPF Cutoff

1.0k~Thru

34-60

Table#3

See above.

6

Width

0.5~10.2m

0-37

Table#11

7

Height

0.5~20.2m

0-73

Table#11

8

Depth

0.5~30.2m

0-104

Table#11

9

Wall Vary

0~30

0-30

10 Dry/Wet

D63>W ~ D=W ~ D<W63

1-127

11 Rev Delay

0~63

0-63

Table#5

12 Density

0~4

0-4

13 Er/Rev Balance

E63>R ~ E=R ~ E<R63

1-127

14 High Damp

0.1~1.0

1-10

15 Feedback Level

-63~+63

1-127

16

DELAY L,C,R

1

Lch Delay

0.1~715.0ms

1-7150

Left channel initial delay time.

2

Rch Delay

0.1~715.0ms

1-7150

Right channel initial delay time.

3

Cch Delay

0.1~715.0ms

1-7150

Center channel initial delay time.

4

Feedback Delay

0.1~715.0ms

1-7150

Time delay of all delayed repeats following the initial delayed repeat.

5

Feedback Level

-63~+63

1-127

Level of feedback delays.
A setting of 0 results in no delayed repeats after the initial delay.

6

Cch Level

0~127

0-127

7

High Damp

0.1~1.0

1-10

8
9
10 Dry/Wet

D63>W ~ D=W ~ D<W63

1-127

11 HPF Cutoff

Thru~8.0kHz

0-52

Table#3

See above.

12 LPF Cutoff

1.0k~Thru

34-60

Table#3

See above.

13
14
15
16

CAUTION! : FB Level Be careful when setting this parameter, since extreme values may result in uncontrollable feedback.
NOTE : FB Level

This parameter is not available for the Symphonic effect.

DELAY L,R

1

Lch Delay

0.1~715.0ms

1-7150

Right channel initial delay time.

2

Rch Delay

0.1~715.0ms

1-7150

Center channel initial delay time.

3

Feedback Delay 1

0.1~715.0ms

1-7150

Time delay of all delayed repeats (for Delay 1) following the initial delayed repeat.

4

Feedback Delay 2

0.1~715.0ms

1-7150

Time delay of all delayed repeats (for Delay 2) following the initial delayed repeat.

5

Feedback Level

-63~+63

1-127

Level of both feedback delays.

6

High Damp

0.1~1.0

1-10

7
8
9
10 Dry/Wet

D63>W ~ D=W ~ D<W63

1-127

11 HPF Cutoff

Thru~8.0kHz

0-52

Table#3

See above.

12 LPF Cutoff

1.0k~Thru

34-60

Table#3

See above.

13
14
15
16

ECHO

1

Lch Delay1

0.1~355.0ms

1-3550

Left channel initial delay time.

2

Lch Feedback Level

-63~+63

1-127

Level of left channel feedback delays (following initial delay).

3

Rch Delay1

0.1~355.0ms

1-3550

Right channel delay time.

4

Rch Feedback Level

-63~+63

1-127

Level of right channel feedback delays (following initial delay).

5

High Damp

0.1~1.0

1-10

Damping or filtering out of high frequencies in delay sound.

6

Lch Delay2

0.1~355.0ms

1-3550

7

Rch Delay2

0.1~355.0ms

1-3550

8

Delay2 Level

0~127

0-127

9
10 Dry/Wet

D63>W ~ D=W ~ D<W63

1-127

11 HPF Cutoff

Thru~8.0kHz

0-52

Table#3

See above.

12 LPF Cutoff

1.0k~Thru

34-60

Table#3

See above.

13

Summary of Contents for MU80

Page 1: ......

Page 2: ...RAOKE1 Deep echo effects suited especially for Karaoke type vocals 19 KARAOKE2 Deep echo effects suited especially for Karaoke type vocals 20 KARAOKE3 Deep echo effects suited especially for Karaoke t...

Page 3: ...Depth 0 5 30 2m 0 104 Table 11 9 Wall Vary 0 30 0 30 10 Dry Wet D63 W D W D W63 1 127 11 Rev Delay 0 63 0 63 Table 5 12 Density 0 4 0 4 13 Er Rev Balance E63 R E R E R63 1 127 14 High Damp 0 1 1 0 1 1...

Page 4: ...0 10 0 10 See above 4 Initial Delay 0 63 0 63 Table 5 See above 5 Feedback Level 63 63 1 127 See above 6 HPF Cutoff Thru 8 0kHz 0 52 See above 7 LPF Cutoff 1 0k Thru 34 60 See above 8 9 10 Dry Wet D6...

Page 5: ...ct on pitch PM Pitch Modulation 4 5 6 EQ Low Frequency 32Hz 2 0kHz 4 40 Table 3 7 EQ Low Gain 12 12dB 52 76 8 EQ High Frequency 500Hz 16 0kHz 28 58 Table 3 9 EQ High Gain 12 12dB 52 76 10 11 EQ Mid Fr...

Page 6: ...d range frequencies Higher values result in a narrower range of frequencies 5 EQ High Gain 12 12dB 52 76 Amount of boost or cut of high frequencies 6 EQ Low Frequency 32Hz 2 0kHz 4 40 Table 3 7 EQ Hig...

Page 7: ...utoff frequency 4 5 6 EQ Low Frequency 32Hz 2 0kHz 4 40 Table 3 7 EQ Low Gain 12 12dB 52 76 8 EQ High Frequency 500Hz 16 0kHz 28 58 Table 3 9 EQ High Gain 12 12dB 52 76 10 Dry Wet D63 W D W D W63 1 12...

Page 8: ...25 355 26 400 27 450 28 500 29 560 30 630 31 700 32 800 33 900 34 1 0k 35 1 1k 36 1 2k 37 1 4k 38 1 6k 39 1 8k 40 2 0k 41 2 2k 42 2 5k 43 2 8k 44 3 2k 45 3 6k 46 4 0k 47 4 5k 48 5 0k 49 5 6k 50 6 3k...

Page 9: ...0 121 381 1 122 384 3 123 387 4 124 390 6 125 393 7 126 396 9 127 400 0 0 1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8 9 9 10 10 12 11 14 12 16 13 18 14 20 15 23 16 26 17 30 18 35 19 40 Table 8 Compressor Attack...

Page 10: ...message 1 2 10 Sostenuto Cntrl Parameter Data Range 66 Sostenuto0 127 0 63 off 64 127 on If multipart parameter Rcv SOSTENUTO is OFF the part ignores this message 1 2 11 Soft Pedal Cntrl Parameter Da...

Page 11: ...Instrument Pitch Fine mm 00 40 7F 64 0 63 rr drum instrument note number 1A rr mm Drum Instrument Level mm 00 7F 0 to Max rr drum instrument note number 1C rr mm Drum Instrument Panpot mm 00 40 7F Ran...

Page 12: ...1111111 7F ID of target device 00000100 04 Sub ID 1 Device Control Message 00000001 01 Sub ID 2 Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive or 11110000 F0...

Page 13: ...status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01001100 4C Model ID 0bbbbbbb bbbbbbb ByteCount 0bbbbbbb bbbbbbb ByteCount 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa a...

Page 14: ...0111 F7 End of Exclusive 2 4 Dump Request The MU80 supports the following request for data covered by bulk dump 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01001100 4C...

Page 15: ...Size Data Parameter Description Default value H H H H 01 00 00 F 20 7F Model Name 32 127 ASCII 0D 20 7F 0E 1 00 00 0F 1 00 00 TOTAL SIZE 10 Transmitted in response to dump request Parameter changes a...

Page 16: ...RAMETER 3 LSB Refer to Effect Parameter List Depends on Variation type 48 2 00 7F VARIATION PARAMETER 4 MSB Refer to Effect Parameter List Depends on Variation type 00 7F VARIATION PARAMETER 4 LSB Ref...

Page 17: ...eter List Depends on insertion 1 type 0C 1 00 7F INSERTION EFFECT 1 PART Part1 64 0 63 7F AD1 AD63 64 126 OFF 127 0D 1 00 7F MW INSERTION CONTROL DEPTH 64 63 40 0E 1 00 7F BEND INSERTION CONTROL DEPTH...

Page 18: ...ME 64 63 40 nn 1C 1 00 7F EG RELEASE TIME 64 63 40 nn 1D 1 28 58 MW PITCH CONTROL 24 24 semitones 40 nn 1E 1 00 7F MW FILTER CONTROL 9600 9450 cent 40 nn 1F 1 00 7F MW AMPLITUDE CONTROL 100 100 40 nn...

Page 19: ...TO TIME 0 127 00 nn 69 1 00 7F PITCH EG INITIAL LEVEL 64 63 40 nn 6A 1 00 7F PITCH EG ATTACK TIME 64 63 40 nn 6B 1 00 7F PITCH EG RELEASE LEVEL 64 63 40 nn 6C 1 00 7F PITCH EG RELEASE TIME 64 63 40 nn...

Page 20: ...Address Size Data Parameter Description Default value H H H H 3n rr 00 1 00 7F PITCH COARSE 64 63 40 3n rr 01 1 00 7F PITCH FINE 64 63 cent 40 3n rr 02 1 00 7F LEVEL 0 127 Depends on note 3n rr 03 1...

Page 21: ...DI Parameter Change table CURRENT PERFORMANCE COMMON EFFECT Address Size Data Parameter Description Default value H H H H 09 00 20 2 00 7F REVERB TYPE MSB Refer to Effect Program List 01 HALL1 09 00 2...

Page 22: ...ETER10 Refer to Effect Parameter List Depends on insertion 6 type 09 00 50 1 00 7F INSERTION EFFECT 1 PART Part1 4 0 3 7F AD1 AD2 64 65 OFF 127 TOTAL SIZE 31 MIDI Parameter Change table CURRENT PERFOR...

Page 23: ...ter List Depends on chorus type 30 pp 30 1 00 7F CHORUS RETURN dB 0dB 6dB 0 96 127 60 30 pp 31 1 01 7F CHORUS PAN L63 C R63 1 64 127 40 30 pp 32 1 00 7F SEND CHORUS TO REVERB dB 0dB 6dB 0 96 127 00 30...

Page 24: ...1 28 58 NOTE SHIFT 24 24 semitones 3n pp 09 1 00 7F FILTER CUTOFF FREQUENCY 64 63 3n pp 0A 1 00 7F FILTER RESONANCE 64 63 3n pp 0B 1 00 7F EG ATTACK TIME 64 63 3n pp 0C 1 00 7F EG DECAY TIME 64 63 3n...

Page 25: ...2 23 Harmnica 1 24 TangoAcd 2 Guitar 25 NylonGtr 1 NylonGt2 1 26 SteelGtr 1 SteelGt2 1 27 Jazz Gtr 1 MelloGtr 1 28 CleanGtr 1 29 Mute Gtr 1 30 Ovrdrive 1 31 Dist Gtr 1 DstRthmG 2 32 GtrHarmo 1 Bass 33...

Page 26: ...60sDrOr1 2 60sDrOr2 2 70sDrOr1 2 DrawOrg2 2 60sDrOr3 2 EvenBar 2 18 70sPcOr1 2 DetPrcOr 2 LiteOrg 2 PercOrg2 2 19 20 ChurOrg3 2 ChurOrg2 2 21 22 AccordIt 2 23 Harmo 2 2 24 Guitar 25 NylonGt3 2 26 12St...

Page 27: ...elGtHrm 2 26 Nyln Stl 2 Stl Body 2 27 28 CleanGt2 1 29 FunkGtr1 2 MuteStlG 2 FunkGtr2 2 Jazz Man 1 30 Gt Pinch 2 31 FeedbkGt 2 FeedbGt2 2 RkRythm2 2 RockRthm 2 32 AcoHarmo 1 GtFeedbk 1 GtrHrmo2 1 Bass...

Page 28: ...el 2 Carillon 2 15 16 Cimbalom 2 Santur 2 16 Organ 17 17 Fl KClik 1 18 18 19 19 20 20 21 21 22 22 23 23 24 24 Guitar 25 Ukulele 1 25 26 Mandolin 2 26 27 PdlSteel 1 27 28 28 29 Mu DstGt 2 29 30 30 31 3...

Page 29: ...liopLd 2 84 Chiff Ld 2 85 CharanLd 2 86 Voice Ld 2 87 Fifth Ld 2 88 Bass Ld 2 Big Low 2 Synth Pad 89 NewAgePd 2 90 Warm Pad 2 ThickPad 2 Soft Pad 2 SinePad 2 91 PolySyPd 2 92 ChoirPad 2 93 BowedPad 2...

Page 30: ...Bank 39 Group Reed 65 66 67 68 69 70 71 72 Pipe 73 74 75 76 77 78 79 80 Synth Lead 81 82 HeavySyn 2 WaspySyn 2 83 84 85 86 SynthAah 2 87 Big Five 2 88 Synth Pad 89 90 91 92 93 94 95 96 Converge 2 Syn...

Page 31: ...ckPad 2 Ana Pad 2 SquarPad 2 92 Heaven2 2 Lite Pad 2 Itopia 2 CC Pad 2 93 Glacier 2 GlassPad 2 94 Tine Pad 2 Pan Pad 2 95 96 PolarPad 2 Sweepy 2 Celstial 2 Synth Effects 97 ClaviPad 2 HrmoRain 2 Afrcn...

Page 32: ...95 96 96 Synth Effects 97 97 Laughing 1 98 98 Scream 1 99 BellHarp 2 Gamelmba 2 99 Punch 1 100 100 Heart 1 101 Smokey 2 101 FootStep 1 102 Glisten 2 Puffy 2 BelChoir 2 102 Applaus2 1 103 103 104 104 E...

Page 33: ...ute Gtr 1 Mu DstGt 2 FunkGtr1 2 30 Ovrdrive 1 31 Dist Gtr 1 DistGtr2 2 DistGtr3 2 FeedbkGt 2 FeedbGt2 2 32 GtrHarmo 1 GtFeedbk 1 Bass 33 Aco Bass 1 34 FngrBass 1 FngBass2 2 JazzBass 1 35 PickBass 1 Mu...

Page 34: ...t2 1 LequintG 1 Finger 2 2 synbras1 2 26 Mandolin 2 SteelGt2 1 Picked 1 1 synbras2 2 27 Picked 2 2 synbras3 2 28 FretlsBs 1 synbras4 2 29 FunkGtr2 2 A Bass 2 synbass1 1 30 Choir 1 1 synbass2 1 31 Powe...

Page 35: ...rystal 2 SynMalet 1 SftCryst 2 RndGlock 2 LoudGlok 2 GlockChi 2 ClearBel 2 XmasBell 2 VibeBell 2 DigiBell 2 100 Atmosphr 2 WarmAtms 2 NylnHarp 2 Harp Vox 2 HollwRls 2 NylonEP 2 AtmosPad 2 101 Bright 2...

Page 36: ...3 Silence fr horn1 1 94 Silence fr horn2 2 95 Silence tuba 2 96 Silence brssect1 1 Synth Effects 97 Silence brssect2 2 98 Silence vibe1 1 99 ChorBell 2 AirBells 2 BellHarp 2 Gamelmba 2 Silence vibe2 1...

Page 37: ...bs Sax 3 58 harp 1 Sax 4 59 harp 2 Brass 1 60 guitar 1 Brass 2 61 guitar 2 Brass 3 62 elecgtr1 Brass 4 63 elecgtr2 Brass 5 64 sitar Orch Hit 65 a bass 1 Silence 66 a bass 2 Silence 67 e bass 1 Silence...

Page 38: ...Hand Clap String Slap Scratch 40 E 1 Snare H Snare H 2 SD Room H SD Rock Rim SD Rock H Analog Snare H Brush Tap Marching Sn H Bass Slide Scratch 2 41 F 1 Floor Tom L Room Tom 1 Rock Tom 1 E Tom 1 Ana...

Page 39: ...7 Scratch Push Hi Hat Open 30 F 0 7 Scratch Pull Ride Cymbal 1 31 G 0 Sticks 32 G 0 Click Noise 33 A 0 Metronome Click 34 A 0 Metronome Bell 35 B 0 Bass Drum M BD Jazz 36 C 1 Bass Drum H BD Room BD P...

Page 40: ...8 G 3 Agogo L Train 69 A 3 Cabasa Jetplane 70 A 3 Maracas Analog Maracas Helicopter 71 B 3 2 Samba Whistle H Starship 72 C 4 2 Samba Whistle L Gunshot 73 C 4 3 Guiro Short Machine Gun Vibraslap 74 D 4...

Page 41: ...imbale H 66 F 3 Timbale L 67 G3 Agogo H 68 G 3 Agogo L 69 A3 Cabasa 70 A 3 Maracas 71 B3 2 Samba Whistle H 72 C4 2 Samba Whistle L 73 C 4 Vibraslap 74 D4 75 D 4 Claves 76 E4 Laughing 77 F4 Screaming 7...

Page 42: ...ce with metallic attack 32 FX Z Hole Pad voice pulling you into unknown world 33 ET Jungle Road African jungle image 34 CO Jewel Box Pad voice with music box attack 35 EP DX Lover Rich electric piano...

Page 43: ...type Amp Sim Amp Sim Flanger Celeste Touch Wah Tremolo Phaser Pitch Change 2 KEYBOARD Preset Name Off Keyboard Reverb Chorus Chorus Reverb Phaser EP Pan EP Wah Clavi Rotary Orgn Synth Str Synth Pad Sy...

Page 44: ...ol 71 74 x o Sound Controller 84 x o Portamento Cntrl Change 91 93 94 x o Effect Depth 96 97 x o Data Entry SW 98 99 x o 1 NRPN LSB MSB 100 101 x o 1 RPN LSB MSB 120 x o All Sound Off 121 x o Reset Al...

Page 45: ......

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