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MG82CX/MG102C Owner’s Manual

15

Reference

Troubleshooting

*  The MG82CX feature is described first, followed by the MG102C feature in brackets: MG82CX (MG102C).

Power doesn’t come on.

Is the supplied power adaptor properly plugged into an appropriate AC wall outlet?

Is the supplied power adaptor properly plugged into the mixer?

No sound.

Are microphones, external devices, and speakers connected correctly?

Are the channel GAIN controls, LEVEL controls, STEREO Master control set to
appropriate levels?

Is the MONITOR switch set properly?

Are your speaker cables connected properly, or are they shorted?

If the above checks do not identify the problem, call Yamaha for service. (Refer to
the page 59 for a list of service centers.)

Sound is faint, 
distorted, or noisy.

Are the channel GAIN controls, LEVEL controls, STEREO Master control set to
appropriate levels?

Are two different instruments connected to the XLR-type and phone jacks, or to the
phone and RCA pin jacks on one channel? Please connect to only one of these
jacks on each channel.

Is the input signal from the connected device set to an appropriate level?

Are you applying the effects at an appropriate level?

Are microphones connected to the MIC input jacks on channels 1 to 5/6?

If you are using condenser microphones, is the P48 V switch turned ON?

No effect is applied. 
(If you are using 
MG82CX)

Check that the EFFECT control on each channel is correctly adjusted.

Be sure that the internal effect unit’s ON switch is turned ON.

Be sure that the EFFECT PARAMETER control and EFFECT RTN control are cor-
rectly adjusted.

I want spoken words to 
be heard more clearly.

Be sure that the 

 switches are ON.

Adjust the equalizers (HIGH, MID and LOW) on each channel.

I want to output a monitor 
signal through speakers.

Connect a powered speaker to the EFFECT (AUX) jack*. Then adjust the output
signal by using the EFFECT (AUX) controls* on each channel.

Mounting to a Microphone Stand

1

Turn the mixer upside-down, and hold the
microphone-stand adaptor (BMS-10A; sold
separately) against the bottom of the mixer
so that the screw holes are aligned (

1

).

Screw the adaptor firmly into place with the
two screws (

2

).

2

Turn the mixer right-side up, and mount it
onto your microphone stand.

3

Loosen the angle adjustment wingnut (

1

),

adjust the mixer’s angle as desired (

2

), and

then tighten the wingnut securely (

3

).

For more information, refer to the BMS-10A Owner’s

Manual.

When using the mixer on a microphone stand, be
sure to set the stand on a level and stable sur-
face. Do not set up the stand in locations subject
to vibrations or wind.

Note that mixer may be damaged if the stand
should fall over. Attach the connection cables care-
fully so that the cables will not catch on the equip-
ment and cause it to fall. For example: arrange the
cables so that they run parallel with the micro-
phone pole down to the base of the stand.

Leave ample free space around the stand.

CAUTION

Summary of Contents for MG102C - 10 Input Stereo Mixer

Page 1: ...page 39 57 Grâce aux effets numériques intégrés la console MG82CX peut proposer de nombreuses variations de sons Funktionen Eingangskanäle Seite 23 Mit bis zu vier Mikrofon Line Eingängen oder bis zu drei vier beim MG102C Stereoeingängen können viele Geräte gleichzeitig am MG Mischpult angeschlossen werden Mikrofone Geräte mit Leitungspegel Stereo Synthesizer uvm Kompression Seite 22 Kompression e...

Page 2: ...g the unit OFF and ON please try to eliminate the problem by using one of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm r...

Page 3: ... for extended periods of time or during electrical storms When removing the electric plug from the device or an outlet always hold the plug itself and not the cord Pulling by the cord can damage it To avoid generating unwanted noise make sure there is 50cm or more between the AC power adaptor and the device Do not cover or wrap the AC power adaptor with a cloth or blanket Before moving the device ...

Page 4: ...eed to be described for each model the MG82CX feature will be described first followed by the MG102C feature in brackets MG82CX MG102C Illustrations herein are for explanatory purposes only and may not match actual appearance during operation Company names and product names herein are trademarks or registered trademarks of their respective companies Specifications and descriptions in this owner s ...

Page 5: ...features and enjoy trouble free operation for years to come 1 Be sure that the mixer s power switch is in the STANDBY position 2 Connect the power adaptor to the AC ADAPTOR IN connector 1 on the rear of the mixer and then turn the fastening ring clockwise 2 to secure the connection 3 Plug the power adaptor into a standard household power outlet Press the mixer s power switch to the ON position Whe...

Page 6: ...r up the devices in the following order Peripheral devices MG mixer power amps or powered speakers Reverse this order when turning power off NOTE If you are using microphones that require phantom power turn the MG mixer s phantom power switch on before turning on the power to the power amp or pow ered speakers See page 12 for more detail 4 Adjust the channel GAIN controls so that the corresponding...

Page 7: ...n be heard is approximately 1 000 000 one million times louder That s too many digits to deal with for practical calculations and so the more appropriate decibel dB unit was created for sound related measurements In this system the difference between the softest and loudest sounds that can be heard is 120 dB This is a non linear scale and a difference of 3 dB actually results in a doubling or halv...

Page 8: ...with Caution If you re trying to create special or unusual effects go ahead and boost away as much as you like But if you re just trying to achieve a good sounding mix boost only in very small increments A tiny boost in the midrange can give vocals more presence or a touch of high boost can give certain instruments more air Listen and if things don t sound clear and clean try using cut to remove f...

Page 9: ...the direct signal The amount of time shift is controlled or modulated by an LFO Low frequency Oscillator For phasing effects the shift is very small The phase difference between the modulated and direct signals causes cancellation at some frequencies and reinforces the signal at others and this causes the shimmering sound we hear For chorus and flanging the signal is delayed by several millisecond...

Page 10: ...rs or noise filters into the corresponding channels These are TRS tip ring sleeve phone jacks that carry both the send and return signal tip send out ring return in sleeve ground Patching external devices via an INSERT jack requires a special insert cable such as illustrated below insert cable sold separately 6 GAIN Control Adjusts the input signal level To achieve the best balance between S N rat...

Page 11: ... the L odd and R even channels are mixed and then sent to the EFFECT AUX bus B PAN Control CHs 1 2 PAN BAL Control CHs 3 4 5 6 BAL Control CH 7 8 CHs 7 8 9 10 The PAN control determines the stereo positioning of the channel signal on the Stereo L and R buses The BAL control knob sets the balance between left and right channels Signals input to the L input odd channel go to the Stereo L bus signals...

Page 12: ...d R Stereo buses 0 POWER Indicator This indicator lights when the mixer s power is ON A Level Meter This LED meter displays the level of the signal sent to the MONITOR jacks and the PHONES jack The 0 segment corresponds to the nominal output level The PEAK segment lights red when the output reaches the clipping level B 2TR IN 2TR IN Switch If it is set to TO STEREO the signals are sent to the STER...

Page 13: ...ffect on or off The internal effect is applied only if this switch is turned on The switch lights orange when on An optional YAMAHA FC5 foot switch sold separately can be used to toggle the digital effects ON and OFF The ON switch lights and the internal effect unit is active by default when the power is initially turned on 5 EFFECT RTN Control Adjusts the signal level sent from the internal digit...

Page 14: ...zer Powered Monitor Headphones Effect Processor exciter Foot Switch YAMAHA FC5 Effect Processor Input and Output Jacks Polarities Configurations MIC INPUT Pin 1 Ground Pin 2 Hot Pin 3 Cold LINE INPUT CHs 1 2 STEREO OUT MONITOR OUT EFFECT AUX Tip Hot Ring Cold Sleeve Ground INSERT Tip Output Ring Input Sleeve Ground PHONES Tip L Ring R Sleeve Ground RETURN LINE INPUT CHs 3 4 to 7 8 CHs 3 4 to 9 10 ...

Page 15: ...CX Check that the EFFECT control on each channel is correctly adjusted Be sure that the internal effect unit s ON switch is turned ON Be sure that the EFFECT PARAMETER control and EFFECT RTN control are cor rectly adjusted I want spoken words to be heard more clearly Be sure that the switches are ON Adjust the equalizers HIGH MID and LOW on each channel I want to output a monitor signal through sp...

Page 16: ... PAN panned hard left or right 70 Maximum Voltage Gain 1 kHz All level controls are maxi mum when measured PAN BAL panned hard left or hard right Rs 150 Ω INPUT GAIN maximum MIC to CH INSERT OUT 60 dB MIC to STEREO OUT 76 MIC to REC OUT 58 2 MIC to MONITOR OUT 92 MIC to PHONES OUT 81 MIC to EFFECT SEND AUX SEND 76 LINE to STEREO OUT 50 LINE to EFFECT SEND AUX SEND 47 ST CH 7 8 CHs 7 8 9 10 to STER...

Page 17: ...mV 6 dBu 389 mV ST CH LINE INPUT CHs 3 4 5 6 34 dB 10 kΩ 600 Ω Lines 46 dBu 3 88 mV 34 dBu 15 5 mV 14 dBu 155 mV Phone jack unbalanced 10 dB 2 dBu 0 615 V 10 dBu 2 45 V 30 dBu 24 5V ST CH INPUT CH 7 8 CHs 7 8 9 10 10 kΩ 600 Ω Lines 22 dBu 61 5 mV 10 dBu 245 mV 10 dBu 2 45 V Phone jack unbalanced RCA pin jack CH INSERT IN CHs 1 2 10 kΩ 600 Ω Lines 12 dBu 195 mV 0 dBu 0 775 V 20 dBu 7 75 V TRS phone...

Page 18: ... A short reverb that is ideal for use with kick drum 9 KARAOKE ECHO DELAY TIME Echo designed for karaoke sing along applications 10 VOCAL ECHO DELAY TIME Echo suitable for vocals 11 CHORUS 1 LFO Frequency Creates a thick sound by modulating the delay time The PARAMETER control adjusts the frequency of the LFO that modulates the delay time 12 CHORUS 2 LFO Frequency 13 FLANGER LFO Frequency A sweepi...

Page 19: ...dBu 34 to 10dBu MIC 60 to 16dBu MIC 34 to 10dBu 34 to 10dBu 34 to 10dBu LINE R LINE L MONO CH3 4 5 6 ST CH INPUT CH1 to 2 CH INPUT 6 to 50dB GAIN Trim LINE INSERT I O TH GAIN 48V PHANTOM RE 80 3 Stage EQ 0dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 14 dBu 6 dBu 16 dBu 0 dBu 4 dBu 0 dBu 14 dBu 0dBu 0dBu 0dBu 0dBu 0dBu 0dBu 4dBu 4dBu 4dBu 3mW 40ohms 10dBV 7 8dBu 0dBu 0dBu LOW MID HIGH RE PEA...

Page 20: ...el 01 64 61 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen Música S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 Göteborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK 2730 ...

Page 21: ... web site http www yamahaproaudio com Yamaha Manual Library http www yamaha co jp manual U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2006 Yamaha Corporation WH63250 608POAP3 3 01A0 Printed in China ...

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