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 Front & Rear Panels

MG82CX/MG102C Owner’s Manual

11

Reference

8

COMP Control

Adjusts the amount of compression applied to the channel.
As the knob is turned to the right the compression ratio
increases while the output gain is automatically adjusted
accordingly. The result is smoother, more even dynamics
because louder signals are attenuated while the overall level
is boosted.

Avoid setting the compression too high, as the the
higher average output level that results may lead to
feedback.

9

PEAK Indicator

The peak level of the post-EQ signal is detected, and the
PEAK indicator lights red when the level reaches 3 dB below
clipping. For XLR-equipped stereo input channels (3/4 and
5/6), both the post-EQ and post-mic-amp peak levels are
detected, and the indicator lights red if either of these levels
reaches 3 dB below clipping.

0

Equalizer (HIGH, MID, and LOW)

This three-band equalizer adjusts the channel’s high, mid,
and low frequency bands. CH 7/8 (CHs 7/8, 9/10) have two
bands: high and low.  Setting the knob to the 

t

 position pro-

duces a flat response in the corresponding band. Turning the
knob to the right boosts the corresponding frequency band,
while turning to the left attenuates the band. The following
table shows the EQ type, frequency, and maximum cut/boost
for each of the three bands.

A

EFFECT (AUX) Control

Adjusts the level of the signal sent from the channel to the
EFFECT (AUX) bus. Note that the signal level sent to the
bus is also affected by the Level control 

C

. On stereo chan-

nels (CHs 3/4 to 7/8 (CHs 3/4 to 9/10)) the signals from the L
(odd) and R (even) channels are mixed and then sent to the
EFFECT (AUX) bus.

B

PAN Control (CHs 1, 2)
PAN/BAL Control (CHs 3/4, 5/6)
BAL Control (CH 7/8 (CHs 7/8, 9/10)

The PAN control determines the stereo positioning of the
channel signal on the Stereo L and R buses.
The BAL control knob sets the balance between left and right
channels. Signals input to the L input (odd channel) go to the
Stereo L bus; signals input to the R input (even channel) go to
the Stereo R bus.

On channels where this knob provides both PAN and
BAL control (channels 3/4 and 5/6), the knob oper-
ates as a PAN control when input is received via the
MIC jack or L (MONO) input only, and as a BAL
control when input is received via both L and R
inputs.

C

Level Control

Adjusts the level of the channel signal. Use these knobs to
adjust the balance between the various channels.

Set the controls for unused channels all the way down
to minimize noise.

Master Control Section

1

2TR IN Jacks

These RCA pin jacks can be used to input a stereo sound
source. Use these jacks when you want to connect a CD
player directly to the mixer.

Select where you want to send the signal using the
2TR IN switch, and adjust the signal level using the
2TR IN control in the Master Control section.

2

REC OUT (L, R) Jacks

These RCA pin jacks can be connected to an external
recorder such as an MD recorder in order to record the same
signal that is being output via the STEREO OUT jacks.

The mixer’s STEREO Master control has no affect on
the signal output via these jacks. Be sure to make
appropriate level adjustments at the recording device.

Band

Type

Frequency

Maximum 

Cut/Boost

HIGH

Shelving

10 kHz

±

15 dB

MID

Peaking

2.5 kHz

LOW

Shelving

100 Hz

NOTE

NOTE

NOTE

0

8

A

D

B

1

3

4

5

2

6

7

9

C

MG82CX

NOTE

NOTE

Summary of Contents for MG102C - 10 Input Stereo Mixer

Page 1: ...page 39 57 Grâce aux effets numériques intégrés la console MG82CX peut proposer de nombreuses variations de sons Funktionen Eingangskanäle Seite 23 Mit bis zu vier Mikrofon Line Eingängen oder bis zu drei vier beim MG102C Stereoeingängen können viele Geräte gleichzeitig am MG Mischpult angeschlossen werden Mikrofone Geräte mit Leitungspegel Stereo Synthesizer uvm Kompression Seite 22 Kompression e...

Page 2: ...g the unit OFF and ON please try to eliminate the problem by using one of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm r...

Page 3: ... for extended periods of time or during electrical storms When removing the electric plug from the device or an outlet always hold the plug itself and not the cord Pulling by the cord can damage it To avoid generating unwanted noise make sure there is 50cm or more between the AC power adaptor and the device Do not cover or wrap the AC power adaptor with a cloth or blanket Before moving the device ...

Page 4: ...eed to be described for each model the MG82CX feature will be described first followed by the MG102C feature in brackets MG82CX MG102C Illustrations herein are for explanatory purposes only and may not match actual appearance during operation Company names and product names herein are trademarks or registered trademarks of their respective companies Specifications and descriptions in this owner s ...

Page 5: ...features and enjoy trouble free operation for years to come 1 Be sure that the mixer s power switch is in the STANDBY position 2 Connect the power adaptor to the AC ADAPTOR IN connector 1 on the rear of the mixer and then turn the fastening ring clockwise 2 to secure the connection 3 Plug the power adaptor into a standard household power outlet Press the mixer s power switch to the ON position Whe...

Page 6: ...r up the devices in the following order Peripheral devices MG mixer power amps or powered speakers Reverse this order when turning power off NOTE If you are using microphones that require phantom power turn the MG mixer s phantom power switch on before turning on the power to the power amp or pow ered speakers See page 12 for more detail 4 Adjust the channel GAIN controls so that the corresponding...

Page 7: ...n be heard is approximately 1 000 000 one million times louder That s too many digits to deal with for practical calculations and so the more appropriate decibel dB unit was created for sound related measurements In this system the difference between the softest and loudest sounds that can be heard is 120 dB This is a non linear scale and a difference of 3 dB actually results in a doubling or halv...

Page 8: ...with Caution If you re trying to create special or unusual effects go ahead and boost away as much as you like But if you re just trying to achieve a good sounding mix boost only in very small increments A tiny boost in the midrange can give vocals more presence or a touch of high boost can give certain instruments more air Listen and if things don t sound clear and clean try using cut to remove f...

Page 9: ...the direct signal The amount of time shift is controlled or modulated by an LFO Low frequency Oscillator For phasing effects the shift is very small The phase difference between the modulated and direct signals causes cancellation at some frequencies and reinforces the signal at others and this causes the shimmering sound we hear For chorus and flanging the signal is delayed by several millisecond...

Page 10: ...rs or noise filters into the corresponding channels These are TRS tip ring sleeve phone jacks that carry both the send and return signal tip send out ring return in sleeve ground Patching external devices via an INSERT jack requires a special insert cable such as illustrated below insert cable sold separately 6 GAIN Control Adjusts the input signal level To achieve the best balance between S N rat...

Page 11: ... the L odd and R even channels are mixed and then sent to the EFFECT AUX bus B PAN Control CHs 1 2 PAN BAL Control CHs 3 4 5 6 BAL Control CH 7 8 CHs 7 8 9 10 The PAN control determines the stereo positioning of the channel signal on the Stereo L and R buses The BAL control knob sets the balance between left and right channels Signals input to the L input odd channel go to the Stereo L bus signals...

Page 12: ...d R Stereo buses 0 POWER Indicator This indicator lights when the mixer s power is ON A Level Meter This LED meter displays the level of the signal sent to the MONITOR jacks and the PHONES jack The 0 segment corresponds to the nominal output level The PEAK segment lights red when the output reaches the clipping level B 2TR IN 2TR IN Switch If it is set to TO STEREO the signals are sent to the STER...

Page 13: ...ffect on or off The internal effect is applied only if this switch is turned on The switch lights orange when on An optional YAMAHA FC5 foot switch sold separately can be used to toggle the digital effects ON and OFF The ON switch lights and the internal effect unit is active by default when the power is initially turned on 5 EFFECT RTN Control Adjusts the signal level sent from the internal digit...

Page 14: ...zer Powered Monitor Headphones Effect Processor exciter Foot Switch YAMAHA FC5 Effect Processor Input and Output Jacks Polarities Configurations MIC INPUT Pin 1 Ground Pin 2 Hot Pin 3 Cold LINE INPUT CHs 1 2 STEREO OUT MONITOR OUT EFFECT AUX Tip Hot Ring Cold Sleeve Ground INSERT Tip Output Ring Input Sleeve Ground PHONES Tip L Ring R Sleeve Ground RETURN LINE INPUT CHs 3 4 to 7 8 CHs 3 4 to 9 10 ...

Page 15: ...CX Check that the EFFECT control on each channel is correctly adjusted Be sure that the internal effect unit s ON switch is turned ON Be sure that the EFFECT PARAMETER control and EFFECT RTN control are cor rectly adjusted I want spoken words to be heard more clearly Be sure that the switches are ON Adjust the equalizers HIGH MID and LOW on each channel I want to output a monitor signal through sp...

Page 16: ... PAN panned hard left or right 70 Maximum Voltage Gain 1 kHz All level controls are maxi mum when measured PAN BAL panned hard left or hard right Rs 150 Ω INPUT GAIN maximum MIC to CH INSERT OUT 60 dB MIC to STEREO OUT 76 MIC to REC OUT 58 2 MIC to MONITOR OUT 92 MIC to PHONES OUT 81 MIC to EFFECT SEND AUX SEND 76 LINE to STEREO OUT 50 LINE to EFFECT SEND AUX SEND 47 ST CH 7 8 CHs 7 8 9 10 to STER...

Page 17: ...mV 6 dBu 389 mV ST CH LINE INPUT CHs 3 4 5 6 34 dB 10 kΩ 600 Ω Lines 46 dBu 3 88 mV 34 dBu 15 5 mV 14 dBu 155 mV Phone jack unbalanced 10 dB 2 dBu 0 615 V 10 dBu 2 45 V 30 dBu 24 5V ST CH INPUT CH 7 8 CHs 7 8 9 10 10 kΩ 600 Ω Lines 22 dBu 61 5 mV 10 dBu 245 mV 10 dBu 2 45 V Phone jack unbalanced RCA pin jack CH INSERT IN CHs 1 2 10 kΩ 600 Ω Lines 12 dBu 195 mV 0 dBu 0 775 V 20 dBu 7 75 V TRS phone...

Page 18: ... A short reverb that is ideal for use with kick drum 9 KARAOKE ECHO DELAY TIME Echo designed for karaoke sing along applications 10 VOCAL ECHO DELAY TIME Echo suitable for vocals 11 CHORUS 1 LFO Frequency Creates a thick sound by modulating the delay time The PARAMETER control adjusts the frequency of the LFO that modulates the delay time 12 CHORUS 2 LFO Frequency 13 FLANGER LFO Frequency A sweepi...

Page 19: ...dBu 34 to 10dBu MIC 60 to 16dBu MIC 34 to 10dBu 34 to 10dBu 34 to 10dBu LINE R LINE L MONO CH3 4 5 6 ST CH INPUT CH1 to 2 CH INPUT 6 to 50dB GAIN Trim LINE INSERT I O TH GAIN 48V PHANTOM RE 80 3 Stage EQ 0dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 6 dBu 14 dBu 6 dBu 16 dBu 0 dBu 4 dBu 0 dBu 14 dBu 0dBu 0dBu 0dBu 0dBu 0dBu 0dBu 4dBu 4dBu 4dBu 3mW 40ohms 10dBV 7 8dBu 0dBu 0dBu LOW MID HIGH RE PEA...

Page 20: ...el 01 64 61 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen Música S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 Göteborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK 2730 ...

Page 21: ... web site http www yamahaproaudio com Yamaha Manual Library http www yamaha co jp manual U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2006 Yamaha Corporation WH63250 608POAP3 3 01A0 Printed in China ...

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