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Appendix

MIDI Data Format

17

Effect Type List

Exclusive

Effect Type

Description

MSB

LSB

REVERB

00

00

NO EFFECT

Effect turned off.

01

00

HALL1

Reverb simulating the resonance of a hall.

01

01

HALL2

Reverb simulating the resonance of a hall.

02

00

ROOM1

Reverb simulating the resonance of a room.

02

01

ROOM2

Reverb simulating the resonance of a room.

02

02

ROOM3

Reverb simulating the resonance of a room.

03

00

STAGE1

Reverb appropriate for a solo instrument.

03

01

STAGE2

Reverb appropriate for a solo instrument.

04

00

PLATE

Reverb simulating a metal plate reverb unit.

10

00

WHITE ROOM

A unique short reverb with a bit of initial delay.

11

00

TUNNEL

Simulation of a tunnel space expanding to left and right.

13

00

BASEMENT

A bit of initial delay followed by reverb with a unique resonance.

CHORUS

00

00

NO EFFECT

Effect turned off.

41

00

CHORUS1

Conventional chorus program that adds natural spaciousness.

41

01

CHORUS2

Conventional chorus program that adds natural spaciousness.

41

02

CHORUS3

Conventional chorus program that adds natural spaciousness.

41

08

CHORUS4

Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.

42

00

CELESTE1

A 3-phase LFO adds modulation and spaciousness to the sound.

42

01

CELESTE2

A 3-phase LFO adds modulation and spaciousness to the sound.

42

02

CELESTE3

A 3-phase LFO adds modulation and spaciousness to the sound.

42

08

CELESTE4

Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.

43

00

FLANGER1

Adds a jet-airplane effect to the sound.

43

01

FLANGER2

Adds a jet-airplane effect to the sound.

43

08

FLANGER3

Adds a jet-airplane effect to the sound.

VARIATION

00

00

NO EFFECT

Effect turned off.

01

00

HALL1

Reverb simulating the resonance of a hall.

01

01

HALL2

Reverb simulating the resonance of a hall.

02

00

ROOM1

Reverb simulating the resonance of a room.

02

01

ROOM2

Reverb simulating the resonance of a room.

02

02

ROOM3

Reverb simulating the resonance of a room.

03

00

STAGE1

Reverb appropriate for a solo instrument.

03

01

STAGE2

Reverb appropriate for a solo instrument.

04

00

PLATE

Reverb simulating a metal plate reverb unit.

05

00

DELAY L, C, R

A program that creates three delay sounds; L, R, and C (center).

06

00

DELAY L, R

A program that creates two delay sounds; L and R. Two feedback delays are provided.

07

00

ECHO

Two delays (L and R) and independent feedback delays for L and R.

08

00

CROSS DELAY

A program that crosses the feedback of two delays.

09

00

EARLY REF1

An effect that produces only the early reflection component of reverb.

09

01

EARLY REF2

An effect that produces only the early reflection component of reverb.

0A

00

GATE REVERB

A simulation of gated reverb.

0B

00

REVERSE GATE

A program that simulates gated reverb played backwards.

14

00

KARAOKE 1

A delay with feedback of the same types as used for karaoke reverb.

14

01

KARAOKE 2

A delay with feedback of the same types as used for karaoke reverb.

14

02

KARAOKE 3

A delay with feedback of the same types as used for karaoke reverb.

41

00

CHORUS1

Conventional chorus program that add natural spaciousness.

41

01

CHORUS2

Conventional chorus program that adds natural spaciousness.

41

02

CHORUS3

Conventional chorus program that adds natural spaciousness.

41

08

CHORUS4

Chorus with stereo input.

42

00

CELESTE1

A 3-phase LFO adds modulation and spaciousness to the sound.

42

01

CELESTE2

A 3-phase LFO adds modulation and spaciousness to the sound.

42

02

CELESTE3

A 3-phase LFO adds modulation and spaciousness to the sound.

42

08

CELESTE4

Celeste with stereo input.

43

00

FLANGER1

Adds a jet-airplane effect to the sound.

43

01

FLANGER2

Adds a jet-airplane effect to the sound.

43

08

FLANGER3

Adds a jet-airplane effect to the sound.

44

00

SYMPHONIC

A multi-phase version of CELESTE.

45

00

ROTARY SPEAKER

A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation.

46

00

TREMOLO

An effect that cyclically modulates the volume.

47

00

AUTO PAN

A program that cyclically moves that sound image to left and right, front and back.

48

00

PHASER1

Cyclically changes the phase to add modulation to the sound.

48

08

PHASER2

Phaser with stereo input.

49

00

DISTORTION

Adds a sharp-edged distortion to the sound.

4A

00

OVER DRIVE

Adds mild distortion to the sound.

4B

00

AMP SIMULATOR

A simulation of a guitar amp.

4C

00

3BAND EQ (MONO)

A mono EQ with adjustable LOW, MID, and HIGH equalizing.

4D

00

2BAND EQ (STEREO)

A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.

4E

00

AUTO WAH (LFO)

Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.

40

00

THRU

Bypass without applying any effect.

* MSB, LSB is represented in hexadecimal.
* LCB=0 is the basic effect type.

Summary of Contents for Mark III

Page 1: ...th the Disklavier In this setup song disks are played on the Disklavier and a MIDI drum machine or sequencer plays in synchronization When PLAY is pressed the MIDI instrument starts to play It can als...

Page 2: ...le your left hand part is backed by a bass guitar voice and your right hand part is backed by a marimba MIDI data from each side of the split point is sent to a different MIDI channel and the voice vo...

Page 3: ...and YES buttons to set a value The MIDI output can be transposed from 60 to 60 in one semitone steps Separate transposition values can be set for the left and right hand parts 8 Press until the follo...

Page 4: ...ill not change the volume 12 Press FUNC or STOP to exit the MIDI setup Filtering KBD Out Data When sending data for the piano part you play on the Disklavier keyboard to an external MIDI instrument th...

Page 5: ...computer A 500 millisecond delay is applied to the incoming MIDI data so that the Disklavier plays more fluently Because of the delay be aware that the beat indicator on the sequencer is slightly ahe...

Page 6: ...fixed delay can be turned off However it will still take the Disklavier time to respond to incoming MIDI data and the Disklavier piano response time will vary based on the velocity of the notes and i...

Page 7: ...an 16 Channels on page 74 For the best compatibility your external MIDI instrument should support Yamaha XG General MIDI GM or both 1 Connect the Disklavier s MIDI OUT to the external MIDI instrument...

Page 8: ...e played back with the Disklavier These are called import files For these files you must specify the tracks to be played by the Disklavier piano because piano parts in import files may be stored on an...

Page 9: ...d receiving the MTC are performed This Disklavier has a function that uses the MIDI time code MTC to synchronize with an external component This Disklavier can function either as the Master or as the...

Page 10: ...ate is detected automatically Rate parameter 24fps 25fps DF 30fps 5a Press to position the c cursor next to the Thru and set the output port Set the connector from which the MTC which has been receive...

Page 11: ...ation of the external component Example of connections Receiving the MTC from MIDI IN MIDI OUT or MTC OUT Control Unit External component equipped with MTC Master function MD4S AW2816 etc MIDI IN MIDI...

Page 12: ...must first be set up to serve as the MTC Master Note Bear in mind that regular recording will be performed if you start playing the song before the MTC message is output from the external component Y...

Page 13: ...RAL INSTRUMENT STANDBY ON DRIVE SELECT MTC Mode Master Rate Adjust to the external component s rate Out HOST Establish the MTC Slave mode by following the instructions in the manual accompanying the s...

Page 14: ...e v i e c e R t u O n I C F A F 2 F 8 F C T M C F A F 2 F C T M F F O F F O F F O F F O N O N O F F O N O N O e v a l S F F O F F O u r h T F F O N O u r h T N O F F O u r h T N O N O u r h T r e t s...

Page 15: ...O n o i t c A T S O H O T r o t c e n n o c r o t c e n n o c T U O I D I M e n o t G X l a n r e t n I o n a i P r o t a r e n e g d r a o b y e k n o y a l P h C t u O f i t n e s a t a d I D I M F...

Page 16: ...n a N O s i e l b m e s n e f o k c a b y a l P e l i f g n o s t n e s a t a d I D I M o N e n o t l a n r e t n i d n a o n a i P y l l a m r o n y a l p r o t a r e n e g m o r f d e v i e c e r a...

Page 17: ...puter without the MIDI interface Note To use the Disklavier properly with the computer setups described in this chapter it is recommended that you connect your computer to the TO HOST connector and se...

Page 18: ...AT Series Computer a Use a standard 8 pin MINI DIN 9 pin D SUB cross cable b Use a standard 8 pin MINI DIN 25 pin D SUB cross cable Mini DIN 8 pin Mini DIN 8 pin Mini DIN 8 pin D SUB 25 pin Male conne...

Page 19: ...se the NO and YES buttons to select the channel for the piano part The selected channel will be played by the Disklavier piano and the other channels by the internal XG tone generator See Receiving Da...

Page 20: ...ormation on the 500 ms delay function see Controlling the Disklavier in Real Time on page 59 6 Press FUNC or STOP to return to the normal display Recording Songs to a Computer Sequencer You can record...

Page 21: ...details 5 Press FUNC or STOP to return to the normal display Playing Back More than 16 Channels You can play back from a computer song data that contains up to 32 channels by connecting the Disklavier...

Page 22: ...nd only by messages received through the MIDI IN or TO HOST connectors 1 Press FUNC The FUNC indicator lights and the Function menu appears 2 Press until the c cursor is next to the MIDI Setup option...

Page 23: ...a t a d I D I M T S O H O T m o r f r o t c e n n o c d e s s a p a t a d I D I M o N l a d e p r o f t p e c x e h g u o r h t e t o n e e S a t a d d e s s a p a t a d I D I M l l A f i d e i l p p...

Page 24: ...f r o t c e n n o c d e s s a p a t a d I D I M o N l a d e p r o f t p e c x e h g u o r h t e t o n e e S a t a d n o a t a d I D I M l l A t n e s 2 3 7 1 s l e n n a h c n I y a l e D f i d e i l...

Page 25: ...nu appears 3 Press until the c cursor is next to the Reset option then press ENTER The following display appears 4 Use the NO and YES buttons to select the item that you want to reset Then press ENTER...

Page 26: ...l a g r P g r P 6 1 1 0 R e l i F t r o p m I g r P g r P 6 1 1 0 t u O L B S E t r a P o n a i P F F O N O F F O t u O I D I M T U O D B K 2 t r o P u r h T t u O D B K t u O L B S E h C t u O 1 0 6...

Page 27: ...you are pointing the remote control at the Control Unit s remote control sensor Make sure that you are within the remote control s specified operating range See Using the Remote Control on page 2 in t...

Page 28: ...track containing high velocity See Editing a Track s Voice Volume on page 42 PianoSmart Pianosmart fails to work fails to synchronize Check whether the CD is the same as the number of the CD printed o...

Page 29: ...s Connection with External Devices The Disklavier cannot send and receive MIDI data with other MIDI instruments Make sure the MIDI cables are connected properly A MIDI loop was accidentally created wh...

Page 30: ...be performed because the floppy disk s erasure protection tab is set to protected Set the disk s erasure protection tab to unprotected See Floppy Disk Accidental Erasure Protection on page 18 No more...

Page 31: ...u must select the track you want to record before recording Only E SEQ files can be recorded onto an E SEQ type disk The disk may be damaged Press the Stop key to clear the message If this message app...

Page 32: ...E SEQ Song Format A song file format developed by Yamaha for saving songs E SEQ Type Disk One of two disk types that the Disklavier uses to format disks E SEQ type disks are compatible with earlier Di...

Page 33: ...Musical Instrument Digital Interface MIDI allows electronic musical instruments to communicate with each other Overdub The addition of tracks to an existing recording For example a Disklavier rhythm t...

Page 34: ...sks automatically record songs using SMF format 0 Song Normally a short piece of music with lyrics However for clarity in Disklavier manuals the term is used to refer to any piece of music of any genr...

Page 35: ...two semitones Velocity Because the loudness of a piano note is determined by the speed velocity with which a string is struck by a hammer note loudness is referred to as velocity Voice The sounds pro...

Page 36: ...c 6 1 r e t e e w t 1 m c 5 2 2 2 x o B t e l t u O P U t e l t u O C A k c a J t u p t u O h c t i w S n i a M 2 2 s r o t c e n n o C s e n o h p d a e H o n o M L R t u O n I X U A t u O n I I D I...

Page 37: ...1 6 1 4 1 s r e h t O g n i d r o c e r e R t n e l i S m e t s y S s l o r t n o C r e w o P p m a l t o l i p w f f o n O e m u l o V s u o u n i t n o C b r e v e R l o r t n o c h t p e d s e d o...

Page 38: ...Appendix Mark IIISeries Full Function Models Appendix MIDI Data Format...

Page 39: ......

Page 40: ...Time ESBL Part Cntrl Parameter Data Range 5 Portamento Time 0 127 When the parameter 1 2 9 Portamento ON values will adjust the speed of pitch change A setting of 0 minimum portamento time and 127 max...

Page 41: ...4 0 63 01 21 mm Filter Resonance mm 00 40 7F 64 0 63 01 63 mm EG Attack Time mm 00 40 7F 64 0 63 01 64 mm EG Decay Time mm 00 40 7F 64 0 63 01 66 mm EG Release Time mm 00 40 7F 64 0 63 14 rr mm Drum F...

Page 42: ...ou can select not only basic Voice numbers but also variation Voice bank numbers 1 4 Pitch Bend ESBL Part When Multi Part Parameter Rcv PITCH BEND CHANGE OFF pitch bend for that part is not received 1...

Page 43: ...d 1 2 2 1 4 3 Multi Effect1 Data parameter change ESBL Part See tables 1 1 and 1 3 2 1 4 4 Multi Part Data parameter change ESBL Part See tables 1 1 and 1 4 2 1 4 5 Drums Setup Data parameter change E...

Page 44: ...et to On b Reception This message is received only when REMOTE IN Parameter is Set to On 4 4 Stop a Transmission This message is transmitted only when the REMOTE OUT parameter is set to On b Reception...

Page 45: ...S PARAMETER 9 2B 1 00 7F CHORUS PARAMETER 10 2C 1 00 7F CHORUS RETURN dB 0dB 6dB 0 64 127 40 2D 1 01 7F CHORUS PAN L63 C R63 1 64 127 40 2E 1 00 7F SEND CHORUS TO REVERB dB 0dB 6dB 0 64 127 00 TOTAL S...

Page 46: ...UNE 12 8 12 7 Hz 08 00 nn 0A 1st bit3 0 bit7 4 80 2nd bit3 0 bit3 0 nn 0B 1 00 7F VOLUME 0 127 64 nn 0C 1 00 7F VELOCITY SENSE DEPTH 0 127 40 nn 0D 1 00 7F VELOCITY SENSE OFFSET 0 127 40 nn 0E 1 00 7F...

Page 47: ...T LFO AMOD DEPTH 0 127 00 nn 53 1 28 58 PAT PITCH CONTROL 24 24 semitones 40 nn 54 1 00 7F PAT FILTER CONTROL 9600 9450 cent 40 nn 55 1 00 7F PAT AMPLITUDE CONTROL 64 63 40 nn 56 1 00 7F PAT LFO PMOD...

Page 48: ...all Drum Setup parameters are initialized The Drum Setup Reset message can be used to initialized each Drum Setup parameter Selecting a Drum Set will cause the Drum Setup parameter values to be initi...

Page 49: ...47 Velocity FEG Rate Sensitivity 6B 39 47 FEG Rate Scaling 6C 00 7F FEG Rate Scaling Center Note 6D 00 3F FEG Rate 1 6E 00 3F FEG Rate 2 6F 00 3F FEG Rate 3 70 00 3F FEG Rate 4 71 00 7F FEG Level 0 72...

Page 50: ...1 55 0 SynVoice 1 40 SynVox2 2 41 Choral 2 64 AnaVoice 1 56 0 Orch Hit 2 35 OrchHit2 2 64 Impact 2 Brass 57 0 Trumpet 1 16 Trumpet2 1 17 BriteTrp 2 32 WarmTrp 2 58 0 Trombone 1 18 Trmbone2 2 59 0 Tuba...

Page 51: ...blins 2 64 GobSyn 2 65 50sSciFi 2 66 Ring Pad 2 67 Ritual 2 68 ToHeaven 2 70 Night 2 71 Glisten 2 96 BelChoir 2 103 0 Echoes 2 8 EchoPad2 2 14 Echo Pan 2 64 EchoBell 2 65 Big Pan 2 66 SynPiano 2 67 Cr...

Page 52: ...in 1 8 SlowVln 1 126 E Organ4 2 127 synecho1 2 42 0 Viola 1 126 E Organ5 2 127 rain 2 43 0 Cello 1 126 E Organ6 2 127 synoboe 2 44 0 Contrabs 1 126 E Organ7 2 127 synecho2 2 45 0 Trem Str 1 8 SlowTrSt...

Page 53: ...1 Instrument Group Bank Voice Name Program Ele ment Synth 97 0 Rain 2 Effects 1 HrmoRain 2 2 AfrcnWnd 2 8 ClaviPad 2 127 brssect2 2 98 0 SoundTrk 2 1 Ancestrl 2 2 Prologue 2 127 vibe1 1 99 0 Crystal...

Page 54: ...azz Tom 2 44 G 1 1 Hi Hat Pedal Analog HH Closed 2 45 A 1 Low Tom Room Tom 3 Rock Tom 3 E Tom 3 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3 46 A 1 1 Hi Hat Open Analog HH Open 47 B 1 Mid Tom L Room...

Page 55: ...6 Room Tom 6 E Tom 6 Analog Tom 6 Jazz Tom 6 Jazz Tom 6 Timpani D Ac Bass Slap 51 D 2 Ride Cymbal 1 Timpani D FL Key Click 52 E 2 Chinese Cymbal Reverse Cymbal Timpani E Laughing 53 F 2 Ride Cymbal C...

Page 56: ...creates two delay sounds L and R Two feedback delays are provided 07 00 ECHO Two delays L and R and independent feedback delays for L and R 08 00 CROSS DELAY A program that crosses the feedback of tw...

Page 57: ...dback Delay2 0 1 715 0ms 1 7150 5 Feedback Level 63 63 1 127 6 High Damp 0 1 1 0 1 10 7 8 9 10 Dry Wet D63 W D W D W63 1 127 11 12 13 EQ Low Frequency 50Hz 2 0kHz 8 40 table 3 14 EQ Low Gain 12 12dB 5...

Page 58: ...2 0kHz 8 40 table 3 7 EQ Low Gain 12 12dB 52 76 8 EQ High Frequency 500Hz 16 0kHz 28 58 table 3 9 EQ High Gain 12 12dB 52 76 10 Dry Wet D63 W D W D W63 1 127 11 12 13 14 15 16 No Parameter Range Value...

Page 59: ...12 0 10 120 5 EQ High Gain 12 12dB 52 76 6 EQ Low Frequency 50Hz 2 0kHz 8 40 table 3 7 EQ High Frequency 500Hz 16 0kHz 28 58 table 3 8 9 10 11 12 13 14 15 16 No Parameter Range Value See Con Table tro...

Page 60: ...6 9 5 7 11 1 8 12 7 9 14 3 10 15 8 11 17 4 12 19 0 13 20 6 14 22 1 15 23 7 16 25 3 17 26 9 18 28 4 19 30 0 20 31 6 21 33 2 22 34 7 23 36 3 24 37 9 25 39 5 26 41 0 27 42 6 28 44 2 29 45 7 30 47 3 31 48...

Page 61: ......

Page 62: ...Only ESBL Part can recognize 3 m is always treated as 1 regardless of its value 4 Transmit if this model has a Sostenuto Pedal O O O O O O O O O O O O O O O O O O O 1 2 O 0 24 semi 1 2 1 2 1 1 2 2 2 2...

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