14
T u n e T o t I n s t a l l a t i o n a n d C a r e
G u i d e
A u t h e n t i c E x c e l l e n c e ™
Section 2�3—Correcting for the Time Domain
Like all ultra-high performance loudspeakers, TuneTot will sound far more
lifelike if the time domain is properly corrected. In a compact two-way design
such as TuneTot, this can be effectively achieved by angling the baffle in correct
relationship to the listener. When the time domain is properly adjusted in a Tune-
Tot installation, every aspect of sound reproduction is improved—including tonal
accuracy and beauty, transient speed, soundstage and imaging, and a sense of
dynamic contrast.
Time Domain Setup
Wilson engineers have devised a simple and effective method for achiev-
ing the correct time domain for each installation with TuneTot. The correct baffle
angle in relationship to the viewer is achieved visually. In the case of TuneTot,
baffle angle and correct time domain are interchangeable. Wilson’s engineers de-
termined that if there is a correct amount of “reveal” on the top plane of TuneTot’s
cabinet, as seen from the listening position, it is a reliable indicator for correct
time domain in relationship of TuneTot to the listener.
This is accomplished via the following process:
1. Make sure that your TuneTots are properly positioned with cor-
rect “toe” as outlined in the previous section.
2. The listener should be in the listening position, his/her posture
Too little reveal
Summary of Contents for TuneTot
Page 1: ...I n s t a l l a t i o n a n d C a r e G u i d e...
Page 6: ......
Page 7: ...W i l s o n A u d i o S p e c i a l t i e s S e c t i o n 1 T u n e T o t A s s e m b l y...
Page 10: ......
Page 11: ...S e c t i o n 2 S e t u p o f T u n e T o t W i l s o n A u d i o S p e c i a l t i e s...
Page 21: ...W i l s o n A u d i o S p e c i a l t i e s...
Page 22: ......
Page 23: ...S e c t i o n 3 S p e c i f i c a t i o n s W i l s o n A u d i o S p e c i a l t i e s...
Page 28: ......
Page 29: ...S e c t i o n 4 T u n e T o t E c o s y s t e m W i l s o n A u d i o S p e c i a l t i e s...
Page 32: ......
Page 33: ...S e c t i o n 5 W a r r a n t y W i l s o n A u d i o S p e c i a l t i e s...