Wernick Xylosynth XS7s-3 Manual Download Page 4

3.0  A Quick MIDI Lesson

The Xylosynth is a MIDI controller so it might be useful to include a short section on the
basics. MIDI stands for Musical Instrument Digital Interface and is a digital computer code
that all manufacturers in the music industry use.   It means that the Xylosynth and any
other MIDI device can communicate.  It has become a world wide standard so you will be
able   to   find   MIDI   equipment   that   is   compatible   with   the   Xylosynth   everywhere   (either
through '5 Pin Din Midi' or 'USB to MIDI').   There are many volumes dedicated to the
subject and to be honest all you really need to understand to use your Xylosynth are the
following five parameters:

3.1 MIDI Program Number (0-127 or 1-128)

The Program Number is the  

code number

  for the  

sound

  that comes from your sound

source.   It   instructs   the   sound   module   to   switch   to   a   particular   sound.   There   are   128
standard General Midi (GM) sounds (list on page 13) numbered 0-127 or 1-128 depending
on the source. Normally the sound source will have a name for each sound displayed on
its screen. The Xylosynth is set at 1-128 so Vibraphone is number 12. If your sound source
is numbered 0-127 then you can change the numbering of the Xylosynth to 0-127 (Global
Settings, C. MIDI Format), the Vibraphone would become 11. 

3.2 MIDI Bank Number (0-15 or 1-16)

Some sound sources have several banks of sounds with 128 different sounds in each. Our
internal sounds have just one bank of 128 sounds. We have customized our sounds into
'patch settings' and numbered the patches to correspond to the progamme numbers.

3.3 MIDI Note Number

There are 128 Note Numbers in MIDI and these define the  

pitch

  of the sound. It's like

having a keyboard with 128 keys.  An easy reference point to remember is Middle C (C4)
which is MIDI Note Number 60. Tuned A (440-442Hz) is MIDI Note Number 69. 

3.4 MIDI Velocity Number 

There are 128 levels of velocity in MIDI.   The Velocity Number defines the amount of
expression that can be applied to a MIDI sound.  For example if you play a Vibe bar really
hard the sound is very loud compared to if you give it a gentle stroke.  Basically the same
thing   applies   in   MIDI   and   is   defined   within   128   levels   from   0   to   127.  A  level   of   0   is
equivalent to a note off message. The Xylosynth actually has around 14000 levels which
are divided down to 128 before the Midi message is sent.

3.5 MIDI Channel Number (0-15 or 1-16)

There are 16 Channels in MIDI and these are the codes used to allow different MIDI
devices to talk to each other or to play different tracks within software programs. This is
mainly   relevant   to   software   based   systems.   The   Xylosynth   sends   out   messages   on
Channel 1 as a factory setting. The GM sounds are the same for all MIDI Channels except
Channel 10 which is dedicated to "percussion" sounds. 

4.0 Patches

With   the   new   Mk7   Xylosynth   we   can   create   'Patches'   by  choosing   a   programme,   for
example 12 Vibes, then altering the 'parameters' to suit ourselves and saving to use next
time. Parameters such as setting the first note (MIDI note number) for the pitch we want to
start on and setting the note length (although this can be overridden with the note length
knob) amongst other things. Basically, 'a patch is a configured sound that can be recalled
for playback'.  All 128 GM sounds have been configured into usable 'Patches' and it is the
Patch number that changes with the patch buttons/pedals.

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Summary of Contents for Xylosynth XS7s-3

Page 1: ...Hand Built Electronic Percussion XS7s 3 Rev 008 1 2a TWYCROSS STREET LEICESTER LE2 0DU ENGLAND TELEPHONE 0116 255 6225 E MAIL info wernick net WEB SITE www wernick net VAT No 834748304...

Page 2: ...Shift 6 0 Foot Pedal Controls 6 1 Jack Inputs 1 2 3 and 4 6 6 2 Jack Inputs 5 and 7 6 3 Sustain 7 0 Analogue Settings 7 1 Length of Note 7 2 Sensitivity Knob 7 8 0 Display 9 0 Introduction to Programm...

Page 3: ...he instrument needs to be stable while calibrating on power up so always push the USB cable in gently to avoid disturbance if the other end is already connected to the power source 3 If you have inter...

Page 4: ...are 128 Note Numbers in MIDI and these define the pitch of the sound It s like having a keyboard with 128 keys An easy reference point to remember is Middle C C4 which is MIDI Note Number 60 Tuned A 4...

Page 5: ...the keyboard layout On start up the instrument s range will be dependent on the size of your Xylosynth and the patch you are in By pressing the octave shift you can shift up or down an octave 12 notes...

Page 6: ...Patch Song List 1 1 same as the buttons above You can reprogramme these inputs to operate different functions see Patch Settings U Jacks 1 4 Function 6 2 Jack Inputs 5 and 7 These inputs are all the...

Page 7: ...ustic contact sound minimal and to protect the sensors 8 0 Display The new Mk7 Xylosynth is using the latest technology OLED display so we can show more information to the player When you are performi...

Page 8: ...A PATCH CONTROL PATCH SONG Switch the Xylosynth between incremental patch up down control or song list control There is a shortcut between these by pressing the SAVE button to the left of the display...

Page 9: ...s 5mins J RESTORE BACKUP Overwrites the patch settings using the back up stored settings takes 5mins K FACTORY RESET Overwrites all settings to the factory default takes 5mins PRESS EXIT AT ANY TIME T...

Page 10: ...1 128 or 0 127 Selects programme number B Channel 1 16 or 0 15 Selects Channel Number C Bank 1 16 or 0 15 Selects bank Number D Octave 0 12 24 36 48 60 72 84 96 108 Sets the MIDI Note Number of the fi...

Page 11: ...on messages split keyboard Q Trigg Settings Goes to Drum trigger settings below Drumpads are activated by selecting Drumpad in Global Settings B A Input and also Patch Settings U Jacks 1 4 Functions...

Page 12: ...s 5 7 Function Digital Pedal 5 A Octave Up Shift keyboard up an octave 12 notes B Octave Down Shift keyboard down an octave 12 notes C Programme Up Increases programme number on sound source by 1 D Pr...

Page 13: ...arred instrument such as Xylophone Marimba you may want to set the top key sensitivity to be less than the bottom key sensitivity 4 Raise minimum volume in your patch setting F Min Velocity so that yo...

Page 14: ...56 Orchestra Hit Brass 57 Trumpet 58 Trombone 59 Tuba 60 Muted Trumpet 61 French Horn 62 Brass Section 63 Synth Brass 1 64 Synth Brass 2 Reed 65 Soprano Sax 66 Alto Sax 67 Tenor Sax 68 Baritone Sax 69...

Page 15: ...60 Hi Bongo 61 Low Bongo 62 Mute Hi Conga 63 Open Hi Conga 64 Low Conga 65 High Timbale 66 Low Timbale 67 High Agogo 68 Low Agogo 69 Cabasa 70 Maracas 71 Short Whistle 72 Long Whistle 73 Short Guiro 7...

Page 16: ...rom the Key Compare the wire loop with keys nearby as they should all be the same Also you can test this before putting the crinkle washers nuts by moving the wires into out of the hole noticing that...

Page 17: ...t advice and in our experience 99 of problems can be solved this way If something more urgent happens we can help you assess the problem and find the best way forward as quickly as possible Telephone...

Page 18: ...O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Breath Controller Pedal Control Pedal Control Portamento Pedal set within Patch Channel Volume Pedal set within Patch Stereo Bala...

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