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1.0 Introduction

Thank-you for choosing a Wernick Xylosynth.  You are now the owner of a hand built MIDI
compatible   tuned   percussion   controller   designed   to   put   mallet   players   in   the   most
comfortable MIDI environment possible.  We’ve asked players like you a lot of questions
over the last few years and the information gathered together has resulted in many of the
unique features of the Xylosynth.   Innovations like the wooden playing surface and the
flexible, easy to use software have come from this process.  We’re proud to be a ‘musician
led’ instrument company and continue to strive to realise the imagination of music makers.

Your basic Xylosynth package should include the following:

3 Octave F-F Xylosynth
USB Power Supply Adapter

           2 x 3 metre USB A-A Cable

3 metre MIDI (5 Pin DIN) Connector
Manual 
Pair of Soft Vibraphone Mallets

2.0 Setting Up your Xylosynth

1.

  Always make sure you mount your Xylosynth on a solid table or keyboard stand. Check

the carrying capacity of any stand. If you  

plug your pedals in first

  and power up the

instrument the Xylosynth will recognize open/closed and adjust itself accordingly.  

If you

plug/unplug pedals while powered up the instrument may crash so press the edit
button to reset or power up again.

  

2.   Power In/USB

  – For 'power only' use the top slot (from wall adaptor or USB Power

Bank). There is no on/off switch. For USB MIDI communication use bottom slot. If you
have USB 3.0 (blue indicator) or above you can use the bottom slot for communication and
power. It may well work with USB 2 in your laptop but we take no responsibility for any
damage caused. The instrument needs to be  

stable

  while calibrating on power up so

always push the USB cable in

  gently

  to avoid disturbance if the other end is already

connected to the power source.

3.

  If you have internal sounds, plug in your headphones or line out to PA and start playing.

Or, using the supplied MIDI lead or USB cable, connect to your chosen external sound
source (the Xylosynth is set to Channel 1 as a factory default).

2.1 Sound Sources 

 

The Xylosynth is a MIDI controller and the standard instrument has no internal sounds. If
you don't have internal sounds the first thing needed is a sound source.  This could be a
sound module or software based sampler in your PC or Mac. Sound modules with tuned
percussion sounds are available from most large musical equipment retailers. As well as
traditional tuned percussion sounds, sound modules often contain several digital sounds
with a very fast attack making them mallet friendly.   For the individual sounds of your
choice you need a software based system. There are many sample libraries available with
traditional and synth sounds.

2.2 Amplification

The final link in the chain from Xylosynth to performance is amplification. The simplest
thing   to   do   is   to   plug   a   pair   of   good   quality   headphones   into   your   sound   source   or
Xylosynth with internal sounds. Otherwise simply use a keyboard or 'active' speaker amp.
For playing live, to really appreciate the stereo of most of the sounds you’ll be using, the
best solution is a small mixer with a pair of active speakers.  As with all amplification it is
important to tailor your system to every possible requirement you can think of. We do
advise   you   should   try   out   the   amplification   system   before   you   buy   or   find   very   good
recommendations.

 

Think about weight if you have to take the system on the road.

3

Summary of Contents for Xylosynth XS7s-3

Page 1: ...Hand Built Electronic Percussion XS7s 3 Rev 008 1 2a TWYCROSS STREET LEICESTER LE2 0DU ENGLAND TELEPHONE 0116 255 6225 E MAIL info wernick net WEB SITE www wernick net VAT No 834748304...

Page 2: ...Shift 6 0 Foot Pedal Controls 6 1 Jack Inputs 1 2 3 and 4 6 6 2 Jack Inputs 5 and 7 6 3 Sustain 7 0 Analogue Settings 7 1 Length of Note 7 2 Sensitivity Knob 7 8 0 Display 9 0 Introduction to Programm...

Page 3: ...he instrument needs to be stable while calibrating on power up so always push the USB cable in gently to avoid disturbance if the other end is already connected to the power source 3 If you have inter...

Page 4: ...are 128 Note Numbers in MIDI and these define the pitch of the sound It s like having a keyboard with 128 keys An easy reference point to remember is Middle C C4 which is MIDI Note Number 60 Tuned A 4...

Page 5: ...the keyboard layout On start up the instrument s range will be dependent on the size of your Xylosynth and the patch you are in By pressing the octave shift you can shift up or down an octave 12 notes...

Page 6: ...Patch Song List 1 1 same as the buttons above You can reprogramme these inputs to operate different functions see Patch Settings U Jacks 1 4 Function 6 2 Jack Inputs 5 and 7 These inputs are all the...

Page 7: ...ustic contact sound minimal and to protect the sensors 8 0 Display The new Mk7 Xylosynth is using the latest technology OLED display so we can show more information to the player When you are performi...

Page 8: ...A PATCH CONTROL PATCH SONG Switch the Xylosynth between incremental patch up down control or song list control There is a shortcut between these by pressing the SAVE button to the left of the display...

Page 9: ...s 5mins J RESTORE BACKUP Overwrites the patch settings using the back up stored settings takes 5mins K FACTORY RESET Overwrites all settings to the factory default takes 5mins PRESS EXIT AT ANY TIME T...

Page 10: ...1 128 or 0 127 Selects programme number B Channel 1 16 or 0 15 Selects Channel Number C Bank 1 16 or 0 15 Selects bank Number D Octave 0 12 24 36 48 60 72 84 96 108 Sets the MIDI Note Number of the fi...

Page 11: ...on messages split keyboard Q Trigg Settings Goes to Drum trigger settings below Drumpads are activated by selecting Drumpad in Global Settings B A Input and also Patch Settings U Jacks 1 4 Functions...

Page 12: ...s 5 7 Function Digital Pedal 5 A Octave Up Shift keyboard up an octave 12 notes B Octave Down Shift keyboard down an octave 12 notes C Programme Up Increases programme number on sound source by 1 D Pr...

Page 13: ...arred instrument such as Xylophone Marimba you may want to set the top key sensitivity to be less than the bottom key sensitivity 4 Raise minimum volume in your patch setting F Min Velocity so that yo...

Page 14: ...56 Orchestra Hit Brass 57 Trumpet 58 Trombone 59 Tuba 60 Muted Trumpet 61 French Horn 62 Brass Section 63 Synth Brass 1 64 Synth Brass 2 Reed 65 Soprano Sax 66 Alto Sax 67 Tenor Sax 68 Baritone Sax 69...

Page 15: ...60 Hi Bongo 61 Low Bongo 62 Mute Hi Conga 63 Open Hi Conga 64 Low Conga 65 High Timbale 66 Low Timbale 67 High Agogo 68 Low Agogo 69 Cabasa 70 Maracas 71 Short Whistle 72 Long Whistle 73 Short Guiro 7...

Page 16: ...rom the Key Compare the wire loop with keys nearby as they should all be the same Also you can test this before putting the crinkle washers nuts by moving the wires into out of the hole noticing that...

Page 17: ...t advice and in our experience 99 of problems can be solved this way If something more urgent happens we can help you assess the problem and find the best way forward as quickly as possible Telephone...

Page 18: ...O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Breath Controller Pedal Control Pedal Control Portamento Pedal set within Patch Channel Volume Pedal set within Patch Stereo Bala...

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