PROMIXCD4 GB
3
5. Ground connection
If you have a turntable with a ground connection wire, connect it with this
binding post to prevent hum.
6. Phono Inputs
Suitable for all standard turntables using a magnetic element.
7. Microphone input
This socket accepts a standard 6.3mm jack. The microphone level control
(29) should be set to its minimum before inserting or unplugging a
microphone.
8. Microphone equalisation
To adjust the tonality (bass/treble) of the microphone input
9. Master Level Control
Varies the amplifier volume level that the speaker connection (1) supplies
to the speakers.
10. Master HF Equalisation Control
Use it to adjust the master output of the device. Rotating the controls
clockwise will add boost to the treble and vice versa.
11. Master LF Equalisation Control
To adjust the master output of the device. Rotating the controls clockwise
will add boost to the bass and vice versa.
12. Pitch Bend
Increases or decreases the playing speed while held down to enable you
to match the beat on both discs (see page 5)
13. Pitch
Switches the pitch control on or off.
14. Time
Switches the time display to remaining playing time or elapsed time of
either the current track or the entire disc.
15. Frequency Kill Switches
This facility is channel-independent and allows the user to filter out the
low, mid and high frequencies. Press the buttons to filter out one of the
three or all three frequencies.
16. Crossfader module
Generally this control is set to the centre position. However, both subtle
and dramatic mixing effects can be achieved. This is really only a matter of
experimentation. Moving the crossfader to the left will increase the output
of channel 1. Moving the crossfader to the right will increase the output of
channel 2.
If your personal mixing style involves extensive crossfader use, you will
undoubtedly have to replace the crossfader module at some point in time
(see page 2 “.
7. Replacing the Crossfader Module
”)
17. Input Line Faders
Raising the fader to highest position will increase the output level and vice
versa.
18. Punch In
To add “scratch” effects to a mix : press the appropriate punch-in button
repeatedly. This enables the channel in question to override the output
faders. Place the crossfader (16) in the centre position. You can now use
both punch-in buttons to add effects to channels 1 and 2 simultaneously.
19. Pitch Control
Slides up or down to change the pitch (see also page 5)
20. Play/Pause
Starts or pauses the disc.
21. Search
Scans in both directions to a particular point.
22. Skip Backward
Jumps to the beginning of the track being played or skips track per track if
pressed repeatedly.
23. Stop
Stops disc play or clears the programme settings. The total number of
tracks and the total playing time will appear on the display panel to
indicate that the player is in STOP mode.
24. Repeat
Plays the current track or the entire disc again and again.
25. Cue
Pre-fade listening (see page 5)
26. PFL Volume
Sets the headphone output level (3)
27. LCD Display
Displays information regarding the status of the disc
28. PFL Pan Control
Headphones make pre-fade listening possible on both channels. This
allows the user to listen to an input without it being heard by the audience.
29. Microphone Level Control
Determines the microphone volume
30. Input Selector switches
Three positions make it possible to select the appropriate input for each
individual channel.
