Applying these filters to the delays can create the feeling
of space while not obscuring the main vocal signal.
DUCKING AMOUNT
This sets how much attenuation (gain reduction) is
applied to the delayed signal when a vocal is present. For
ducking to not be too obvious, a slight reduction of -6
dB is best.The DUCKING parameter must be set to ON
for this to have any effect.
DUCKING TIME
Ducking time sets how long it takes to ramp up the delay
level at the end of vocal phrases.
LEAD TO DLY
Sets the amount of lead voice sent into the Delay block.
HARM TO DLY
Sets the amount of harmony level sent into the Delay
block. The HARMONY footswitch must be on to feed
this send.
UMOD TO DLY
This allows you to feed the delay block with the effected
output of the
μ
Mod block. The
μ
Mod footswitch must
be on to feed this send.
LEAD MUTE
When set to ON, your lead voice will be muted when
the Delay effect is turned on. This allows for 100% wet
delay effects. Any active effect that has LEAD MUTE set
to ON will mute the lead voice in the entire effect chain,
even if the other effects have it set to OFF.
Note that the LEAD EFFECT SENDS parameter on the
PRESET tab must be set to PRE in order for any signal
to get to the Delay block when LEAD MUTE is set to
ON.
The Edit Menu: DELAY Tab
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