TC Electronic M300 User Manual Download Page 8

6

FRONT PANEL OVERVIEW

INPUT knob

Adjusts the Input level.

1/L and 2/R LEDS

3 color LEDs indicating Input
level on Left and Right Inputs.
Green :

-40dB

Yellow :

-6dB

Red :

-1dB

MIX knob

Adjusts the mix between the
wet and the dry signal. 100%
“Wet” is achieved at fully
clockwise position.

EFFECTS BALANCE knob

Adjusts the balance between
the Effects Engine and the
Reverb Engine. Maximum
effect from both Engines is
achieved at 12 o’clock
position.

DIGI IN button and LED

LED Off
Digital Input is set to Off. The
M300 processes only the
signal present on the Analog
Inputs.

LED Green
The M300 is locked correctly
to the Digital Input signal. 

LED Flashing
Digital In is selected but no
digital signal is received or the
signal is corrupt. The M300
automatically returns to
internal clock and Analog
operation.

BYPASS knob and LED

Bypass function varies
depending on the selected
Routing (set on the rear
panel):

Dual Send Return routing:
Bypass operates as “mute”.

Serial routing:
Bypass routes the Input signal
to Output.

MULTI-EFFECT selector

Selects between the 15 effects
& Off in the Multi-effects
Engine.

TIMING knob & TAP key

Tap the global tempo using the
TAP key by tapping quarter
notes. Now use the timing
knob to multiply the tapped
tempo.
The range varies from 0.5 to 2.

Example:
• Tap quarter notes at Tempo

120  BPM. This equals 500
milliseconds.

• The range of the TIMING

knob is 0.5 to 2 giving you a
Delay time varying from:
250ms to 1000ms.
Note that the Slapback
Delay type has a shorter
range as the Slapback
Delay type by nature is a
short Delay.

TIMING knob as
AMOUNT/DRIVE control

For the Compressor and De-
Ess algorithms (marked with
an “

*

”) this knob has different

functions:
De-Ess

: Amount

Compressor

: Drive

FEEDBACK/DEPTH knob

Controls the Feedback or
Depth parameter depending of
the selected effect.
Delay

: Feedback

Phaser : Depth
Tremolo : Depth
Flange

: Depth

Chorus : Depth

FEEDBACK/DEPTH knob as
FREQ/RATIO control

For the Compressor and De-
Ess algorithms (marked with
an “

*

”) this knob has different

functions:
De-Ess

: Frequency

Compressor

: Ratio

-3, -6, -12 LEDs

These LEDs indicate the
applied gain-reduction when
Compressor or De-Ess
algorithms are selected.
It is worth noticing that the
Compressor uses Automatic
Make-up Gain to naturally
compensate for the decreased
gain.

Summary of Contents for M300

Page 1: ...M300 DUAL ENGINE PROCESSOR U US SE ER R S S M MA AN NU UA AL L...

Page 2: ......

Page 3: ...not operate normally or has been dropped This equipment should be installed near the socket outlet and disconnection of the device should be easily accessible Do not install in a confined space Do not...

Page 4: ...ass B Digital device pursuant to part 15 of the FCC rules These limits are designed to provide reasonable protection against harmful interference in residential installations This equipment generates...

Page 5: ...ctory Presets 22 MIDI channel 22 Sysex ID 22 M300 software 22 Routings 23 EFFECTS Multi effects Dynamic Delay 24 Tape Delay 24 Studio Delay 25 Delay 25 PingPong Delay 25 SlapBack Delay 25 Phaser 25 Tr...

Page 6: ...al if you need to send signal from two different AUX sends on your mixer and return on a stereo Aux or two other channels For detailed explanations on Routings and connections please read page 22 When...

Page 7: ...use that this manual may seem nearly redundant to the front panel itself However read on for explanations of basic setups and routing options to achieve maximum performance from your new M300 The Dual...

Page 8: ...elects between the 15 effects Off in the Multi effects Engine TIMING knob TAP key Tap the global tempo using the TAP key by tapping quarter notes Now use the timing knob to multiply the tapped tempo T...

Page 9: ...ode you can recall various user presets by using the UP DOWN arrows followed by LOAD Note that the M300 holds no stored factory presets apart from the default settings in the various effects Toggling...

Page 10: ...pages 10 15 Analog Input Analog Input on 1 4 inch connectors Use Left Input for connecting a mono signal If you connect to Left Input only and use Dual Send Return mode the Input signal is fed to both...

Page 11: ...Jack Cable Mono to Mono MIDI Cable DIN CONNECTOR 5POLE MALE 180 degrees DIN CONNECTOR 5POLE MALE 180 degrees max 10m SHIELDED CABLE 3 or 5 wires screen GND TIP TIP GND TIP RING GND GND RING TIP Jack...

Page 12: ...Output On the rear panel select DUAL S R routing by leaving the switch in the IN position Connect AUX 1 send to the M300 Left Input Connect AUX 2 send to the M300 Right Input Connect the M300 Left and...

Page 13: ...rom your instrument or from a DI box to the M300 Inputs use Left Input for mono signals Connect the M300 s Left and Right Outputs to mixer or amplification Set Input level to 12 o clock position Set M...

Page 14: ...e using the selectors on the front panel Set the AUX Return level on the mixer to approx 50 Now slowly turn up the AUX Sends Adjust fine tune the M300 Input level so the Input LED on the front panel o...

Page 15: ...he front panel often is Orange but only rarely peaks at Red color Select Reverb type and Multi effect type using the selectors on the front panel Now fine tune MIX between wet and dry signal BALANCE b...

Page 16: ...or this setting but Internal Clock Internal Sync or Master are commonly used phrases This is probably setup via you harddisk recording program Please refer to owners manual Press the DIGI IN button on...

Page 17: ...converters on your soundcard Select Serial or Dual S R Routing via the ROUTING switch on the rear panel Note that if you do not add effects to the tracks while recording and uses Bypass mode you must...

Page 18: ...lect deselect the Digital Input press the DIG IN button once The green LED next to the DIG IN button will indicate various situations LED Off Digital Input is set to Off The M300 processes only the si...

Page 19: ...e Effects section depends on the selected effect BYPASS The Bypass function operates differently depending on the selected routing Dual Send Return routing Bypass key operates as a Mute function Seria...

Page 20: ...u set a global tempo that you can increase decrease using the TIMING knob that operates as a multiplier in the Delay algorithms The range of the TIMING knob is 0 5 to 2 Example Let us say that you tap...

Page 21: ...ault setting suggested by TC Electronic is achieved by setting the knob in 12 o clock FEEDBACK DEPTH FREQUENCY RATIO knob This knob changes functionality with the selected algorithms The knob controls...

Page 22: ...h of these parameters will vary from algorithm to algorithm As an example it is possible to set a much longer Decay time for a Classic or Concert Hall Reverb than for a Drum Box Pre Delay A short Dela...

Page 23: ...ion above They indicate when the front controls do not match the current settings of the active preset When you turn any of the knobs and pass the position physically matching the current parameter va...

Page 24: ...cating that channel 1 is selected and the M300 can receive MIDI information on channel 1 Use the UP DOWN arrows to select MIDI channels 1 to 16 O indicates Omni which means that the M300 can recive MI...

Page 25: ...hat you have selected the correct routing according to your setup Serial Routing With this routing the two Engines are used as a line of two effects where the signal first passes the Multi effects Eng...

Page 26: ...hen using the M300 in a Dual Send Return setup the MIX knob should be set to 100 wet Delay Types Dynamic Delay The Dynamic Delay initially introduced in the well recognized TC 2290 is a function that...

Page 27: ...Delay basically pans the Delay repeats from left to right and back while keeping the Input signal at its original position This gives a very wide spread special effect Slapback Delay Slapback Delay is...

Page 28: ...arts to reduce the Output level according to the set Ratio With a reduced dynamic range a signal is much easier to further control and will have a more precise and fixed appearance in any audio produc...

Page 29: ...higher Drive setting the more compression is added Ratio FEEDBACK DEPTH KNOB This parameter sets the amount of gain reduction of signal above the Threshold see Drive parameter De Esser Controls Amoun...

Page 30: ...the TC Classic Hall and to some extent also the Concert Hall are Reverbs with smooth diffuse fields the Large Cathedral has a much more uneven diffused field Emphasis on the reflections deriving from...

Page 31: ...was used to create Reverb The characteristics of Plate Reverbs are diffuse and bright and are still successfully used on many percussive instruments Spring The Spring algorithm is designed to reproduc...

Page 32: ...h Key s X X Channel X X Pitch Bend X X Control Change O O Prog Change O O SysEx O O Common Song Pos X X Song Sel X X Tune System real time Clock X O Commands X X Aux Messages Local ON OFF X X All Note...

Page 33: ...to receive a MIDI bulk dump unless the receive MIDI channel is set to off OF Reset Procedure If you would like to do a complete reset of the M300 and return to factory settings follow this procedure P...

Page 34: ...9 kHz 0 01 dB 48 kHz 1 4 phone jack balanced mono sense 21 kOhm 13 kOhm 24 dBu 0 dBu 12 dBu to 12 dBu 24 bit 128 x oversampling bitstream 0 70 ms 0 65 ms 44 1 kHz 48 kHz typ 92 dB 22 Hz to 22 kHz typ...

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