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M•ONE &
M•ONE XL

DUAL EFFECTS PROCESSORS

R’’S

S M

Summary of Contents for M-ONE

Page 1: ...M ONE M ONE XL DUAL EFFECTS PROCESSORS U US SE ER R S S M MA AN NU UA AL L...

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Page 3: ...not operate normally or has been dropped This equipment should be installed near the socket outlet and disconnection of the device should be easily accessible Do not install in a confined space Do not...

Page 4: ...limits for a Class B Digital device pursuant to part 15 of the FCC rules These limits are designed to provide reasonable protection against harmful interference in residential installations This equip...

Page 5: ...late 1 22 Plate 2 23 Spring 24 Live 25 Ambience 26 Other Algorithms Delay One Tap two Tap 27 Delay PingPong 28 Chorus Classic 4 Voice 29 Flange Classic 4 Voice 30 Pitch Detune Pitch Shift 31 Parametri...

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Page 7: ...tter the preset Simply use the Routing Lock function to avoid routing changes at preset change It is really as easy as that go ahead and tweak some keys and knobs We hope you have as much pleasure usi...

Page 8: ...ate automatically switches to DI In case of no or unacceptable clock the Digital and DI icon will be blinking ANALOG DIGITAL LED ANALOG DIGITAL indicator states the selected Input Input type is select...

Page 9: ...pass mode is set up in Utility There are three different Bypass modes 1 0 Mix The Input signal is passed directly to the Output 2 FX Input Cuts only the Engine Input in order to let the effect ring ou...

Page 10: ...TS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCE CAUSING EQUIPMENT REGULATIONS AND COMPLIES WITH PART 15 OF THE FCC RULES OPERATION SUBJECT TO CONDITIONS STATED IN THE MANUAL RISK OF ELECTRIC SHOCK DO...

Page 11: ...1 Pin 1 Ground Pin 2 Pin 2 Hot Pin 3 Pin 3 Cold XLR XLR Sleeve Pin 1 Ground Tip Pin 2 Hot Sleeve Pin 3 Cold Jack unbalanced XLR TIP GND ANALOG INPUTS balanced ANALOG IN LEVEL ANALOG OUT RANGE DIGITAL...

Page 12: ...algorithm in each of the two Engines Push any of the EDIT keys to scroll through the available effect algorithms Select between Rev Dly Cho Fla Pit EQ Dyn Trm and Pha Dynamic Meters These two meters...

Page 13: ...kHz The M ONE runs at internal 44 1kHz Internal 48kHz The M ONE runs at internal 48kHz Digital The M ONE locks to the incoming Digital clock Please note that when using internal clock with external di...

Page 14: ...ions are Factory User or External When External is selected controller 32 can be used to address either the Factory or the User bank M One standard Factory bank Controller 0 0 User bank Controller 0 1...

Page 15: ...to the same source Example You need a Chorus and a Reverb on the same guitar track Select the Chorus in Engine 1 the Reverb in Engine 2 and the Parallel Routing Now you have your two effects side by s...

Page 16: ...determined by two independent auxiliary sends from your mixing console The repeats from the Delay seams kind of dry when compared the reverberated vocal so now you bleed a bit of the Delay repeats fr...

Page 17: ...Dual Mono routing the two Engines are totally independent meaning mono in mono out of each Engine Left I O are used for Engine 1 Right I O are used for Engine 2 EFFECT BAL Controls the balance betwee...

Page 18: ...you can quickly enter the Factory preset bank by pressing the ARROW DOWN key Edit Editing a preset on the M One is quite easy if you follow the steps below Editing the effects currently loaded in the...

Page 19: ...re the preset the display reads Stored shortly and returns to the Recall page Storing a preset with a new name Press STORE to enter the Store menu Select storing location using the CONTROL wheel Press...

Page 20: ...ay parameter determines the length of the Reverb Tail The length is defined as the time it takes for the Reverb Tail to decay approximately 60dB Predelay Range 0 100ms A short delay placed between the...

Page 21: ...ets the Type of Modulation used on the Reverb Tail Smooth The Smooth modulation uses a complicated modulation pattern that allows the Reverb Tail to be modulated without detuning the original source s...

Page 22: ...Tail The length is defined as the time it takes for the Reverb Tail to decay approx 60dB Predelay Range 0 100ms A short delay placed between the Early Reflections and the Tail of the reverb By using p...

Page 23: ...y decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb Low Color Range 50 50 This parameter adjusts the Decay time in the lower frequency spectra...

Page 24: ...ange 0 100 The level of the entire effect REVERB PLATE Plate 1 Decay Range 0 02s 20s The Decay parameter determines the length of the Reverb Tail The length is defined as the time it takes for the Rev...

Page 25: ...decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb Low Color Range 50 50 This parameter adjusts the Decay time in the lower frequency spectra R...

Page 26: ...reverb tail High Cut Range 501 2Hz 20kHz Rolls off high frequencies with a slope of 6dB octave Use this to remove sibilance in the Reverb Try experimenting with the difference in removing high frequen...

Page 27: ...djusts the Decay time in the upper frequency spectra By decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb Low Color Range 50 50 This parameter...

Page 28: ...upper frequency spectra By decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb Low Color Range 50 50 This parameter adjusts the Decay time in th...

Page 29: ...100 The over all level of the Delay Two Tap The Two Tap Delay mode operates with two Taps each with its own set of parameters Delay Time 1 2 Range 0 4000ms The Delay time of the Delay tap Offset Range...

Page 30: ...panned 100 or not 10 is the most extreme setting but also the most disturbing in the overall sound Experiment with this FB Hi Cut Feedback Hi Cut Range 2 00kHz to 20kHz Attenuates the frequencies ove...

Page 31: ...itch modulated by an LFO Low Frequency Oscillator The typical Delay time used in a Chorus is around 10ms FX Lev Range 0 100 The level of the Chorus effect L R CHORUS LFO L R 4 Voice The 4 voice Chorus...

Page 32: ...ypical delay used in a Flanger is around 5ms FX Lev Range 0 100 The level of the Flanger effect 4 Voice The 4 voice Flanger is based on two Classic Flanger blocks connected in serial phase reversed an...

Page 33: ...of the selected voice FX Level Range 0 100 The level of the entire effect Pitch Shift The M ONE Pitch algorithm allows you to add 2 separate fixed voices to the source signal In the following paramet...

Page 34: ...he cut or boost of this band Freq 2 Range 19 95Hz to 20kHz The target frequency for the second of the three EQ bands BndWdth 2 Bandwidth 2 Range 0 1oct 4oct The Bandwidth of the second EQ band Gain 2...

Page 35: ...to compensate for unwanted gain reduction caused by heavy compression FX Level Range 0 100 The Output level of the Compressor Limiter A Limiter can be conceived as a compressor with a high Ratio setti...

Page 36: ...ge Off Inf 1 This is the Ratio of the gain reduction If the Ratio is set to 4 1 it means that for every 1dB the Input signal decreases the Output will decrease by 4dB When the Ratio is set to Infinite...

Page 37: ...will be activated Ratio Range Off inf 1 The Ratio of the gain reduction in the specified frequency area Frequency Range 1kHz 20kHz Sets the center frequency for the area in which the De esser should...

Page 38: ...he most aggressive type of tremolo Speed Range 0 05 19 2Hz The Speed of the Tremolo Depth Range 0 100 The Depth of the Tremolo FX Lev Range 0 100 The level of the Tremolo effect Soft The Soft Tremolo...

Page 39: ...ed Try experimenting with the reversed phase Feedback FX Lev Range 0 100 The level of the Phaser effect Smooth The Smooth Phaser utilizes twelve All pass filters These filters creates a comb looking c...

Page 40: ...r Touch Key s X X Ch s X X Pitch Bend X X Control Change from 16 and up from 16 and up Eng 1 16 31 Eng 2 48 63 System 70 78 All Controllers are single byte type scaled to parameter range Prog Change O...

Page 41: ...0 01 dB 48 kHz 1 4 phone jack balanced 21 kOhm 13 kOhm 24 dBu 0 dBu 12 dB headroom 12 dBu to 12 dBu 24 bit 128 x oversampling bitstream 0 65 ms 0 70 ms 48 kHz 44 1 kHz 100 dB typ 20 Hz 20 kHz typ 92...

Page 42: ...to 23 9 kHz 0 01 dB 48 kHz XLR balanced 21 kOhm 13 kOhm 24 dBu 0 dBu 12 dB headroom 12 dBu to 12 dBu 24 bit 128 x oversampling bitstream 0 65 ms 0 70 ms 48 kHz 44 1 kHz 100 dB typ 20 Hz 20 kHz typ 92...

Page 43: ...actory defaults in the I O and Utility menus The System Parameter reset does NOT erase any presets Press and hold the ENTER key during power up Dial the CONTROL wheel until the display reads Reset Sys...

Page 44: ...l De Essed Plate Chorused Hall Compresed Live verb Compresed Room verb Wet Chorus Phaser Party Next Door Sund Check Aalog Style Delay Detuned Tape Delay Filtered Octaver 70 s Style Room Large Hall Del...

Page 45: ...Rev El Piano Verb Chorus Clavinet Pha Rev Wurly Trem Chorus Roomsssssss 1 2 Careless Whisper Big Viking Hall Ambience Hall Ambience Room NonLin PingPong Hall Play Them Noseflutes Pop Dr Vocal Small Ro...

Page 46: ...ed Live verb Compresed Room verb Wet Chorus Phaser Party Next Door Sound Check Analog Style Delay Detuned Tape Delay Filtered Octaver 70 s Style Room Large Hall Delay Phased Chorused Ambience Predelay...

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