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  AES/EBU can be input or output in DUAL LINE (HI SPEED will be supported

in a future version of firmware.)  The IF-AE/DM AES/EBU option card
supports HI SPEED in version 1.11.

HIGH SPEED can send 2 channels of data at 96K on one AES/EBU cable.  The
DM-24 has two AES/EBU I/Os built in.  DUAL LINE requires both jacks to send
two channels. Some machines only use one format or the other.  Some
machines do not call these modes HIGH SPEED and DUAL LINE.  For instance,
the MX-2424 refers to DUAL LINE as ½ SPD, 2 Line.

RECORDING AND MIXING SNAPSHOTS

As previously mentioned, there are recording and mixing snapshots built into
ROM on the DM-24.  The last page of the DM-24 Quick Guide lists every
parameter in each snapshot.  These snapshots were made from the perspective
of recording and mixing 24-bit files via TDIF, mixing down to a 16-bit 2-track
master.  These will obviously not cover all situations.  Think of them as a good
starting point from which you can create your own snapshots.

This document will change and grow during the life of the DM-24.
Check the TASCAM website (

www.tascam.com

) for updates.

We will always label the document with the date it was last updated.

Summary of Contents for DM-24

Page 1: ...TASCAM TEAC Professional Division DM 24 Digital Mixing console The DM 24 Basics...

Page 2: ...RACKING OPTIONS 5 Using AUX 1 2 as the tape return path 6 Using the inserts to track analog and return digital 6 Tracking with channels 25 32 7 EFFECTS 7 AUTOMATION 8 MACHINE CONTROL 9 MIDI 9 CASCADIN...

Page 3: ...ed to channel 23 digital input 1 can be assigned to channel 2 and so on RETURNS Returns include TDIF I O ADAT lightpipe I O and any option slot I O that might be added to the DM 24 Return is named suc...

Page 4: ...with the TASCAM SX 1 and future TASCAM products Mixing 24 tracks of ADAT or any other lightpipe device requires two optional IF AD DM ADAT I O cards The IF AD DM does NOT support 96kHz ADAT sync is no...

Page 5: ...digital outputs for use with external effects processors with digital I O The returns of these external processors can be routed to the DM 24 via digital inputs 1 and 2 and can be assigned to any chan...

Page 6: ...ry to set up pre fader aux 1 2 send levels for channels 17 24 This will allow the monitoring of all 24 tracks simultaneously Channels 17 24 should not be assigned to the stereo buss until mixdown Agai...

Page 7: ...over 100 presets and the Antares Mic and Speaker modeler TC works reverb and the Antares Speaker modeler cannot be used simultaneously Processor 2 contains TASCAM effects Chorus Delay Pitch Shifting...

Page 8: ...external time code In a later version of firmware the DM 24 will have an internal MTC generator of it s own if needed This time code can be SMPTE or MTC Time code from RS 422 cannot be used to trigge...

Page 9: ...ti Pass mode where WRITE will remain active when Time Code stops This way it is not necessary to press the WRITE key every time the current loop restarts MACHINE CONTROL The DM 24 can control a wide v...

Page 10: ...ster Cascading two DM 24s provides access to 4 internal effects processors 2 in each unit When the aux sends are cascaded ANY of the four internal effects processors can be accessed from ANY aux send...

Page 11: ...assignable in this mode As in normal sampling mode you can assign the mic line inputs to more then on channel simultaneously Mic line 2 can be assigned to channel 2 channel 10 and channel 12 for examp...

Page 12: ...DUAL LINE as SPD 2 Line RECORDING AND MIXING SNAPSHOTS As previously mentioned there are recording and mixing snapshots built into ROM on the DM 24 The last page of the DM 24 Quick Guide lists every...

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