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DM-24 SIGNAL FLOW

The first 24 channels of the DM-24 can accept “INPUTS” or “RETURNS.”  These
assignments are made on the I/O page.  Use the cursor keys to highlight the
virtual patch cable then use the data wheel to make the proper assignment.
In this example M/L 1 is an “input” and TDIF1-1 is a “return.”

Channels 25-32 are Input-only channels.  They cannot have “RETURNS”
assigned to them. TDIF I/O, ADAT lightpipe I/O and any option slot I/O are not
available to channels 25-32.  In mixdown mode channels 25-32 would normally
be used for internal effects returns and assignable returns.  There is a “Mixdown”
snapshot in ROM where channels 25-32 are assigned in just this manner.

INPUTS

“Inputs” include: mic/Line inputs, digital inputs 1 and 2 (2 CH. AES/EBU and
S/PDIF inputs), internal effects returns and assignable returns. All of these inputs
can be assigned to any of the 32 channels.  For instance, mic/line input #2 can
be assigned to channel 23, digital input #1 can be assigned to channel 2 and so
on.

RETURNS

“Returns” include TDIF I/O, ADAT lightpipe I/O and any option slot I/O that might
be added to the DM-24.  “Return” is named such because it is short for “tape
return.”  Technically a “tape return” is an “input”, but understanding the
idiosyncrasies of the DM-24 are necessary if one wishes to operate the DM-24
properly.  An analog option card might be used to add more analog “inputs” to
the DM-24.  Even though the benefit for the user is more “inputs”, the DM-24
thinks of the option cards as “returns.”  Keeping these terms clear is the key to
understanding the signal flow of the DM-24.
When channels 1-24 are used for “returns”, there are options as to which “return”
interfaces are to be used.  There are 24 channels of TDIF I/O and 8 channels of
ADAT lightpipe I/O built in, but there are also two option slots available to expand
your I/O capabilities.  All of these “returns” cannot be used simultaneously
because there are only 24 channels available to them.  “Return” interface choices
must be made in the following manner:
TDIF 1 or SLOT 1
TDIF 2 or SLOT 2

Summary of Contents for DM-24

Page 1: ...TASCAM TEAC Professional Division DM 24 Digital Mixing console The DM 24 Basics...

Page 2: ...RACKING OPTIONS 5 Using AUX 1 2 as the tape return path 6 Using the inserts to track analog and return digital 6 Tracking with channels 25 32 7 EFFECTS 7 AUTOMATION 8 MACHINE CONTROL 9 MIDI 9 CASCADIN...

Page 3: ...ed to channel 23 digital input 1 can be assigned to channel 2 and so on RETURNS Returns include TDIF I O ADAT lightpipe I O and any option slot I O that might be added to the DM 24 Return is named suc...

Page 4: ...with the TASCAM SX 1 and future TASCAM products Mixing 24 tracks of ADAT or any other lightpipe device requires two optional IF AD DM ADAT I O cards The IF AD DM does NOT support 96kHz ADAT sync is no...

Page 5: ...digital outputs for use with external effects processors with digital I O The returns of these external processors can be routed to the DM 24 via digital inputs 1 and 2 and can be assigned to any chan...

Page 6: ...ry to set up pre fader aux 1 2 send levels for channels 17 24 This will allow the monitoring of all 24 tracks simultaneously Channels 17 24 should not be assigned to the stereo buss until mixdown Agai...

Page 7: ...over 100 presets and the Antares Mic and Speaker modeler TC works reverb and the Antares Speaker modeler cannot be used simultaneously Processor 2 contains TASCAM effects Chorus Delay Pitch Shifting...

Page 8: ...external time code In a later version of firmware the DM 24 will have an internal MTC generator of it s own if needed This time code can be SMPTE or MTC Time code from RS 422 cannot be used to trigge...

Page 9: ...ti Pass mode where WRITE will remain active when Time Code stops This way it is not necessary to press the WRITE key every time the current loop restarts MACHINE CONTROL The DM 24 can control a wide v...

Page 10: ...ster Cascading two DM 24s provides access to 4 internal effects processors 2 in each unit When the aux sends are cascaded ANY of the four internal effects processors can be accessed from ANY aux send...

Page 11: ...assignable in this mode As in normal sampling mode you can assign the mic line inputs to more then on channel simultaneously Mic line 2 can be assigned to channel 2 channel 10 and channel 12 for examp...

Page 12: ...DUAL LINE as SPD 2 Line RECORDING AND MIXING SNAPSHOTS As previously mentioned there are recording and mixing snapshots built into ROM on the DM 24 The last page of the DM 24 Quick Guide lists every...

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