background image

The idea behind the automation is “power without interference.”  When you’re
mixing, you want to be thinking about your mix not trying to remember the 28
steps it takes to make the automation function.  With the DM-24, as soon as the
basic mix settings are made, automation can be activated.  When automation is
enabled, all automatible parameters go into static mode.  As soon as the DM-24
receives time code and WRITE is pressed, the DM-24 is ready to write dynamic
automation.  Move a fader and release it.  The fader will revert back to the static
position within the default revert time.  Only the fader that dynamic automation
has been written to is effected.  All other parameters are still in static mode.  The
touch sensitive faders make punching in on fader automation a breeze.  The
rotary encoders and POD controls detect movement in order to begin writing
automation, but because these controls are not touch sensitive, there is a
“Control sense time out” parameter (adjustable between 0.5 seconds and 10
seconds) that will automatically punch those functions out of write mode after the
specified time has passed.
All of the other expected parameters are there as well, TRIM, Write to end, Safe,
Off, rehearse, etc.  There is even a Multi Pass mode where WRITE will remain
active when Time Code stops.  This way it is not necessary to press the WRITE
key every time the current loop restarts.

MACHINE CONTROL

The DM-24 can control a wide variety of external devices via RS-422 (A.K.A P2
or 9-pin), MIDI Machine Control or the DTRS remote jack.  There is a list of
supported devices on the machine control page.
The DM-24 can control multiple devices simultaneously.  A standard example
would be controlling the transports of a VTR, while arming tracks on a DTRS
machine.
The IF-AD/DM option card provides lightpipe I/O and an ADAT sync jack.  ADAT
sync is not operational in the release version of firmware.  This feature will be
implemented in a future version of firmware.  When ADAT sync is implemented,
transports, track arming and jog/shuttle capabilities will available.  ADAT ABS
code cannot be used to trigger the DM-24’s internal automation.  A device that
converts ADAT ABS to MTC or SMPTE will be necessary.  The Alesis BRC,
MOTU MTP-AV and JL Cooper dataSync2 are good examples of such a device.
These devices will also allow ADATs to recognize MMC commands, making
ADAT sync unnecessary.

MIDI

The DM-24 features MIDI In, Out and Thru.  This allows you to:

 Send 

MMC

  Lock to incoming MTC

  Update the firmware of the DM-24 with Standard MIDI File

  Offload and upload library and automation data

  Send and receive MIDI program changes

  Send and receive MIDI controller data

Summary of Contents for DM-24

Page 1: ...TASCAM TEAC Professional Division DM 24 Digital Mixing console The DM 24 Basics...

Page 2: ...RACKING OPTIONS 5 Using AUX 1 2 as the tape return path 6 Using the inserts to track analog and return digital 6 Tracking with channels 25 32 7 EFFECTS 7 AUTOMATION 8 MACHINE CONTROL 9 MIDI 9 CASCADIN...

Page 3: ...ed to channel 23 digital input 1 can be assigned to channel 2 and so on RETURNS Returns include TDIF I O ADAT lightpipe I O and any option slot I O that might be added to the DM 24 Return is named suc...

Page 4: ...with the TASCAM SX 1 and future TASCAM products Mixing 24 tracks of ADAT or any other lightpipe device requires two optional IF AD DM ADAT I O cards The IF AD DM does NOT support 96kHz ADAT sync is no...

Page 5: ...digital outputs for use with external effects processors with digital I O The returns of these external processors can be routed to the DM 24 via digital inputs 1 and 2 and can be assigned to any chan...

Page 6: ...ry to set up pre fader aux 1 2 send levels for channels 17 24 This will allow the monitoring of all 24 tracks simultaneously Channels 17 24 should not be assigned to the stereo buss until mixdown Agai...

Page 7: ...over 100 presets and the Antares Mic and Speaker modeler TC works reverb and the Antares Speaker modeler cannot be used simultaneously Processor 2 contains TASCAM effects Chorus Delay Pitch Shifting...

Page 8: ...external time code In a later version of firmware the DM 24 will have an internal MTC generator of it s own if needed This time code can be SMPTE or MTC Time code from RS 422 cannot be used to trigge...

Page 9: ...ti Pass mode where WRITE will remain active when Time Code stops This way it is not necessary to press the WRITE key every time the current loop restarts MACHINE CONTROL The DM 24 can control a wide v...

Page 10: ...ster Cascading two DM 24s provides access to 4 internal effects processors 2 in each unit When the aux sends are cascaded ANY of the four internal effects processors can be accessed from ANY aux send...

Page 11: ...assignable in this mode As in normal sampling mode you can assign the mic line inputs to more then on channel simultaneously Mic line 2 can be assigned to channel 2 channel 10 and channel 12 for examp...

Page 12: ...DUAL LINE as SPD 2 Line RECORDING AND MIXING SNAPSHOTS As previously mentioned there are recording and mixing snapshots built into ROM on the DM 24 The last page of the DM 24 Quick Guide lists every...

Reviews: