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What is Latency?

Latency describes the amount of time it takes the input signal to pass 

through the system, and reach the output. When recording a guitar and 
monitoring through software, it is the amount of time it takes from the moment 
you strike your guitar string, to the moment you hear it in your headphones. 
You are used to this latency being very close to zero; when you play your 
guitar through a guitar amp, you hear the signal immediately. So when you are 
recording and monitoring via software, you want this latency (delay time) to be 
as low as possible.

There are many factors that contribute to latency, and there is one in 

particular that you can control: the software audio buffer size. The audio buffer 
(also referred to as ASIO buffer on a PC, or Core Audio buffer on a Mac) is an 
area in memory that Tracktion uses to hold your audio as it works. The buffer 
size is measured in samples, and usually ranges from just a few samples to 
thousands. The smaller the buffer, the faster the audio gets in and out of your 
computer, and the lower the latency.

We would like to set this buffer as low as possible to achieve the lowest 

latency, but there is another factor to consider: The smaller the buffer, the 
harder your computer will have to work. To illustrate this, pretend you are given 
five minutes to move water from a large bucket to another bucket ten feet away. 
You must use either a large pint glass or a small whiskey glass to transfer the 
water. Which would you choose? The pint glass of course. If you choose the 
whiskey glass, you would quickly grow tired of running back and fourth moving 
the small amount of water. Depending on your fitness and speed, you may not 
be able to move it all in five minutes. This is similar to how your computer deals 
with the audio buffer. If you choose too small a buffer, the computer needs to 
work very hard to quickly transfer the audio in and out of the buffer. It may not 
even be able to keep up, especially if you have lots of tracks, lots of automation 
and/or lots of plug-ins in your work. If this happens, your audio may stop or “drop 
out.” Drop outs at low buffer sizes may also occur if you have a slower computer 
or not enough memory. 

For low latency and good performance from your system, it is best to 

adjust the buffer size to taste. You often need to use trial and error to find an 
acceptable buffer size. In Tracktion, this is done by choosing the Settings tab, 
choosing the Link.FireWire in the Wave Device drop down menu, and adjusting 
the Latency. Usually, a setting less than 256 samples will yield fine results, while 
a setting of 128 samples or less will be required for almost inaudible latency.

Note:

 While you are recording, low latency is often a priority. Mixing existing 

tracks on the other hand, does not often need such extremely small settings. 
Many users adjust their buffer setting between the tracking and mixing stage. 
Increasing the buffer size while mixing may allow you to run a few extra plug-ins; 
try 1024 or 2048 samples.

Summary of Contents for Link.FireWire

Page 1: ......

Page 2: ...illed or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped FCC Information NOTE This equipment has been tested and...

Page 3: ...onnecting the Link FireWire 6 Two Modes of Operation 7 Link FirewireFeatures 8 Front Panel 8 Rear Panel 10 AppendixA ServiceInformation 12 Warranty Service 12 Troubleshooting 12 Repair 13 AppendixB Co...

Page 4: ...connector or a line level or instrument level if the INSTR button is pushed in balanced or unbalanced 1 4 TRS or TS connector Stereo master mixes can also be transferred from your host computer back...

Page 5: ...Macintosh double click the file TracktionSetup dmg and drag the Tracktion icon into your Applications folder Visit http my tapcogear com to register your Link FireWire If you haven t already done so s...

Page 6: ...or direct box Connect a pair of powered monitor speakers or an amplifier connected to speakers to the Link FireWire MONITOR jacks on the rear panel You can also plug in headphones to the front panel...

Page 7: ...ent mix going to the headphones for the talent than you have in the studio monitors while reserving the S PDIF output for the final mix Note In order to change your Link FireWire to True 6 Output Mode...

Page 8: ...his LED illuminates green when there is a signal present after the GAIN control If the signal gets too loud and is in danger of distorting clipping the LED flashes red If you see the OL SIG LED flashi...

Page 9: ...plugging in your headphones This will protect your hearing and prevent any loud surprises 8 PHONES Jack The PHONES jack accepts a 1 4 TRS stereo plug normally used on headphones If your headphones hav...

Page 10: ...lect the S PDIF IN from the Link FireWire Console PC only When S PDIF is selected the analog inputs 10 are disabled Note On a Macintosh the S PDIF IN is automatically selected and overrides the analog...

Page 11: ...pin to 4 pin adapter available at most computer supply stores and use the external AC to DC power supply included since the 4 pin connector does not supply power to the Link FireWire 14 POWER IN This...

Page 12: ...pin FireWire connector and a 4 pin to 6 pin adapter The 4 pin connector doesn t provide power which the Link FireWire requires in order to operate See note on page 6 Is the orange POWER LED illuminate...

Page 13: ...ds service follow these instructions 1 Review the preceding troubleshooting suggestions Please 2 Call Tech Support at 1 877 827 2669 7 am to 5 pm PST to explain the problem and obtain a Service Reques...

Page 14: ...ections XLR Connectors The combo inputs on the Link FireWire accept 3 pin male XLR connectors They are wired as follows according to standards specified by the AES Audio Engineering Society XLR Balanc...

Page 15: ...RCA Unbalanced Wiring Sleeve Shield Tip Hot FireWire Connection The Link FireWire is equipped with a 6 pin FireWire connector and comes with a 6 pin to 6 pin FireWire cable Many laptops have a 4 pin...

Page 16: ...S PDIF Output 0 004 Noise Mic Pre Equivalent Input Noise EIN 20 Hz to 20 kHz Bandwidth 150 source impedance 120 dB typical 30 dB gain Input Gain Control Range Mic In 0 dB to 52 dB Line In Instr In 20...

Page 17: ...rate Dynamic Range 105 dB typical THD N 0 002 typical 1 dBFS 1 kHz S PDIF Incoming Sample Rate 32 kHz 96 kHz sample rate Bit Depth 24 bit Input Impedance 75 internal termination Output Impedance 75 S...

Page 18: ...ponents and manufacturing methods we reserve the right to change these specifications at any time without notice Lonely Looking for that special someone Do you have a question about your TAPCO Link Fi...

Page 19: ...HANNELS S PDIF OUT 2 CHANNELS CH 1 CH 2 INPUT FIREWIRE INPUT OUTPUT DIGITAL SIGNAL ANALOG SIGNAL TAPCO LINK FIREWIRE BLOCK DIAGRAM 012507 HEADPHONE OUTPUT MONITOR PHONES DAC L MONITOR OUTPUTS R CHANNE...

Page 20: ...ge pint glass or a small whiskey glass to transfer the water Which would you choose The pint glass of course If you choose the whiskey glass you would quickly grow tired of running back and fourth mov...

Page 21: ...21 POWER 2 1 POWER 12V 1A...

Page 22: ...ith price and date showing and your return stree address no P O boxes or route numbers please If we cannot duplicate the problem or establish the starting date of your Limited Warranty we may at our o...

Page 23: ...hnologies or to make any warranty for LOUD Technologies Inc K THE WARRANTY GIVEN ON THIS PAGE IS THE SOLE WARRANTY GIVEN BY LOUD TECHNOLOGIES INC AND IS IN LIEU OF ALL OTHER WARRANTIES EXPRESS AND IMP...

Page 24: ...24...

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