Spirit KING-416 Instruction Manual Download Page 3

ATTENTION!  

 

The following special limitations apply to the console and must be observed in order to maintain safety 
and electromagnetic compatibility performance:     
   

POWER CONNECTION 

 

    

The console should only be operated with the power supply connected to ground via its mains supply 
the connector.  

     

AUDIO CONNECTIONS

      

The console should only be operated with high quality screened twisted pair audio cables. All 
connector shells should be of metal construction so that they provide a screen when they are plugged 
into the console.   All JACK connector shells should be connected to the cable screen. All XLR 
connectors should have pin 1 connected to the cable screen.   
      

ELECTRIC FIELDS

   

      

If the console is operated in an electromagnetic field that is amplitude modulated by an audio 
frequency signal, the signal to noise ratio may be degraded. Degradation of up to 60dB may be 
experienced under extreme conditions (3V/m, 90% modulation).     
 

INSTALLATION

  

    

There are a number of points to consider when installing a mixing console.  Many of these points will 
have been addressed before the console is even unpacked but it is worth repeating them.     
   

POSITION

 

   

The console should be located in a convenient space commensurate with the use to which the console 
is being put. Ideally a cool area is preferred not in close proximity to power distribution equipment or 
other potential sources of interference.  Provision should be made for some flat surface surrounding 
the console to prevent people using it as a table top.      
    

MAINS VOLTAGE SETTING

        

The console is shipped with a specified mains voltage setting If the mains voltage is ever changed by
the mains voltage selector at the rear of the external power supply, the mains fuse has to be changed 
as well to the rating matching the selected voltage on the label.     
 

THE EXTERNAL POWER SUPPLY SHOULD NEVER BE OPERATED WITH THE MAINS EARTH 
DISCONNECTED  

   

  
Please note that the power supply contains LETHALVOLTAGES and that its rails can produce extremely
large currents which could burn out equipment and wiring if shorted.  All testing and servicing should 
ONLY be carried out by qualified engineers.         

ATTENTION!  

Summary of Contents for KING-416

Page 1: ......

Page 2: ...n the provided plug does not fit into your outlet consult An electrican for replacement of the absolete outlet IMPORTANT SERVICE INSTRUCTIONS CAUTION These servicing instructions are for use by qualif...

Page 3: ...to consider when installing a mixing console Many of these points will have been addressed before the console is even unpacked but it is worth repeating them POSITION The console should be located in...

Page 4: ...Mono Input Channel 2 Stereo Input Channel 4 6 12 15 17 18 19 20 MASTER SECTION CONSTRUCTIONAL DRAWINGS TECHNIQUE INDEX CONNECTORS KING 416 STRUCTURAL KING 432 STRUCTURAL KING 424 STRUCTURAL CONTENTS...

Page 5: ...led monitors if phantom power is assigned The 48V switch for each channel is placed on the rear panel of the console It connects 48V phantom power to the XLR input connector This is suitable for a con...

Page 6: ...stant power law i e 3dB at the centre position and 0dB or off at either extreme setting 16 The SOLO switch sends the input channel signal to the PFL mono and AFL stereo busses If the switch is engaged...

Page 7: ...MID equaliser acts on 3kHz with a 1 4 octaves bandwith 1 The 48V switch for each channel is positioned at the rear panel of the console It connects 48 V phantom power to the XLR input connector This...

Page 8: ...BAL pan control is used to balance the relative levels of the left and right channel signals that are sent to the masters or groups The control has a constant power law i e 3dB at the centre position...

Page 9: ...f 1 The PAN controls the group placement within the master stereomix and has a constant power law i e 3dB at the centre position and 0dB or off at either extreme Setting 2 The MAS switch connects the...

Page 10: ...master bus 8 The MON controls give continuous adjustment of the pre fader signal sent from the Fxreturn channel to the MON busses The level adjustment is from 10dB to off with 0dB at the centre positi...

Page 11: ...s continuous adjustment of the aux send output level from 10dB to off with 0dB at the centre position of the rotary Control 4 The AUX RETURN control gives continuous adjustment of the stereo aux retur...

Page 12: ...to masters is not affected by the MUTE switch 2 The MAS switch connects the TAPE IN signal to the master L R busses right after the master mute switch This allowes i e background music during a show...

Page 13: ...talkback mic to all group busses 5 The non latching MAS switch connects the talkback mic to left and right master busses 9 The SOURCE switch controls whether the tape in or master signal is present at...

Page 14: ...els of the selected pfl or afl solo source 5 The MASTER meters monitor the peak signal levels of the master outputs left and right post Fader 16 12 9 6 3 0 3 6 9 12 15 10 21 24 16 16 16 12 12 12 9 9 9...

Page 15: ...12 CONSTRUCTIONAL DRAWINGS...

Page 16: ...13 Group1 Group2 Group3 Group4 CONSTRUCTIONAL DRAWINGS...

Page 17: ...14 CONSTRUCTIONAL DRAWINGS...

Page 18: ...Headphones Stereo Speakers Size mm inch Width Depth Heights Weight kg Power Consumption Mains Voltage Additional Features Connector for desk lamps External Power Supply Accessories KING 416 30 8 4 4 4...

Page 19: ...dwith Bass Gain Bass Shelving Frequency Hi Pass Slope Hi Pass Frequency Treble Gain Treble Frequency Hi Mid Gain Hi Mid Frequency Hi Mid Bandwidth Lo Mid Gain Lo Mid Frequency Lo Mid Bandwidth Bass Ga...

Page 20: ...P 4 GROUP 3 GROUP 2 GROUP 1 AUX2 AUX1 FX 2 FX 1 STEREO AUXILIARY RETURNS BALANCED INPUTS AND OUTPUTS SHAFT PIN 1 GROUND TIP PIN HOT RING PIN3 COLD INSERTS SHAFT GROUND TIP SIND FING RETURN LAMP 12V 5W...

Page 21: ...15 20 25 40 60 80 8 1 2 3 4 MAS 0 15 15 BASS 80Hz EQ ON OFF 0 0 15 15 0 15 15 2K 8K 400 0 15 15 500 2K 100 1 GAIN 0 60 MIC 20 40 LINE 80Hz 12KHz TREBLE HI MID FREQ Hz LO MID FREQ Hz 48V 0 10 8 0 10 8...

Page 22: ...8 1 2 3 4 MAS 0 15 15 BASS 80Hz EQ ON OFF 0 0 15 15 0 15 15 2K 8K 400 0 15 15 500 2K 100 1 GAIN 0 60 MIC 20 40 LINE 80Hz 12KHz TREBLE HI MID FREQ Hz LO MID FREQ Hz 48V 0 10 8 0 10 8 0 10 8 0 10 8 0 1...

Page 23: ...40 60 80 8 10 5 0 5 10 15 20 25 40 60 80 8 MON 1 MON 2 0 10 8 0 10 8 1 2 3 4 MAS Fx2 SEND Fx2 RETURN 10 8 0 10 8 MON 1 PRE MON 2 PRE 0 10 8 SEND SEND MUTE SOLO MUTE SOLO R L 0 PAN MAS R L 0 PAN MAS R...

Page 24: ...PROFESSIONAL SOUND SYSTEM...

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