manualshive.com logo in svg

Spirit KING-416, Instruction Manual

Share
Download
Spirit KING-416 Instruction Manual Download Page 23

King-424

20

KING-424 STRUCTURAL 

0

+

10

8

0

+

10

8

0

+

10

8

0

+

10

8

0

+

10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

F

X

  

 1

POST

F

X

  

2

POST

STEREO

 INPUT

+

10

8

R

L

0

BAL

MUTE

8

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+

15

-15

BASS

80Hz

EQ

ON

OF

F

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

8

GAIN

0

60

MIC

-20

-40

LINE

80Hz

12KHz

T

REBLE

HI

MI

D

FREQ

Hz

LO

MI

D

FREQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

PO

ST

FX

  2

PO

ST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

7

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

7

GAIN

0

60

M

IC

-20

-40

LI

NE

80Hz

12KHz

T

REBLE

HI

MID

FREQ

Hz

LO

MID

FREQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

6

SO

LO

PK

SI

G

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

6

GAIN

0

60

MIC

-20

-40

LI

NE

80Hz

12KHz

T

REBLE

HI

M

ID

F

REQ

Hz

LO

M

ID

F

REQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

ST

EREO

 INPUT

+10

8

R

L

0

BAL

MUTE

5

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+

15

-15

0

+

15

-15

2K

8K

400

0

+

15

-15

500

2K

100

5

GAIN

0

60

MI

C

-20

-40

LINE

80Hz

12KHz

TREBLE

HI

MI

D

F

REQ

Hz

LO

MI

D

F

REQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

F

X

  

 1

POST

F

X

  

2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

4

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

O

N

O

FF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

4

GAIN

0

60

MI

C

-20

-40

LINE

80Hz

12KHz

T

REBLE

HI

MI

D

F

REQ

Hz

LO

MI

D

F

REQ

Hz

+48V

0

+

10

8

0

+

10

8

0

+

10

8

0

+

10

8

0

+

10

8

0

AUX

 1

AUX

 2

M

ON

 1

PRE

M

ON

 2

PRE

F

X

  

 1

POST

F

X

  

2

POST

STEREO

 INPUT

+

10

8

R

L

0

BAL

M

UT

E

3

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

O

N

O

FF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

3

GAIN

0

60

MIC

-20

-40

LI

NE

80Hz

12KHz

T

REBLE

HI

MI

D

F

REQ

Hz

LO

MI

D

F

REQ

Hz

+

48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

2

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

2

GAIN

0

60

M

IC

-20

-40

LI

NE

80Hz

12KHz

TREBLE

HI

MID

F

REQ

Hz

LO

MID

F

REQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

1

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+

15

-15

BASS

80Hz

EQ

ON

OF

F

0

0

+

15

-15

0

+

15

-15

2K

8K

400

0

+

15

-15

500

2K

100

1

GAIN

0

60

MIC

-20

-40

LI

NE

80Hz

12KHz

TREBLE

HI

M

ID

F

REQ

Hz

LO

M

ID

F

REQ

Hz

+

48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

R

L

0

10

5

0

5

10

15

20

25

40

60

80

8

+48V

0

+60

0

0

+20

-20

0

+15

-15

0

+15

-15

0

+15

-15

0

+15

-15

ON

OFF

+10

+10

+10

+10

+10

AUX

 1

AUX

 2

MO

N

 1

PRE

MO

N

 2

PRE

FX

   1

POST

FX

  2

POST

+10

R

BAL

MUTE

31

SOLO

PK

SIG

1-2

3-4

MAS

0

+15

BASS

80Hz

EQ

+15

+15

8K

+15

2K

31

GAIN

60

-40

80Hz

12KHz

TREBLE

HI

MID

FREQ

Hz

LO

MID

FREQ

Hz

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

ST

EREO

 INPUT

+10

8

R

L

0

BAL

MUTE

32

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

32

GAIN

0

60

MI

C

-20

-40

LINE

80Hz

12KHz

T

REBLE

HI

MID

FREQ

Hz

LO

MID

FREQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

R

L

0

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

+16

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-10

-21

-24

+16

+16

+16

+12

+12

+12

+9

+9

+9

+6

+6

+6

+3

+3

+3

0

0

0

-3

-3

-3

-6

-6

-6

-9

-9

-9

-12

-12

-12

-15

-15

-15

-10

-10

-10

-21

-21

-21

-24

-24

-24

1

2

G

RO

UP

Fx1

MUT

E

SO

LO

RETURN-RO

UT

ING

1-2

3-4

MAS

Fx1

SEND

Fx1

RETURN

MON

 1

PRE

MON

 2

PRE

AUX

 1

AUX

 2

PRE

POST

PRE

POST

PA

N

MAS

GRO

UP

 1

SO

LO

GROUP

 1

3

4

GROUP

AFL-L

AFL-R

PFL

1

  

 MON

  

 2

MASTERS

LEFT

RIGHT

Fx2

MON

  1

MON

  

2

MUTE

SOLO

RET

URN-ROUT

ING

MUTE

SOLO

MUTE

SOLO

10

5

0

5

10

15

20

25

40

60

80

8

10

5

0

5

10

15

20

25

40

60

80

8

MON

  1

MON

  2

0

+10

8

0

+10

8

1-2

3-4

MAS

Fx2

SEND

F

x2

RET

URN

+

10

8

0

+

10

8

MO

N

 1

PRE

MO

N

 2

PRE

0

+10

8

SEND

SEND

M

UT

E

S

OLO

M

UT

E

S

OLO

R

L

0

PA

N

MAS

R

L

0

PA

N

MAS

R

L

0

PA

N

MAS

R

L

0

BAL

GROUP

 2

GROUP

 3

GROUP

 4

SO

LO

SOLO

SOLO

MUT

E

MAST

ERS

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

GROUP

 2

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

GROUP

 3

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

G

ROUP

 4

10

5

0

5

10

15

20

25

40

60

80

8

MAST

ERS

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

MO

N

 1

MO

N

 2

AUX  1

RETURN

AUX  2

RETURN

PRE

PO

ST

STRREO

MONO

0

+10

8

0

+10

8

LEVEL

MAST

ERS

  B

MAS

T

APE

IN

0

+10

8

0

+10

8

AFL

 L/R

PFL

SOLO

SOURCE

MAS

T

APE

SPEAKERS

LEVEL

0

+10

8

SOLO

PHO

NE

LE

VEL

MAS

G

RP

AUX

MON

30

+10

8

LEVEL

OUTPUTS LEVEL

 INDICA

TION

T

ALKBACK

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

23-24

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

23-24

+48V

80Hz

0

+60

0

0

+20

-20

0

+15

-15

0

+15

-15

0

+15

-15

0

+15

-15

GAIN

MIC

LINE

TRIM

TREBLE

12KHz

HI

 MID

3KHz

LO

 MID

300Hz

BASS

80Hz

EQ

ON

OFF

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

25

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+

15

-15

BASS

80Hz

EQ

ON

OF

F

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

25

GAIN

0

60

MIC

-20

-40

LINE

80Hz

12KHz

TREBLE

HI

MI

D

F

REQ

H

z

LO

MI

D

F

REQ

H

z

+

48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

F

X

  

 1

PO

ST

F

X

  

2

PO

ST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUT

E

21-22

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

21-22

+48V

80Hz

0

+

60

0

0

+

20

-20

0

+

15

-15

0

+

15

-15

0

+

15

-15

0

+

15

-15

GAIN

MIC

LINE

TRIM

TREBLE

12KHz

HI

 MID

3KHz

LO

 MID

300Hz

BASS

80Hz

EQ

ON

OFF

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

19-20

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

19-20

+48V

80Hz

0

+60

0

0

+20

-20

0

+15

-15

0

+15

-15

0

+15

-15

0

+15

-15

GAIN

MIC

LINE

TRIM

TREBLE

12KHz

HI

 MID

3KHz

LO

 MID

300Hz

BASS

80Hz

EQ

ON

OFF

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

BAL

MUTE

17-18

SOLO

PK

SIG

1-2

3-4

MAS

17-18

80Hz

GAIN

MIC

LINE

TRIM

TREBLE

12KHz

HI

 MID

3KH

z

LO

 MID

300Hz

BASS

80Hz

EQ

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUT

E

26

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

26

G

AI

N

0

60

MIC

-20

-40

LI

N

E

80Hz

12KHz

TREBLE

HI

MI

D

F

RE

Q

Hz

LO

MI

D

F

RE

Q

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

27

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+

15

-15

0

+

15

-15

2K

8K

400

0

+

15

-15

500

2K

100

27

GAIN

0

60

M

IC

-20

-40

LI

N

E

80Hz

12KHz

TREBLE

HI

MI

D

F

REQ

Hz

LO

MI

D

F

REQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

28

SOLO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OF

F

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

28

GAIN

0

60

MIC

-20

-40

LINE

80Hz

12KHz

TREBLE

HI

MID

F

REQ

Hz

LO

MID

F

REQ

Hz

+

48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

ST

EREO

 INPUT

+10

8

R

L

0

BAL

MUTE

29

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OF

F

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

29

GAIN

0

60

MIC

-20

-40

LINE

80Hz

12KHz

TREBLE

HI

MID

FREQ

Hz

LO

MID

FREQ

Hz

+48V

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

+10

8

0

AUX

 1

AUX

 2

MON

 1

PRE

MON

 2

PRE

FX

   1

POST

FX

  2

POST

STEREO

 INPUT

+10

8

R

L

0

BAL

MUTE

30

SO

LO

PK

SIG

10

5

0

5

10

15

20

25

40

60

80

8

1-2

3-4

MAS

0

+15

-15

BASS

80Hz

EQ

ON

OFF

0

0

+15

-15

0

+15

-15

2K

8K

400

0

+15

-15

500

2K

100

30

GAIN

0

60

MIC

-20

-40

LI

NE

80Hz

12KHz

TREBLE

HI

MID

F

REQ

Hz

LO

MID

F

REQ

Hz

+

48V

0

8

0

8

0

8

0

8

0

8

0

ST

EREO

 INPUT

8

L

0

10

5

0

5

10

15

20

25

40

60

80

8

-15

ON

OF

F

0

0

-15

0

-15

2K

400

0

-15

500

100

0

M

IC

-2

0

LI

N

E

+

4

8

V

PHONE

KING-424

PROFESSIONAL

 MIXER

Summary of Contents for KING-416

Page 1: ......

Page 2: ...n the provided plug does not fit into your outlet consult An electrican for replacement of the absolete outlet IMPORTANT SERVICE INSTRUCTIONS CAUTION These servicing instructions are for use by qualif...

Page 3: ...to consider when installing a mixing console Many of these points will have been addressed before the console is even unpacked but it is worth repeating them POSITION The console should be located in...

Page 4: ...Mono Input Channel 2 Stereo Input Channel 4 6 12 15 17 18 19 20 MASTER SECTION CONSTRUCTIONAL DRAWINGS TECHNIQUE INDEX CONNECTORS KING 416 STRUCTURAL KING 432 STRUCTURAL KING 424 STRUCTURAL CONTENTS...

Page 5: ...led monitors if phantom power is assigned The 48V switch for each channel is placed on the rear panel of the console It connects 48V phantom power to the XLR input connector This is suitable for a con...

Page 6: ...stant power law i e 3dB at the centre position and 0dB or off at either extreme setting 16 The SOLO switch sends the input channel signal to the PFL mono and AFL stereo busses If the switch is engaged...

Page 7: ...MID equaliser acts on 3kHz with a 1 4 octaves bandwith 1 The 48V switch for each channel is positioned at the rear panel of the console It connects 48 V phantom power to the XLR input connector This...

Page 8: ...BAL pan control is used to balance the relative levels of the left and right channel signals that are sent to the masters or groups The control has a constant power law i e 3dB at the centre position...

Page 9: ...f 1 The PAN controls the group placement within the master stereomix and has a constant power law i e 3dB at the centre position and 0dB or off at either extreme Setting 2 The MAS switch connects the...

Page 10: ...master bus 8 The MON controls give continuous adjustment of the pre fader signal sent from the Fxreturn channel to the MON busses The level adjustment is from 10dB to off with 0dB at the centre positi...

Page 11: ...s continuous adjustment of the aux send output level from 10dB to off with 0dB at the centre position of the rotary Control 4 The AUX RETURN control gives continuous adjustment of the stereo aux retur...

Page 12: ...to masters is not affected by the MUTE switch 2 The MAS switch connects the TAPE IN signal to the master L R busses right after the master mute switch This allowes i e background music during a show...

Page 13: ...talkback mic to all group busses 5 The non latching MAS switch connects the talkback mic to left and right master busses 9 The SOURCE switch controls whether the tape in or master signal is present at...

Page 14: ...els of the selected pfl or afl solo source 5 The MASTER meters monitor the peak signal levels of the master outputs left and right post Fader 16 12 9 6 3 0 3 6 9 12 15 10 21 24 16 16 16 12 12 12 9 9 9...

Page 15: ...12 CONSTRUCTIONAL DRAWINGS...

Page 16: ...13 Group1 Group2 Group3 Group4 CONSTRUCTIONAL DRAWINGS...

Page 17: ...14 CONSTRUCTIONAL DRAWINGS...

Page 18: ...Headphones Stereo Speakers Size mm inch Width Depth Heights Weight kg Power Consumption Mains Voltage Additional Features Connector for desk lamps External Power Supply Accessories KING 416 30 8 4 4 4...

Page 19: ...dwith Bass Gain Bass Shelving Frequency Hi Pass Slope Hi Pass Frequency Treble Gain Treble Frequency Hi Mid Gain Hi Mid Frequency Hi Mid Bandwidth Lo Mid Gain Lo Mid Frequency Lo Mid Bandwidth Bass Ga...

Page 20: ...P 4 GROUP 3 GROUP 2 GROUP 1 AUX2 AUX1 FX 2 FX 1 STEREO AUXILIARY RETURNS BALANCED INPUTS AND OUTPUTS SHAFT PIN 1 GROUND TIP PIN HOT RING PIN3 COLD INSERTS SHAFT GROUND TIP SIND FING RETURN LAMP 12V 5W...

Page 21: ...15 20 25 40 60 80 8 1 2 3 4 MAS 0 15 15 BASS 80Hz EQ ON OFF 0 0 15 15 0 15 15 2K 8K 400 0 15 15 500 2K 100 1 GAIN 0 60 MIC 20 40 LINE 80Hz 12KHz TREBLE HI MID FREQ Hz LO MID FREQ Hz 48V 0 10 8 0 10 8...

Page 22: ...8 1 2 3 4 MAS 0 15 15 BASS 80Hz EQ ON OFF 0 0 15 15 0 15 15 2K 8K 400 0 15 15 500 2K 100 1 GAIN 0 60 MIC 20 40 LINE 80Hz 12KHz TREBLE HI MID FREQ Hz LO MID FREQ Hz 48V 0 10 8 0 10 8 0 10 8 0 10 8 0 1...

Page 23: ...40 60 80 8 10 5 0 5 10 15 20 25 40 60 80 8 MON 1 MON 2 0 10 8 0 10 8 1 2 3 4 MAS Fx2 SEND Fx2 RETURN 10 8 0 10 8 MON 1 PRE MON 2 PRE 0 10 8 SEND SEND MUTE SOLO MUTE SOLO R L 0 PAN MAS R L 0 PAN MAS R...

Page 24: ...PROFESSIONAL SOUND SYSTEM...

Reviews:

No comments

Brands by name

Popular brands

Load more brands