Spirit KING-416, Instruction Manual

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1. The TAPE inputs provide a feed from an unbalanced phono source to the
stereo master busses or to phones and speakers outputs. The TAPE IN level
control provides nominal adjustment from +20dB to off with 0dB at the
centre position of the rotary control.
3. The MASTERS B rotary control gives continuous adjustment of the masters B
(stereo/mono) output level from +10dB to off with 0dB at the centre
position of the rotary control.
4. By the STEREO/MONO switch the Master B outputs can be configured in two
modes. In STEREO mode the master b outputs are fed with the stereo left
and right mix signals. In Mono mode they are fed with the summed left
and right mix signal.
7. The MUTE switch mutes all signals sent to master and master b outputs.
Only the Tape In signal to masters is not affected by the MUTE switch.
2. The MAS switch connects the TAPE IN signal to the master L/R busses right
after the master mute switch. This allowes i. e.background music during a
show, even when the master mute switch is engaged. The MAS switch
should be off during recording via TAPE OUT.
5. The PRE/POST switch changes the signals sent to the masters b outputs from
pre master fader to post master fader.
6. The BAL control is used to balanced the relative levels of the left and right
master signals that are sent to the masters outputs. The control has a
constant power law, i. e. 0dB at the centre position and +3dB or off at
either extreme Setting.
8. The stereo Fader gives continous adjustment of the left and right mix levels
from +10dB to off.
R L
0
BAL
MUTE
MASTERS
10
5
0
5
10
15
20
25
40
60
80
8
MASTERS
0
+10
8
0
+10
8
AUX 1
RETURN
AUX 2
RETURN
PRE
POST
STRREO
MONO
0
+10
8
0
+10
8
LEVEL
MASTERS B
MAS
TAPE
IN
1
2
3
4
5
6
7
8
9
MASTER SECTION