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Spirit KING-416, Instruction Manual

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Summary of Contents for KING-416

Page 1: ......

Page 2: ...n the provided plug does not fit into your outlet consult An electrican for replacement of the absolete outlet IMPORTANT SERVICE INSTRUCTIONS CAUTION These servicing instructions are for use by qualif...

Page 3: ...to consider when installing a mixing console Many of these points will have been addressed before the console is even unpacked but it is worth repeating them POSITION The console should be located in...

Page 4: ...Mono Input Channel 2 Stereo Input Channel 4 6 12 15 17 18 19 20 MASTER SECTION CONSTRUCTIONAL DRAWINGS TECHNIQUE INDEX CONNECTORS KING 416 STRUCTURAL KING 432 STRUCTURAL KING 424 STRUCTURAL CONTENTS...

Page 5: ...led monitors if phantom power is assigned The 48V switch for each channel is placed on the rear panel of the console It connects 48V phantom power to the XLR input connector This is suitable for a con...

Page 6: ...stant power law i e 3dB at the centre position and 0dB or off at either extreme setting 16 The SOLO switch sends the input channel signal to the PFL mono and AFL stereo busses If the switch is engaged...

Page 7: ...MID equaliser acts on 3kHz with a 1 4 octaves bandwith 1 The 48V switch for each channel is positioned at the rear panel of the console It connects 48 V phantom power to the XLR input connector This...

Page 8: ...BAL pan control is used to balance the relative levels of the left and right channel signals that are sent to the masters or groups The control has a constant power law i e 3dB at the centre position...

Page 9: ...f 1 The PAN controls the group placement within the master stereomix and has a constant power law i e 3dB at the centre position and 0dB or off at either extreme Setting 2 The MAS switch connects the...

Page 10: ...master bus 8 The MON controls give continuous adjustment of the pre fader signal sent from the Fxreturn channel to the MON busses The level adjustment is from 10dB to off with 0dB at the centre positi...

Page 11: ...s continuous adjustment of the aux send output level from 10dB to off with 0dB at the centre position of the rotary Control 4 The AUX RETURN control gives continuous adjustment of the stereo aux retur...

Page 12: ...to masters is not affected by the MUTE switch 2 The MAS switch connects the TAPE IN signal to the master L R busses right after the master mute switch This allowes i e background music during a show...

Page 13: ...talkback mic to all group busses 5 The non latching MAS switch connects the talkback mic to left and right master busses 9 The SOURCE switch controls whether the tape in or master signal is present at...

Page 14: ...els of the selected pfl or afl solo source 5 The MASTER meters monitor the peak signal levels of the master outputs left and right post Fader 16 12 9 6 3 0 3 6 9 12 15 10 21 24 16 16 16 12 12 12 9 9 9...

Page 15: ...12 CONSTRUCTIONAL DRAWINGS...

Page 16: ...13 Group1 Group2 Group3 Group4 CONSTRUCTIONAL DRAWINGS...

Page 17: ...14 CONSTRUCTIONAL DRAWINGS...

Page 18: ...Headphones Stereo Speakers Size mm inch Width Depth Heights Weight kg Power Consumption Mains Voltage Additional Features Connector for desk lamps External Power Supply Accessories KING 416 30 8 4 4 4...

Page 19: ...dwith Bass Gain Bass Shelving Frequency Hi Pass Slope Hi Pass Frequency Treble Gain Treble Frequency Hi Mid Gain Hi Mid Frequency Hi Mid Bandwidth Lo Mid Gain Lo Mid Frequency Lo Mid Bandwidth Bass Ga...

Page 20: ...P 4 GROUP 3 GROUP 2 GROUP 1 AUX2 AUX1 FX 2 FX 1 STEREO AUXILIARY RETURNS BALANCED INPUTS AND OUTPUTS SHAFT PIN 1 GROUND TIP PIN HOT RING PIN3 COLD INSERTS SHAFT GROUND TIP SIND FING RETURN LAMP 12V 5W...

Page 21: ...15 20 25 40 60 80 8 1 2 3 4 MAS 0 15 15 BASS 80Hz EQ ON OFF 0 0 15 15 0 15 15 2K 8K 400 0 15 15 500 2K 100 1 GAIN 0 60 MIC 20 40 LINE 80Hz 12KHz TREBLE HI MID FREQ Hz LO MID FREQ Hz 48V 0 10 8 0 10 8...

Page 22: ...8 1 2 3 4 MAS 0 15 15 BASS 80Hz EQ ON OFF 0 0 15 15 0 15 15 2K 8K 400 0 15 15 500 2K 100 1 GAIN 0 60 MIC 20 40 LINE 80Hz 12KHz TREBLE HI MID FREQ Hz LO MID FREQ Hz 48V 0 10 8 0 10 8 0 10 8 0 10 8 0 1...

Page 23: ...40 60 80 8 10 5 0 5 10 15 20 25 40 60 80 8 MON 1 MON 2 0 10 8 0 10 8 1 2 3 4 MAS Fx2 SEND Fx2 RETURN 10 8 0 10 8 MON 1 PRE MON 2 PRE 0 10 8 SEND SEND MUTE SOLO MUTE SOLO R L 0 PAN MAS R L 0 PAN MAS R...

Page 24: ...PROFESSIONAL SOUND SYSTEM...

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