SoundCraft D-MIX 1000 User Manual Download Page 30

S tereo Input Module

Input Stage

Two switched stereo inputs are provided to the module, one on 1/4" stereo jacks
and one on RCA phono plugs.  The inputs would typically be used for CD players,
DAT machines or VTRs, and Line 1 input may also be reconfigured by changing
internal jumpers to provide RIAA equalisation for turntables.  A remote start facility
is included for controlling turntables, CD players or other equipment.

1

 The 

LINE 2 switch selects Line 2 input when pressed and Line 1 input when

released.  An LED in the switch illuminates when the Line 2 input is selected.

2

 The 

GAIN control trims the level of the selected input by +/-10dB to

compensate for different sources.

Equalisation

3

  The Equaliser (EQ) allows correction of the sound, to enhance poor recordings

or compensate for different room acoustics.  Since the sources which would
typically be connected to the stereo inputs will generally be of reasonable sound
quality, the EQ controls on these inputs have less range than the similar section on
the Mono input modules, giving more subtle control.

Three EQ bands are provided, giving 6dB of boost or cut at frequencies of 100Hz
(LF), 3.5kHz (MF) and 8kHz (HF).  

4

  The EQ may be switched in and out of circuit by the EQ switch.  An integral

LED illuminates when the EQ is in circuit (switch pressed).  Toggling this switch
on and off allows an instant comparison between the equalised signal and the
untreated signal.

5

  A mono AUX feed is provided for use with an effects unit, reverb or as an

additional output from the mixer.  The AUX control sets the send level from the
channel, and this is mixed with the signal from any other channels required before
being sent to the Aux Send output jack at an overall level set by the Master module
AUX SND control.  The send from the channel may be selected as pre- or post fader
by changing the position of internal jumpers.

6

 The 

BAL (Balance) control pr/-6dB level adjustment for the signal

feeding the Stereo Mix output, either directly or via the A/B Crossfader (see Channel
Output below), allowing compensation for imbalance in the source signal.

7

  The large illuminated ON switch activates the channel when pressed, and mutes

the channel when released.  If the Aux Send is selected as pre-fade, the ON switch
will not affect the Aux signal, but will mute it with the main channel output if
selected as post-fade.  Pressing the ON switch also provides an isolated contact
closure on the remote START phono socket to control external equipment.

8

 The 

PEAK LED warns the DJ of excessive signal level in the channel before

distortion occurs.  The signal is sampled just after the EQ section, and illumination
of the LED will indicate that the input gain is set too high, or that the EQ settings
are too extreme.

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4.6

Stereo Input Module

Summary of Contents for D-MIX 1000

Page 1: ...SOUNDCRAFT USER GUIDE...

Page 2: ...ed stored in a retrieval system or transmitted in any form or by any means electronic electrical mechanical optical chemical including photocopying and recording for any purpose without the express wr...

Page 3: ...3 Precautions and Safety Instructions 2 4 A Typical Installation 2 6 Connections 2 7 Setting Up 2 10 Removing And Replacing Modules 2 11 Removing And Replacing The Cross Fader 2 12 Jumpers 2 13 3 Syst...

Page 4: ......

Page 5: ...1 Introduction Introduction Precautions and Safety Instructions Introduction 1 1...

Page 6: ...asy access when mounted through a desktop Module Options Frames may be fitted with a choice of modules as follows Mono Mic Line Input module with insert point and 3 band EQ Two Mono input modules are...

Page 7: ...the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be available if a the Equipment has been properly installed in accordance with instructions contained in Soundcraft s m...

Page 8: ...1 4 Introduction...

Page 9: ...2 Installation Installation 2 1...

Page 10: ...Dimensions 482 60mm 125 00mm underside connectors 355 60mm 21 20mm 25 40mm 442 00mm 84 30mm 1 22mm 14 00mm 19 00 4 92 14 00 0 83 1 00 17 40 3 32 0 05 0 55 MAX KNOB HEIGHT 2 2 Installation...

Page 11: ...ty earth reference for each piece of equipment B Install separate mains outlets for the audio equipment and feed these independently from any other equipment C Avoid locating mains distribution boxes...

Page 12: ...ecessary to move it any distance after installation it is recommended that this packing is used to protect it Be sure to disconnect all cabling before moving If the console is to be regularly moved we...

Page 13: ...e for high impedance headphones 400ohms and will appear to be low if domestic 8ohm headphones are used Caution Do not use unbalanced microphones or battery powered condenser microphones without isolat...

Page 14: ...OUTPUT AUX SEND BOOTH OUTPUT AUX RETURN RECORD L OUTPUT RECORD R OUTPUT INPUT 2 LEFT STR INPUT 2 RIGHT INPUT 1 LEFT RIAA INPUT 1 RIGHT RIAA START INPUT 2 LEFT STR INPUT 2 RIGHT INPUT 1 LEFT RIAA INPU...

Page 15: ...The voltage on pins 2 3 of the XLR may cause serious damage The input level is set using the SENS Knob Line Input Accepts 3 pole A gauge TRS jacks or 2 pole mono jacks which will automatically ground...

Page 16: ...th paths by plugging into the Left jack only Start Socket The Start socket accepts phono plugs A switch contact closes between the screen and the centre contacts in the modulewhenever themodules ON sw...

Page 17: ...Output Sub Bass Output The Mix and Aux outputs are on 3 pole a gauge jack sockets wired as shown on the left and below and incorporate ground compensation which helps to avoid ground loops and their...

Page 18: ...ound Sound To Light Output The Sound to Light output can be connected via 3 pole A gauge jack Signal Send Gnd Screen Gnd Screen Tip Ring Sleeve Aux Send The Aux Send can be connected via 3 pole A gaug...

Page 19: ...clipping distortion may occur Clipped Signal Noise Set up the Stereo Line channels as follows 1 Plug in the chosen source e g Turntables CDs 2 Set the Master faders up fully 3 Provide the chosen sourc...

Page 20: ...oval Lift the module a few inches out from the desk frame just enough so the ribbon cable is exposed Gently ease off the loom connector from the bottom of the PCB The module should now be completely f...

Page 21: ...ntly lift out the fader being careful not to apply too much force on the wire loom connecting the Cross Fader to the console Gently ease the plug off of the Cross Fader PCB This is shown as number 3 o...

Page 22: ...Over Default J2B Fit in position B to disable the Voice Over J3 Fit in position A for Aux source pre fade Default Fit in position B for Aux source post fade The black rectangles on the diagrams below...

Page 23: ...3 System Block Diagram System Block Diagram 3 1...

Page 24: ...D Mix1000 S ystem Block Diagram 3 2 System Block Diagram...

Page 25: ...4 Mic Line Input Module Description Operation Specification Mic Line Input Module 4 1...

Page 26: ...encies of 100Hz LF 3 5kHz MF and 8kHz HF 4 The EQ may be switched in and out of circuit by the EQ switch An integral LED illuminates when the EQ is in circuit switch pressed Toggling this switch on an...

Page 27: ...put is selected to MIC moving the fader from the end stop will also cause the DJ Booth monitors to be muted when a Cue is active to prevent feedback 11 The large illuminated CUE switch enables the pre...

Page 28: ...dBu Sensitivity range 70dBu to 16dBu E I N 128dB 150 ohm source Line Input Electronically balanced Input impedance 20k Maximum input level 22dBu Sensitivity range 46dBu to 8dBu General Frequency Respo...

Page 29: ...Stereo Input Module Description Operation Specification Stereo Input Module 4 5...

Page 30: ...sed Toggling this switch on and off allows an instant comparison between the equalised signal and the untreated signal 5 A mono AUX feed is provided for use with an effects unit reverb or as an additi...

Page 31: ...om the channel is set by the long travel FADER 11 The large illuminated CUE switch enables the stereo pre fade channel signal to be routed to the DJ s headphones and the booth monitors if required Jum...

Page 32: ...nputs Input impedance 20k RIAA 47k Maximum input level 22dBu Sensitivity range 46dBu to 8dBu Noise 80dB General Frequency Response 0 1 0dB 20Hz to 20kHz Distortion Line In to L R Output 0 005 1kHz 4 8...

Page 33: ...Master Module Description Operation Specification Master Module 4 9...

Page 34: ...9 13 12 14 4 7 8 5 6 3 2 1 10 11 15 16 4 10 Master Module...

Page 35: ...ule to give an automatic VOICE OVER facility for the DJ s microphone When the VOICE OVER switch is pressed if the selected mono input is switched to MIC the mic signal will activate the ducking system...

Page 36: ...9 13 12 14 4 7 8 5 6 3 2 1 10 11 15 16 4 12 Master Module...

Page 37: ...s muted DJ Headphones A DJ Headphones output provides monitoring and cueing on headphones and this is separate from the DJ Booth loudspeaker output The phones output is a 3 pole A gauge jack suitable...

Page 38: ...cification Output Levels L R output 4dBu for 0VU nominal 26dBu max into 600 ohm Distortion Line In to L R output 0 005 1kHz Crosstalk Channel to Channel 85dB 1kHz Rear Connector Panel 4 14 Master Modu...

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