background image

INSTALLATION & OPERATION

11

If you have a second projector, repeat the above steps
except hook your solar cell wires to the -RIGHT2,
+RIGHT2, -LEFT2 and +LEFT2 inputs.

DOUBLE CHECK your work to see that the solar cell leads
arrive at the proper terminals.  A reversal of leads will
cause very strange results.  You may hear the center
channel information through the surround speakers, the
surround through the stage, and the left channel out of
phase with the right.  This is a common error, so verify
correct wiring before proceeding.

Two Projector Systems

Connect the CHANGEOVER and GROUND terminals on
the MOD 7 AUTOMATION terminal strip to the booth
automation changeover relay terminals.

Projector changeover is accomplished by using only a
single pair of wires and either a manual switch or relay
contacts in the automation system. A relay closure in the
automation equipment will execute a changeover by
grounding the CHANGEOVER terminal. Run a two-
conductor shielded cable to the “dry” contacts of the
automation projector changeover relay. On the other end,
connect one wire to the CHANGEOVER terminal on the
MOD 7. Ground the other wire to the nearest ground
terminal on the MOD 7. Connect the shield of the wire, on
the MOD 7 end, to a ground terminal. Cut off the shield on
the automation end. When the automation relay closes,
Projector Two of the MOD 7 will be “enabled,” and the first
pair of stereo preamplifiers (Projector One) will be “dis-
abled.” Releasing the relay will cause the reverse action to
occur.  In other words, Projector One is always ON until the
CHANGEOVER 

terminal is grounded. The 

CHANGEOVER

Connecting the MOD 7 to a Reverse Scan soundhead.

terminal must be tied to ground to activate Projector Two.  It is
not a pulse-toggled input.

TWO PROJECTOR SYSTEMS - NO AUTOMATION:
Rig a single pole, single throw switch between the
CHANGEOVER 

terminal and a GROUND terminal.

When the switch is open, Projector 1 will be active, when it
is closed, Projector 2 will be active.

NOTE : Changeover between projectors is done electroni-
cally in the MOD 7.  This necessitates that BOTH exciter
lamps be lit at the same time. No exciter light changeover is
provided in the unit. An exciter light changeover has at
least 3 dB more circuit noise than an electronic changeover
and is NOT recommended in high quality systems.

Non-Sync Music Connections

The non-sync music inputs for the MOD 7 are run through
the Circle Surround matrix to generate 5.1 channels of
auditorium music.  Connect your stereo music source (CD
player, tape, etc.) to the MUSIC LEFT and MUSIC RIGHT
inputs on the back of the MOD 7.

Occasionally, a theater may use a monaural sound player
such as a background music cartridge player or satellite
music service that does not have stereo capabilities. In this
event, connecting a mono signal into both LEFT and RIGHT
MUSIC inputs will generate music in the center channel
only.

SMART recommends using a stereo distribution amplifier
such as the SMART DA226 to feed signals from one music
source to multiple sound processors.

Automation Connections

Connect the format pins on the AUTOMATION terminal
strip of the MOD 7 to the system’s corresponding automa-
tion relay terminals.

A momentary ground contact on one of the FORMAT
SELECT inputs on the rear of the MOD 7 will switch the
processor to any desired format, including music.  The EX
format select terminal will toggle between EX ON and EX
OFF when pulsed to ground.

Note: The MOD 7 powers up in Non-Sync Music mode.

Muting Function

A convenient MUTE terminal in the AUTOMATION
section of the back panel allows all output channels of the
MOD 7 to be silenced whenever this terminal is grounded.

Summary of Contents for MOD 7

Page 1: ...Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to digita...

Page 2: ...ctive parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures no...

Page 3: ...matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11 N...

Page 4: ...ave to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton The...

Page 5: ...lit surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7 processes both stereo and mono music sources from tape CD or cartridge players The music is processed throug...

Page 6: ...serDisc VCR Factory setting Preamp Configuration The MOD 7 preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of each...

Page 7: ...hen place this shunt in the OFF position The MOD 7 can be configured to deliver an overhead channel from digital soundtracks If you are using a digital player and have installed overhead speakers and...

Page 8: ...rs The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET p...

Page 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Page 10: ...pe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using thre...

Page 11: ...pulse toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active...

Page 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Page 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Page 14: ...EAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While adj...

Page 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Page 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or multi...

Page 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Page 18: ...ER control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTRO...

Reviews: